The Lady from Shanghai (1947)

Calificación de los usuarios:

7.8/10   

Escritores:

Sherwood King (story)
Orson Welles (screenplay)

Fecha de Lanzamiento:

9 junio 1948 (USA)

Género:

Crimen | Drama | Cine Negro | Misterio

Frase comercial:

One who keeps his nature keeps his original nature in the end.

Plot:

Fascinated by gorgeous Mrs. Bannister, seaman Michael O'Hara joins a bizarre yachting cruise, and ends up mired in a complex murder plot.

Plot Keywords:

Murder | Dock | Yacht | Seaman | Partner

Comentarios de los usuarios:

Michael O'Hara's Femme Fatale

Reparto

Rita Hayworth	...	Elsa Bannister
Orson Welles	...	Michael O'Hara
Everett Sloane	...	Arthur Bannister
Glenn Anders	...	George Grisby
Ted de Corsia	...	Sidney Broome (as Ted De Corsia)
Erskine Sanford	...	Judge
Gus Schilling	...	'Goldie' Goldfish
Carl Frank	...	District Attorney Galloway
Louis Merrill	...	Jake
Evelyn Ellis	...	Bessie (Bannister maid)
Harry Shannon	...	Cab Driver

También conocida como:

Black Irish (USA) (working title)
Take This Woman (USA) (working title)
The Girl from Shanghai (USA) (working title)
La dama de Shanghai (Argentina) (Spain) [es]

Duración:

87 min | Germany:79 min | UK:92 min (original release)

País:

USA

Idioma:

Inglés | Cantonés

Color:

Negro y Blanco

Relación de Aspecto:

1.37 : 1

Sonido:

Mono (Western Electric Recording)

Clasificación:

UK:A (original rating) (1948) | Argentina:13 | Australia:PG | Chile:14 | Finland:K-16 | Germany:12 | Sweden:15 | UK:PG | USA:Approved (certificate #12111)

Locaciones de Filmación:

Acapulco Bay, Acapulco, Guerrero, Mexico

Compañía:

Columbia Pictures Corporation

Trivialidades:

Orson Welles was very displeased with the score put together by the studio-appointed composer. In a test screening, he put a temp stock score on which was supposed to be a model for the composer. The composer completely disregarded Welles' precisely laid-out blueprint. In particular, the final mirror scene was supposed to be unscored, to create the sense of terror.

Errores:

Continuidad: Narrator mentions they arrive back in San Francisco on early-October, but in the document (prepared by Grisby) that Wells signs verifying his killing of Grisby, it is dated August 9th, supposedly the next day.

Citas:

Michael O'Hara: New York is not as big a city as it pretends to be.

Conexiones de Película:

Remade as The Lady from Shanghai (2010)

Banda de Sonido:

Amado Mio

Michael O'Hara's Femme Fatale

At the point in time that The Lady from Shanghai was being made, the marriage of Orson Welles and Rita Hayworth was disintegrating. The film was as much an effort by Welles to rekindle the old flames as it was to make a classic noir. Not received well at the time, The Lady from Shanghai has gotten more and more critical acclaim as years pass. Gotten better with age so to speak.

Welles is Irish seaman Michael O'Hara who on a fateful night rescues the beautiful Rita Hayworth from three muggers in Central Park. Sparks do fly, but then comes the rub, turns out the lady is married to crippled, but brilliant criminal attorney Everett Sloane. Nevertheless Sloane takes an apparent liking to Welles and hires him to skipper his yacht.

So far this film is starting to sound a lot like Gilda. If Orson had seen Gilda and was not at this point thinking with his male member, he would have skedaddled back to the seaman's hiring hall in Lower Manhattan. Instead he gets himself involved in a lovely web or intrigue and finds himself pegged for two murders and Sloane as his eminent counsel.

Welles for whatever reason decided that his wife would be a blond in this film. Supposedly Harry Cohn hit the roof as Rita was internationally known for her coppery red hair. This may have soured him on the picture as he joined the legion of studio bosses who saw Welles's vision of independent film making a threat to their power.

Stage actor Glenn Anders plays Sloane's partner Grisby who is one slimy dude, he winds up a corpse. The other corpse to be here is Ted DeCorsia, a bottom feeding private detective who tries to go in business for himself.

It's a good noir thriller, showing Rita at her glamorous best even if she was a blond here. The final shoot out in the hall of mirrors is beautifully staged, but I wouldn't recommend seeing it if one is on any controlled substance.