The Private Lives of Elizabeth and Essex (1939)

Calificación de los usuarios:

7.2/10   

Director:

Michael Curtiz

Escritores:

Norman Reilly Raine (screenplay) and
Æneas MacKenzie (screenplay) ...

Fecha de Lanzamiento:

11 noviembre 1939 (USA)

Género:

Biografía | Drama | Romance

Frase comercial:

Elizabeth I's love for the Earl of Essex threatens to destroy her kingdom.

Plot:

This period drama frames the tumultuous affair between Queen Elizabeth I and the man who would be King of England...

Plot Keywords:

Queen | Ireland | Queen Elizabeth I | Earl | Historical

Premios:

Nominated for 5 Oscars.

Comentarios de los usuarios:

Not the dream team of the cinema

Reparto

Bette Davis	...	Queen Elizabeth
Errol Flynn	...	Earl of Essex
Olivia de Havilland	...	Lady Penelope Gray
Donald Crisp	...	Francis Bacon
Alan Hale	...	Earl of Tyrone
Vincent Price	...	Sir Walter Raleigh
Henry Stephenson	...	Lord Burghley
Henry Daniell	...	Sir Robert Cecil
James Stephenson	...	Sir Thomas Egerton
Nanette Fabray	...	Mistress Margaret Radcliffe (as Nanette Fabares)
Ralph Forbes	...	Lord Knollys
Robert Warwick	...	Lord Mountjoy
Leo G. Carroll	...	Sir Edward Coke

También conocida como:

Elizabeth and Essex
Elizabeth the Queen (USA) (TV title)
The Knight and the Lady (USA) (working title)
Mi reino por un amor (Argentina) (Mexico) [es]
La vida privada de Elisabeth y Essex (Spain) [es]
Las vidas privadas de Isabel y Essex (Venezuela) [es]

Duración:

106 min

País:

USA

Idioma:

Inglés

Color:

Color (Technicolor)

Relación de Aspecto:

1.37 : 1

Sonido:

Mono (Vitaphone)

Clasificación:

Argentina:Atp | Australia:G | Finland:S | Sweden:Btl | USA:Approved (PCA #5411)

Locaciones de Filmación:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Compañía:

Warner Bros. Pictures

Trivialidades:

As well as shaving two inches off her hairline at the forehead, Bette Davis also had her eyebrows removed. She later complained that they never grew back properly and that ever after she had to draw them in with an eyebrow pencil.

Errores:

Continuidad: Elizabeth completely smashes a mirror but in next shot a large shard of it still remains in the frame.

Citas:

Robert Devereux, Earl of Essex: [after being slapped hard by Queen Elizabeth I] I would not have taken that from your father the King; much less will I take it from a king in petticoats!

Conexiones de Película:

Apareció en Stardust: The Bette Davis Story (2006) (TV)

Banda de Sonido:

Love's Answer

Not the dream team of the cinema

The Private Lives of Elizabeth and Essex was a personal triumph for Bette Davis in her portrayal of Elizabeth I of England. Davis was 31 when she played the Virgin Queen at the tail end of her regime, Elizabeth herself was 65 in 1601 when the action of this story takes place. It concerns her involvement with Robert Devereaux, Earl of Essex, a last foolish gesture on the part of a great monarch.

Davis hated working with Errol Flynn since doing The Sisters with him a year earlier. She was quoted as saying that when she had to kiss him she'd close her eyes and pretend it was Laurence Olivier. But I think Olivier might have had trouble making Essex a hero.

In point of fact he wasn't any kind of a hero. He was a vainglorious, conceited, egotistical cad of a human being who apparently only had talent in the bedroom. Now the bedroom part would have fit Flynn perfectly. But he became a military commander and leader and he bungled every job he was given.

The real Essex was played like a piccolo by the other members and rivals of the Elizabethan court. His main rival in the film is Robert Cecil played by Henry Daniell. In the film he is incorrectly identified as Lord Burghley's(Henry Stephenson's)son when in fact he was a nephew. Because it's Henry Daniell and he's a clever schemer he has to be the villain. In point of fact Cecil was a patriot in the best tradition. He was very concerned in fact about Essex's military ventures that they were nothing but missions of glory. Cecil's greatest contribution to English history was to come two years later when Elizabeth died, it's due to him that there was an orderly transition from the House of Tudor to the House of Stuart.

My favorite performance in this film is that of Alan Hale as Hugh O'Neill, the Earl of Tyrone who led the Irish rebellion against the English at that time. What happens in court to Essex with his rivals there is nothing compared to the way O'Neill plays him. He leads him deeper into the Irish interior, using hit and run tactics and then cuts him off from his supply base. And then in surrendering O'Neill very cleverly sows the seed of more dissension by telling him what a great leader he was and the Irish could never have beaten him if he'd been backed up better from home. And Essex the rube falls for it.

Another good performance is Donald Crisp as Sir Francis Bacon. He's a wily old fox used to court politics Elizabethan style. Bacon tries to give Essex some good advice none of which Essex accepts. In the end Bacon gives up on Essex and just switches sides, lest he be brought down with him.

So what we have here is Bette Davis giving a great performance with a leading man she detested and Flynn trying desperately to breathe life and heroism into a character who wasn't terribly heroic. It would have defeated a better actor than Errol Flynn.