The Woman in the Window (1944)

Calificación de los usuarios:

7.8/10   

Director:

Fritz Lang

Escritores:

Nunnally Johnson (writer)
J.H. Wallis (novel)

Fecha de Lanzamiento:

3 noviembre 1944 (USA)

Género:

Cine Negro | Suspenso

Frase comercial:

It was the look in her eyes that made him think of murder.

Plot:

A middle-aged college professor laments his stodgy life until he spends an evening with a beautiful woman who has a dangerous lover.

Plot Keywords:

Professor | Window | Portrait | College | District Attorney

Premios:

Nominated for Oscar.

Comentarios de los usuarios:

Film lovers get a window seat to great storytelling.

Reparto

Edward G. Robinson	...	Professor Richard Wanley
Joan Bennett	...	Alice Reed
Raymond Massey	...	Dist. Atty. Frank Lalor
Edmund Breon	...	Dr. Michael Barkstane
Dan Duryea	...	Heidt / Tim, the Doorman
Thomas E. Jackson	...	Inspector Jackson, Homicide Bureau
Dorothy Peterson	...	Mrs. Wanley
Arthur Loft	...	Claude Mazard / Frank Howard / Charlie the Hatcheck Man
Frank Dawson	...	Collins, the Steward

También conocida como:

La mujer del cuadro (Spain) [es]

Duración:

99 min

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

1.37 : 1

Sonido:

Mono (RCA Sound System)

Clasificación:

West Germany:16 (nf) | Finland:K-16 | Sweden:15

Compañía:

International Pictures (I)

Citas:

[first lines]
Richard Wanley: [lecturing] The Biblical injunction "Thou shalt not kill" is one that requires qualification in view of our broader knowledge of impulses behind homicide. The various legal categories such as first and second degree murder, the various degrees of homicide, manslaughter, are civilized recognitions of impulses of various degrees of culpability. The man who kills in self defense, for instance, must not be judged by the same standards applied to the man who kills for gain.

Conexiones de Película:

Referenced in Blue Velvet (1986)

Film lovers get a window seat to great storytelling.

It's hard to tell which element of "The Woman in the Window" (1944) contributes most to its excellence: script, direction, casting, performances, lighting, cinematography, scoring. So, it's probably safe to say, "All of the above!" "TWITW" introduces us to Assoc. Prof. Richard Wanley (Edward G. Robinson) of Gotham College, who has just seen his wife and two kids (young Robert Blake is "Dickie" Wanley) off for a two week summer vacation. Just prior to entering his men's club, he is captivated by the portrait of a beautiful woman in the display window of a neighboring storefront. His club member friends, District Attorney Frank Lalor (Raymond Massey) and surgeon Dr. Barkstane (Edmond Breon) notice him staring at the portrait and indulge the temporary "bachelor professor" in some good-natured ribbing before the three enter the club for drinks and conversation. As the evenings winds down, the doctor having subscribed some medication for Prof. Wanley who has complained of fatigue, the colleagues leave. Prof. Wanley asks for a 10:30 PM call in the event that he dozes off while reading in his club chair. Upon leaving the club, Wanley again stops at the portrait; and standing behind him is the model, Alice Reed (Joan Bennett), who posed for the artist. She admits that she frequently comes to the spot to check out people's rections to the painting. The small talk leads the two to an innocent drink at a club followed by a visit to her sumptuous apartment, where she shows Wanley other sketches by the artist.

The intrusion of an insanely jealous lover leads to struggle, murder (in self-defense) and a quandary: How do two non-merderous strangers go about covering up a murder, disposing of a body (a large one), and manage to trust eachother in the process? The body turns out to be the type of man who warrants headlines. Wanley's friendship with the D.A. gets him invited on a "field trip" to the spot where the body was found. Here we meet the Chief Inspector, beautifully portrayed by Thomas E. Jackson). Through a series of delightfully handled mishaps, the gentle professor manages to exhibit elements about himself which would conspire to make him a prime suspect had the very prospect not been so ludicrous. A sleazy, but extremely clever blackmailer (Dan Duryea) is introduced. How he becomes involved, we'll leave unsaid, so as not to spoil some of the film's outstanding storytelling. The characters are three dimensional. Massey, as the D.A. is both a condescending stuffed-shirt and a caring friend. Jackson, as the Inspector is superbly understated, an affable exterior housing a brilliant mind for detection. Bennett and Duryea are both fine, although some of the dialog between them could easily have been cut to the improvement of the film overall. Robinson is excellent as the unassuming, bright but vulnerable professor. The Nunnally Johnson-Arthur Lange script is right-on, with the noted exceptions. Director Fritz Lang has created a taut, superb suspense tale. "The Woman in the Window" could easily have had either of two endings, one tragically ironic, one concocted to satisfy audiences in search of more delectably amusing resolution. I'll never tell. This film deserves any healthy debate about its ending every bit as much now, in the year 2000, as it did during its first release in 1944.