Directed by
| John Cromwell | ||
| Edward F. Cline | ... | (uncredited) |
| Tay Garnett | ... | (uncredited) |
| David O. Selznick | ... | (uncredited) |
Writing Credits
| Margaret Buell Wilder | ... | (adaptation) |
| Margaret Buell Wilder | ... | (book) |
| David O. Selznick | ... | (screenplay: by the producer) |
Cast (in credits order) complete, awaiting verification
Produced by
| David O. Selznick | ... | producer |
Music by
| Max Steiner | ||
Cinematography by
| Stanley Cortez | ... | (photographed by) |
| Lee Garmes | ... | (photographed by) |
| George Barnes | ... | (uncredited) |
| Robert Bruce | ... | (uncredited) |
Editing by
| Hal C. Kern | ... | supervising film editor |
| John Faure | ... | (uncredited) |
| Arthur Fellows | ... | (uncredited) |
| Marsh Hendry | ... | (uncredited) |
Production Design by
| William L. Pereira | ||
Makeup Department
| Peggy Higgins | ... | hair stylist (uncredited) |
| Margaret Martin | ... | associate hair stylist (uncredited) |
| William Riddle | ... | associate makeup supervisor (uncredited) |
| Robert Stephanoff | ... | makeup supervisor (uncredited) |
Production Management
| Fred Ahern | ... | production manager (uncredited) |
| John Burch | ... | unit manager (uncredited) |
| Richard Johnston | ... | production manager (uncredited) |
| Raymond A. Klune | ... | production manager (uncredited) |
| George Yohalem | ... | unit manager (uncredited) |
Second Unit Director or Assistant Director
| Lowell J. Farrell | ... | assistant director |
| Edward F. Cline | ... | director: comedy sequences (uncredited) |
| Tay Garnett | ... | director: crowd sequences (uncredited) |
Art Department
| Victor A. Gangelin | ... | interior decorator |
| Mark-Lee Kirk | ... | settings (as Mark Lee Kirk) |
| Robert Ashton | ... | draftsman (uncredited) |
| William Connor | ... | draftsman (uncredited) |
| Arden Cripe | ... | props (uncredited) |
| Harold Fenton | ... | construction superintendent (uncredited) |
| James Forney | ... | draperies (uncredited) |
| J. McMillan Johnson | ... | production artist (uncredited) |
| Roy McLaughlin | ... | greens (uncredited) |
| Frank Pereu | ... | draftsman (uncredited) |
| Frederick Robinson | ... | production artist (uncredited) |
| A. Leslie Thomas | ... | production artist (uncredited) |
| Fred Widdowson | ... | props (uncredited) |
| Alfred Ybarra | ... | chief draftsman (uncredited) |
Sound Department
| Percy Townsend | ... | recorder |
| Charles L. Freeman | ... | sound editor (uncredited) |
| Arthur Johns | ... | sound re-recordist (uncredited) |
Special Effects by
| Jack Cosgrove | ... | special effects |
| Clarence Slifer | ... | special effects associate (uncredited) |
Visual Effects by
| Spencer Bagdatopolis | ... | Matte painter |
Camera and Electrical Department
| Schuyler Crail | ... | still photographer (uncredited) |
| Eddie Fitzgerald | ... | camera operator (uncredited) |
| Kenneth Meade | ... | assistant camera (uncredited) |
| James Potevin | ... | chief electrician (uncredited) |
| Morris Rosen | ... | chief grip (uncredited) |
| Harvey L. Slocomb | ... | assistant camera (uncredited) |
| Harry Webb | ... | camera operator (uncredited) |
Casting Department
| Ruth Burch | ... | casting manager (uncredited) |
Costume and Wardrobe Department
| Elmer Ellsworth | ... | wardrobe (uncredited) |
| Eugene Joseff | ... | costume jeweller (uncredited) |
| Adele Sadler | ... | wardrobe associate (uncredited) |
Editorial Department
| James E. Newcom | ... | associate film editor |
| André De Toth | ... | montage (uncredited) |
Music Department
| Louis Forbes | ... | associate music director |
| David Buttolph | ... | composer: additional music (uncredited) |
| Adolph Deutsch | ... | composer: additional music (uncredited) |
| Gil Grau | ... | orchestrator (uncredited) |
| William Lava | ... | composer: additional music (uncredited) |
| Jerome Moross | ... | orchestrator (uncredited) |
| Frank Perkins | ... | orchestrator (uncredited) |
| Leonid Raab | ... | orchestrator (uncredited) |
| Frank Skinner | ... | orchestrator (uncredited) |
| Max Steiner | ... | conductor (uncredited) |
| Alexander Tansman | ... | composer: additional music (uncredited) |
| Eugene Zador | ... | orchestrator (uncredited) |
Script and Continuity Department
| Lydia Schiller | ... | script girl (uncredited) |
Additional Crew
| Barbara Keon | ... | production assistant |
| David O. Selznick | ... | presenter: his production of |
| J.G. Taylor | ... | technical advisor (as Lt. Col. J.G. Taylor U. S. Army) |
| Jack Beaman | ... | technical advisor: Red Cross scenes (uncredited) |
| Ulrie Bell | ... | technical assistant: Office of War Information (uncredited) |
| A.J. Bolton | ... | technical assistant: U.S. Navy (uncredited) |
| William S. Cunningham | ... | technical assistant: Office of War Information (uncredited) |
| Tom Douglas | ... | consultant: Hilton house (uncredited) |
| Sarah Catherine Haney | ... | researcher (uncredited) |
| Tommy Hanlon Jr. | ... | technical advisor: Joseph Cotton (uncredited) |
| A. Joan O'Brien | ... | researcher (uncredited) |
| May E. Romm | ... | technical assistant (uncredited) |
| David O. Selznick | ... | fill-in director (uncredited) |
| Iris Taylor | ... | technical advisor: Red Cross scenes (uncredited) |
| Walter L. Treadway | ... | technical assistant: U.S. Public Health Service medical director (uncredited) |
| Charles Walters | ... | dance director (uncredited) |
