Ex con Lawrence Tierney, hunts a supposedly reformed inmate, MacLane who escapes during a trip to San Francisco.Ex con Lawrence Tierney, hunts a supposedly reformed inmate, MacLane who escapes during a trip to San Francisco.Ex con Lawrence Tierney, hunts a supposedly reformed inmate, MacLane who escapes during a trip to San Francisco.
Tom Keene
- Hal Schaeffer, Robbery Detail
- (as Richard Powers)
Franklyn Farnum
- Doctor
- (scenes deleted)
Ernie Adams
- The Tailor
- (uncredited)
Stanley Andrews
- Head Guard
- (uncredited)
Bobby Barber
- Shorty
- (uncredited)
Hugh Beaumont
- Card Player
- (uncredited)
Rodney Bell
- Andy
- (uncredited)
Storyline
Did you know
- TriviaFirst credited screen appearance of Raymond Burr.
- GoofsWhen Jim Drove to Mid-City Garage, the smoke disappears when the car that followed Jim appeared on screen Indicated a film cut.
- Crazy creditsThe story of this photoplay is told against the pictorial background of San Quentin prison, and the factual background of our penal institutions generally, but in its presentation of persons and specific institutions it is fictional. The characters are not intended to represent actual persons, living or dead.
- ConnectionsEdited from Gildersleeve's Bad Day (1943)
Featured review
Noir not really a prison picture, but noteworthy for Tierney and Burr
Curiously, San Quentin is not really a Big House movie, since most of it takes place outside prison walls. But the plot is rooted in an earnest concern for the humane rehabilitation of inmates that calls to mind Eleanor Roosevelt. It has the markings of a message movie, but luckily the message, for the most part, gets lost in the action.
San Quentin's warden, eager to generate favorable publicity for his inmates' welfare league (through which prisoners police one another to discourage recidivism), accepts an invitation to a press conference in San Francisco and brings along (he thinks) two of his successes. But he gambled wrong on Barton MacLane, who engineers a car-hijacking en route and leaves the warden for dead.
Set a thief to catch a thief, the old saying goes. Authorities contact Lawrence Tierney, an ex-con who, after discharge, served honorably in the War, to hunt down his old nemesis MacLane. With sidekick Joe Devil, he starts off in pursuit, handicapped by the strictures his status as parolee impose on him. The movie thus comes down to a cat-and-mouse game, with not much more elaboration than a romantic angle (in the person of Betty Richards) to sweeten up the plot.
San Quentin marks Raymond Burr's first appearance in film noir, of which he would become such an irreplaceable fixture. Over the course of the cycle, his weight shot up and down as capriciously as post-war hemlines. On the portly side of average, he would balloon over the next few years, then slim down before his defection to television as Perry Mason. The part he plays here as a freeside crony of MacLane's isn't especially distinctive; his menace would grow with his girth.
San Quentin's warden, eager to generate favorable publicity for his inmates' welfare league (through which prisoners police one another to discourage recidivism), accepts an invitation to a press conference in San Francisco and brings along (he thinks) two of his successes. But he gambled wrong on Barton MacLane, who engineers a car-hijacking en route and leaves the warden for dead.
Set a thief to catch a thief, the old saying goes. Authorities contact Lawrence Tierney, an ex-con who, after discharge, served honorably in the War, to hunt down his old nemesis MacLane. With sidekick Joe Devil, he starts off in pursuit, handicapped by the strictures his status as parolee impose on him. The movie thus comes down to a cat-and-mouse game, with not much more elaboration than a romantic angle (in the person of Betty Richards) to sweeten up the plot.
San Quentin marks Raymond Burr's first appearance in film noir, of which he would become such an irreplaceable fixture. Over the course of the cycle, his weight shot up and down as capriciously as post-war hemlines. On the portly side of average, he would balloon over the next few years, then slim down before his defection to television as Perry Mason. The part he plays here as a freeside crony of MacLane's isn't especially distinctive; his menace would grow with his girth.
helpful•143
- bmacv
- Sep 16, 2002
Details
- Release date
- Country of origin
- Language
- Also known as
- Prison Story
- Filming locations
- Los Angeles County Arboretum & Botanic Garden - 301 N. Baldwin Avenue, Arcadia, California, USA(used for the Green Lake Gun Club)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 6 minutes
- Color
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content