In This Our Life (1942)

Calificación de los usuarios:

7.4/10   

Director:

John Huston

Escritores:

Ellen Glasgow (novel)
Howard Koch (screenplay)

Fecha de Lanzamiento:

16 mayo 1942 (USA)

Género:

Drama

Plot:

A young woman (Stanley Timberlake) dumps her fiancée (Craig Fleming) and runs off with her sister's (Roy Timberlake) husband (Peter Kingsmill)...

Plot Keywords:

Sister | Law Office | Hit And Run | Suicide | Dancing

Comentarios de los usuarios:

Great cast; excellent direction

Reparto

Bette Davis	...	Stanley Timberlake
Olivia de Havilland	...	Roy Timberlake
George Brent	...	Craig Fleming
Dennis Morgan	...	Peter Kingsmill
Charles Coburn	...	William Fitzroy
Frank Craven	...	Asa Timberlake
Billie Burke	...	Lavinia Timberlake
Hattie McDaniel	...	Minerva Clay
Lee Patrick	...	Betty Wilmoth
Mary Servoss	...	Charlotte Fitzroy
Ernest Anderson	...	Parry Clay
William B. Davidson	...	Jim Purdy
Edward Fielding	...	Dr. Buchanan
John Hamilton	...	Inspector
William Forrest	...	Forest Ranger

También conocida como:

Como ella sola (Spain) [es]

Duración:

97 min

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

1.37 : 1

Sonido:

Mono (RCA Sound System)

Clasificación:

Finland:K-16 | Sweden:15 | USA:Approved (PCA #7856)

Locaciones de Filmación:

Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, USA

Compañía:

Warner Bros. Pictures

Trivialidades:

Jack Mower is listed in studio records as an actor in this film, but he was not seen in the print.

Conexiones de Película:

Apareció en Stardust: The Bette Davis Story (2006) (TV)

Banda de Sonido:

Java Jive

Great cast; excellent direction

IN THIS OUR LIFE is an example of a film with perfect casting. Two-time Oscar winner Bette Davis plays the southern vixen, as only she could (Jezebel, The Little Foxes, et al.) and Olivia DeHavilland, another two-time Oscar winner, plays a fair-minded, compassionate lady--the kind of role she always played so well (Gone With the Wind).

When two actresses this dynamic come together on screen, it is always fun to watch. With the exception of Joan Crawford later in her career, Bette Davis would rarely cross paths with so formidable an actress on screen--and it is fascinating to see the differences in acting styles.

Davis is loud, brazen, shrieking--completely over the top as the willful, devious young woman, but it is an effective performance. This is, however, one of at least several films in which, it can be stated, Davis overplays. Not to burst any bubbles, but Davis was certainly not a subtle performer--and it really becomes obvious against DeHavilland's more nuanced, subtle style. Later, when playing opposite Crawford, Davis reverted to the same tactics, and overplayed, also successfully. Fortunately, in both instances, the overplaying was not out of character! Of DeHavilland it should be said that she is a wonderful talent. Here is a very beautiful, sensitive actress, playing a character drawn inward and timid instead of the fast and loose character Davis played as Stanley. DeHavilland is superb.

Also of note is the marvelous score by Max Steiner. Poignant, moody, magnificent; Max Steiner's music elevates any film.

The best thing about the film is the subplot about southern racism and bigotry. It was far ahead of its time and quite daring! Hattie McDaniel turns in an affecting performance as the mother of the young black man accused wrongfully of manslaughter charges.

John Huston directs the film with just the right pacing and style. It holds your attention from start to finish and the ending is especially rewarding.