The Mark of Zorro (1940)

Calificación de los usuarios:

7.7/10   

Director:

Rouben Mamoulian

Escritores:

John Taintor Foote (screenplay)
Garrett Fort (adaptation) ...

Fecha de Lanzamiento:

8 noviembre 1940 (USA)

Género:

Acción | Aventura | Romance | Del Oeste

Frase comercial:

Ride With Zorro . . . The Dashing Don Of California's Most Adventurous Era !

Plot:

A young aristocrat must masquerade as a fop in order to maintain his secret identity of Zorro as he restores justice to early California.

Plot Keywords:

California | Fop | Justice | Secret Identity | Spain

Premios:

Nominated for Oscar.

Comentarios de los usuarios:

my favorite superhero movie

Reparto

Tyrone Power	...	Diego
Linda Darnell	...	Lolita Quintero
Basil Rathbone	...	Captain Esteban Pasquale
Gale Sondergaard	...	Inez Quintero
Eugene Pallette	...	Fray Felipe
J. Edward Bromberg	...	Don Luis Quintero
Montagu Love	...	Don Alejandro Vega
Janet Beecher	...	Senora Isabella Vega
George Regas	...	Sergeant Gonzales
Chris-Pin Martin	...	Turnkey
Robert Lowery	...	Rodrigo
Belle Mitchell	...	Maria
John Bleifer	...	Pedro
Frank Puglia	...	Propietor
Eugene Borden	...	Officer of the Day

También conocida como:

The Californian (USA) (working title)
La marca del Zorro (Argentina) (Venezuela) [es]
El signo del Zorro (Spain) [es]

Duración:

94 min | Portugal:90 min (censored version)

País:

USA

Idioma:

Inglés | Español

Color:

Negro y Blanco

Relación de Aspecto:

1.37 : 1

Sonido:

Mono (Western Electric Mirrophonic Recording)

Clasificación:

Canada:G (Manitoba/New Brunswick/Nova Scotia/Prince Edward Island/Quebec) | Canada:PG (Ontario) | USA:Approved (certificate #6597) | Australia:G | Finland:S | Germany:12 | Portugal:M/12 | Sweden:Btl | UK:U

Compañía:

Twentieth Century-Fox Film Corporation

Trivialidades:

In DC comic lore, this version of Zorro with 'Tyrone Power (I)' is the movie that a young Bruce Wayne goes to see the night his parents are mugged and shot by Joe Chill. After coming out of the movie and walking through an alley with Bruce is when they are mugged, and what leads to Batman's creation. This fact is mentioned in the 1986 Frank Miller comic The Dark Knight Returns.

Errores:

Continuidad: When the padre leaves the cell he has a pistol in his right hand. When he starts hitting the soldiers, he has a tree limb in his right hand. When the Alcade resigns, the padre escorts him the pistol is back in his right hand.

Citas:

[last lines]
Inez Quintero: Oh, Diego, when may we expect you and our dear little Lolita in Madrid?
Don Diego Vega: Not for some time I'm afraid. We're going to follow the customs of California.
Inez Quintero: What do you mean?
Don Diego Vega: Well, we're going to marry and raise fat children and watch our vineyards grow.

Conexiones de Película:

Referenced in Aladdin and the King of Thieves (1995) (V)

my favorite superhero movie

I like to be an iconoclastic jerk sometimes, so whenever I'm asked to name the best superhero movie, I always say "The Mark of Zorro." Then I have to specify that I mean the Tyrone Power movie, not the Fairbanks one and certainly not the Banderas. Ah, elitism can be amusing sometimes...

Seriously, though, this is one heck of a motion picture. The best part is the pacing; it's deliciously slow, in the most effective way. Characters are developed fully, tensions heighten gradually, and just when you're on the verge of getting bored - BOOM! A fantastic chase scene or swordfight perfectly repays your patience. Well, my patience, anyway. Maybe you were bored the whole way through?

Tyrone Power is simply awesome in this flick. He's hilarious as the fey Don Diego, and he cuts an impressive figure as Zorro. It's easy to see that Batman was patterned on Zorro, as he also pretends to be a stupid playboy, but Bruce Wayne was *never* this cool.

Basil Rathbone makes a great villain, as always, and his close-quarters duel with Zorro is, as I'm sure you've heard, one of cinema's great action scenes (I think the confined setting actually enhances the suspense). Even J. Edward Bromberg, who plays a slightly dated and silly character, somehow manages to come across well - it's interesting to see his character come into his own as the main villain at the end of the movie.

Even the romance isn't a dud. Lots of amusing flirting goes on, and Linda Darnell certainly is easy on the eyes.

Why can't they make action flicks like this anymore? To paraphrase a certain famous political catchphrase, "it's the characters, stupid." Everybody in this movie is colorful and cool, and through them I get wrapped up in the plot. When the biggest complaint I have is a bit of rear-screen projection during a boat ride, you know the movie's almost perfect.