Key Largo (1948)

Calificación de los usuarios:

8.0/10   

Director:

John Huston

Escritores:

Maxwell Anderson (play)
Richard Brooks (writer) ...

Fecha de Lanzamiento:

31 julio 1948 (USA)

Género:

Crimen | Drama | Cine Negro | Suspenso

Frase comercial:

A storm of fear and fury in the sizzling Florida Keys !

Plot:

A man visits his old friend's hotel and finds a gangster running things. As a hurricane approaches, the two end up confronting each other.

Plot Keywords:

Hotel | Hurricane | Gangster | Wheelchair | Moll

Premios:

Won Oscar. Another 1 nomination

Comentarios de los usuarios:

shock value

Reparto

Humphrey Bogart	...	Frank McCloud
Edward G. Robinson	...	Johnny Rocco
Lauren Bacall	...	Nora Temple
Lionel Barrymore	...	James Temple
Claire Trevor	...	Gaye Dawn
Thomas Gomez	...	Richard 'Curly' Hoff
Harry Lewis	...	Edward 'Toots' Bass
John Rodney	...	Deputy Clyde Sawyer
Marc Lawrence	...	Ziggy
Dan Seymour	...	Angel Garcia
Monte Blue	...	Sheriff Ben Wade
William Haade	...	Ralph Feeney

También conocida como:

Cayo Largo (Spain) [es]
Huracán de pasiones (Venezuela) [es]

Duración:

100 min

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

1.37 : 1

Sonido:

Mono (RCA Sound System)

Clasificación:

Iceland:12 | Sweden:15 | West Germany:16 (nf) | South Korea:15 (2003) | Australia:G (cable rating) | Australia:PG (original rating) | Canada:PG (video rating) | Finland:K-16 | USA:Approved (PCA #12932)

Locaciones de Filmación:

Florida Keys, Florida, USA

Compañía:

Warner Bros. Pictures

Trivialidades:

This movie was based on Maxwell Anderson's popular Broadway play which featured Paul Muni in the lead role as a fatalistic ex-member of the Loyalist Army who has returned from the Spanish Civil War. For the film version, the time period and the setting were changed. Director John Huston and screenwriter Richard Brooks rewrote the main character, Frank McCloud, making him a World War II veteran who had served in the Italian campaign. The two writers emphasized the idealism of the early Franklin Delano Roosevelt years and how those ideals began to erode as organized crime spread through urban areas.

Errores:

Errores que Revelan: Strings on palm trees during hurricane (used to make model palm trees sway back and forth) are visible.

Citas:

Johnny Rocco: You'd give your left arm to nail me wouldn't you? I could see the headlines now, 'Local Deputy Captures Johnny Rocco'. Your picture'd be in all the papers. You might even get to tell on the newsreels how you pulled if off, yeah. Listen hick, I was too much for any big city police force to handle. It took the United States Government to pin a rap on me. And they won't make it stick. You hick, I'll be back pulling strings to get guys elected mayor and governor before you get a ten buck raise.

Conexiones de Película:

Apareció en Public Enemies: The Golden Age of the Gangster Film (2008) (TV)

Banda de Sonido:

Moanin' Low

shock value

My favorite Bogart movie is also Key Largo. Even before Edward G. Robinson and his hoods take everyone hostage in Lionel Barrymore's hotel there is a tension that does not let up for one second. Movie goers had to be on the edge of their seats in 1948.

There is one scene however that I don't think viewers today can fully appreciate. Lionel Barrymore had been acting from a wheelchair for 10 years and movie audiences were used to that. When Robinson and his goons goad him to a futile gesture of bravado, Barrymore rises from that chair and moves slowly towards the snickering Robinson. He swings and misses and falls down and Bogey and Bacall pick up Barrymore and bring him back to his wheelchair. The shock value of that scene for 1948 audiences would have a dimension that can't be appreciated now.

Robinson's Johnny Rocco is based on Lucky Luciano who had been deported a few years back. He's evil incarnate and Humphrey Bogart as Frank McCloud is the jaded, cynical former idealist who redeems himself and becomes the countervailing force for good. They play well against each other in a reverse from the 1930s Warner gangster flicks where Robinson was usually the good guy.

Who could have known this would be the fourth, last, and best of the Bogey and Bacall teamings.