Directed by
| Orson Welles | ||
| Fred Fleck | ... | (additional sequences) (uncredited) |
| Robert Wise | ... | (additional sequences) (uncredited) |
Writing Credits
| Booth Tarkington | ... | (from the novel by) |
| Orson Welles | ... | (script writer) |
| Joseph Cotten | ... | (additional scenes) (uncredited) |
| Jack Moss | ... | (additional scenes) (uncredited) |
Cast (in credits order) verified as complete
Produced by
| Jack Moss | ... | associate producer (uncredited) |
| George Schaefer | ... | executive producer (uncredited) |
| Orson Welles | ... | producer (uncredited) |
Music by
| Bernard Herrmann | ... | (uncredited) |
Cinematography by
| Stanley Cortez | ... | (photographer) |
| Jack MacKenzie | ... | (uncredited) |
| Orson Welles | ... | (uncredited) |
Editing by
| Robert Wise | ... | film editor |
| Jack Moss | ... | (uncredited) |
| Mark Robson | ... | (uncredited) |
Production Design by
| Albert S. D'Agostino | ... | (uncredited) |
Art Direction by
| Albert S. D'Agostino | ... | (uncredited) |
Set Decoration by
| Darrell Silvera | ... | (uncredited) |
Makeup Department
| Mel Berns | ... | makeup department head (uncredited) |
| Robert J. Schiffer | ... | makeup artist (uncredited) |
| Maurice Seiderman | ... | makeup artist (uncredited) |
Second Unit Director or Assistant Director
| Fred Fleck | ... | assistant director (uncredited) |
| Harry Mancke | ... | assistant director (uncredited) |
Art Department
| A. Roland Fields | ... | set dresser (as Al Fields) |
| Mark-Lee Kirk | ... | set designer |
| Chesley Bonestell | ... | background paintings (uncredited) |
| Charles Sayers | ... | props (uncredited) |
Sound Department
| Bailey Fesler | ... | sound recordist |
| James G. Stewart | ... | sound recordist |
| Terry Kellum | ... | sound (uncredited) |
| Roy Meadows | ... | boom operator (uncredited) |
| Earl B. Mounce | ... | sound (uncredited) |
| James Thompson | ... | boom operator (uncredited) |
| John E. Tribby | ... | sound (uncredited) |
Special Effects by
| Vernon L. Walker | ... | special effects |
Visual Effects by
| Clifford Stine | ... | process photography (uncredited) |
Stunts
| David Sharpe | ... | stunt double: Tim Holt (uncredited) |
| Helen Thurston | ... | stunt double: Anne Baxter (uncredited) |
Camera and Electrical Department
| Russell A. Cully | ... | photographer: additional scenes (uncredited) |
| William Eglinton | ... | camera department head (uncredited) |
| Eddie Garvin | ... | assistant camera (uncredited) |
| Ralph Hoge | ... | grip (uncredited) |
| Alexander Kahle | ... | still photographer (uncredited) |
| Bill McLellan | ... | gaffer (uncredited) |
| Russell Metty | ... | additional photographer (uncredited) / photographer: additional scenes (uncredited) |
| Earl Miller | ... | electrician (uncredited) |
| Nicholas Musuraca | ... | photographer: additional scenes (uncredited) |
| Howard Schwartz | ... | assistant camera (uncredited) |
| Bert Shipman | ... | camera operator (uncredited) |
| Phil Stern | ... | still photographer (uncredited) |
| Harry J. Wild | ... | photographer: additional scenes (uncredited) |
Casting Department
| Rufus Le Maire | ... | casting: Hollywood (uncredited) |
| Robert Palmer | ... | casting: Hollywood (uncredited) |
| Arthur Willy | ... | casting: New York (uncredited) |
Costume and Wardrobe Department
| Edward Stevenson | ... | designer: ladies' wardrobe |
| Claire Cramer | ... | wardrobe department head (uncredited) |
| Eugene Joseff | ... | costume jeweller (uncredited) |
| Earl Leas | ... | wardrobe: men (uncredited) |
| Margaret Van Horn | ... | wardrobe: women (uncredited) |
Editorial Department
| Mark Robson | ... | assistant editor (uncredited) |
| I.J. Wilkinson | ... | negative cutter (uncredited) |
Location Management
| Louis Shapiro | ... | location manager (uncredited) |
Music Department
| Dave Dreyer | ... | music department head (uncredited) |
| Bernard Herrmann | ... | conductor (uncredited) / orchestrator (uncredited) |
| Louis Kaufman | ... | musician: violin (uncredited) |
| Roy Webb | ... | composer: additional music (uncredited) |
Script and Continuity Department
| Amalia Kent | ... | script supervisor (uncredited) |
Transportation Department
| Elroy G. Cline | ... | transportation captain (uncredited) |
Additional Crew
| William Alland | ... | assistant: Mr. Welles (uncredited) |
| John Barada | ... | ranch manager (uncredited) |
| Leda Bauer | ... | script reader: New York (uncredited) |
| Howard Benedict | ... | unit publicist (uncredited) |
| Herbert Drake | ... | publicist (uncredited) |
| H. Emolieff | ... | film export manager (uncredited) |
| Fred Fleck | ... | unit business manager (uncredited) |
| Winifred Hablam | ... | production notes (uncredited) |
| John Hamilton | ... | first aid (uncredited) |
| Ross Hastings | ... | production attorney (uncredited) |
| G.B. Hobe | ... | production treasurer (uncredited) |
| J.B. McDonough | ... | business manager (uncredited) |
| Elizabeth McGaffey | ... | research department head (uncredited) |
| Ivy R. McLean | ... | public relations (uncredited) |
| L. Messenger | ... | script reader: Hollywood (uncredited) |
| Howard Nelson | ... | maintenance (uncredited) |
| J.J. Nolan | ... | office manager (uncredited) |
| Roy S. Otto | ... | dailies projectionist (uncredited) |
| Sid Rogell | ... | backlot manager (uncredited) |
| Ann Rogers | ... | secretary: Mr. Welles (uncredited) |
| Richard Wilson | ... | assistant: Orson Welles (uncredited) |
| H. Winnicar | ... | studio teacher (uncredited) |
