Gaslight (1944)

Calificación de los usuarios:

7.9/10   

Director:

George Cukor

Escritores:

Patrick Hamilton (play)
John Van Druten (screenplay) ...

Fecha de Lanzamiento:

11 mayo 1944 (USA)

Género:

Drama | Misterio | Suspenso

Frase comercial:

Strange drama of a captive sweetheart!

Plot:

Paula's aunt Alice Alquist, a famous entertainer, is murdered in her home. Paula, who lives with her aunt finds the body...

Plot Keywords:

Scotland Yard | Italy | Nervous Breakdown | Letter | Driven Mad

Premios:

Won 2 Oscars. Another 1 win & 5 nominations

Comentarios de los usuarios:

A great film!

Reparto

Charles Boyer	...	Gregory Anton
Ingrid Bergman	...	Paula Alquist
Joseph Cotten	...	Brian Cameron
Dame May Whitty	...	Miss Bessie Thwaites
Angela Lansbury	...	Nancy Oliver
Barbara Everest	...	Elizabeth Tompkins
Emil Rameau	...	Maestro Mario Guardi
Edmund Breon	...	Gen. Huddleston
Halliwell Hobbes	...	Mr. Muffin
Tom Stevenson	...	Williams
Heather Thatcher	...	Lady Dalroy
Lawrence Grossmith	...	Lord Dalroy
Jakob Gimpel	...	Pianist
listado alfabético del resto del reparto:
Gary Gray	...	Boy in Park with Nanny
Terry Moore	...	Paula Alquist - Age 14 (as Judy Ford)

También conocida como:

Murder in Thornton Square (UK)
La luz que agoniza (Spain) (Venezuela) [es]

Duración:

114 min

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

1.37 : 1

Sonido:

Mono (Western Electric Sound System)

Clasificación:

Netherlands:6 | Australia:PG | Finland:K-16 | Germany:12 | Spain:T | Sweden:15 | UK:PG | USA:Approved (certificate #9800)

Locaciones de Filmación:

Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA

Compañía:

Metro-Goldwyn-Mayer (MGM)

Trivialidades:

The aria that Ingrid Bergman is singing when we see her in the first scene of her in the present day is from the Gaetano Donizetti opera "Lucia Di Lammermoor". The opera is famous for its so-called "mad scene", in which the eponymous Lucia goes insane.

Errores:

Continuidad: When embracing at the lake, hands and heads change position.

Citas:

Nancy Oliver: Gonna work on your tunes again tonight, sir? You're always working, aren't you?
Gregory Anton: Yes. What are you doing with your evening out?
Nancy Oliver: Oh, I'm going to a music hall...
[starts to sing 'Up in a balloon']
Gregory Anton: I've never been to an English music hall.
Nancy Oliver: Oh, you don't know what you've missed, sir...
Gregory Anton: And whom are you going to the music hall with?
Nancy Oliver: A gentleman friend, sir.
Gregory Anton: Oh, now you know, Nancy, don't you, that gentlemen friends are sometimes inclined to take liberties with young ladies.
Nancy Oliver: Oh no, sir, not with me. I can take care of myself - when I want to.
[...]

Conexiones de Película:

Apareció en Reflections on 'Gaslight' (2003) (V)

Banda de Sonido:

Waltz from 'Die Fledermaus'

A great film!

Ingrid Bergman experiences the murder of the aunt who has raised her. Ten years later, she returns to the house in which it happened with her new husband (Charles Boyer). Something is wrong, though, as her husband, once so kind to her, grows cold and cruel. Furthermore, Bergman begins to lose things, misplace things, and develop a case of kleptomania, or at least that's her husband's explanation. Boyer convinces his wife that she is going insane, that she is sick, and she becomes little more than a shut-in. She becomes paranoid, especially at her maids (the younger of which is played by Angela Lansbury in her first film role). Meanwhile, Joseph Cotten, a detective, gets an inkling that something is up in that household, and that it might be related to the aunt's murder. Gaslight is a very atmospheric film. The black and white cinematography is full of shadows, and there are interesting things going on in the focus. The music is also quite excellent, and very original. Classical music is also used to great effect. The plot is great, although maybe a tiny bit predictable (it didn't harm my enjoyment of the film whatsoever). The performances are top-notch, although Cotten doesn't add much to the picture. I mean, he's good, but his role perhaps isn't the one the original playwright or the screenwriters were most interested in. Anyone probably could have done just as well. Bergman's performances is to be counted amongst her best. Charles Boyer, an actor with whom I am unfamiliar, is so wicked in the film. You hate him, but you've got to admit it's an effective performance! And I can't finish without praising Angela Lansbury. Dame May Whitty also has a nice supporting role, although the role - the comic relief - is sometimes used at a bad time. I don't think, for instance, she should have come back in during the final sequence. Anyway, little flaws don't detract much from this masterpiece. Bravo, Mr. Cukor! 10/10.