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The Dark Corner (1946)
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Overview
Release Date:
9 abril 1946 (USA) másFrase comercial:
Save your lipstick, girls, he plays for keeps.Comentarios de los usuarios:
Everything a film noir should be másCast
(Complete credited cast) | Lucille Ball | ... | Kathleen |
 | Clifton Webb | ... | Hardy Cathcart |
| William Bendix | ... | Stauffer, alias Fred Foss |
| Mark Stevens | ... | Bradford Galt |
| Kurt Kreuger | ... | Anthony Jardine |
| Cathy Downs | ... | Mari Cathcart |
| Reed Hadley | ... | Lt Frank Reeves |
| Constance Collier | ... | Mrs. Kingsley |
| Eddie Heywood | ... | Himself (as Eddie Heywood and His Orchestra) |
Additional Details
Parents Guide:
Add content advisory for parentsDuración:
99 min | 95 min (FMC Library Print)País:
USAIdioma:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 másSonido:
Mono (Western Electric Recording)Clasificación:
Australia:M | UK:PG | Finland:K-16 | Sweden:(Banned) | USA:Approved (certificate #11435)MOVIEmeter: 
16% since last week
why?
Cosas divertidas
Trivialidades:
When Kathleen is unsuccessful at following a suspicious character for her boss, she tells him he should have William Powell as a secretary instead. Powell played the detective in the "Thin Man" movie series. másQuotes:
Hardy Cathcart: [whispering] Tell him you need two hundred dollars to leave town.Stauffer, alias Fred Foss: [on the phone to Galt] I need two yards, powder money.
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Discuss this title with other users on IMDb message board for The Dark Corner (1946)| Recent Posts (updated daily) | User |
|---|---|
| I missed something? Clifton Webb's character. | puzzle_queen |
| Themes from LAURA | Noirkiss_3 |
| Mark Stevens | tag65 |
| The Story theme | najma_i |
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IMDb Calificación de los usuarios:
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Related Links
| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb USA section | Add this title to MyMovies |
This is a perfect little film noir, it's everything a film noir is supposed to be. Lucille Ball is great (I echo the sentiments of the person who said she should have done more of this type of film.) She's not a femme fatale, she's a completely innocent heroine; perhaps a little unusual in film noir, but it works. The use of light and dark, some terrific camera angles, and a somewhat confusing plot make this a superb example of this genre. One wonders why this film is not better known; it should be.