Rashômon (1950)

Director:

Akira Kurosawa

Writers:

Ryunosuke Akutagawa (stories)
Akira Kurosawa (writer) ...

Release Date:

26 diciembre 1951 (USA)

Genre:

Crime | Drama | Mystery | Thriller

Frase comercial:

The husband, the wife...or the bandit?

Plot:

A heinous crime and its aftermath are recalled from differing points of view.

Plot Keywords:

Based On Short Story | Asia | 12th Century | Japanese | Literature

Awards:

Nominated for Oscar. Another 7 wins & 2 nominations

Comentarios de los usuarios:

Kurosawa is just so damn good

Cast

Toshirô Mifune	...	Tajômaru
Machiko Kyô	...	Masako Kanazawa
Masayuki Mori	...	Takehiro Kanazawa
Takashi Shimura	...	Woodcutter
Minoru Chiaki	...	Priest
Kichijiro Ueda	...	Commoner
Fumiko Honma	...	Medium
Daisuke Katô	...	Policeman

También conocida como:

In the Woods
Rasho-Mon (USA) (alternative spelling)
Rashomon (Japan) (alternative transliteration)
Rashomon (Argentina) (Spain) [es]

Duración:

88 min

País:

Japan

Idioma:

Japanese

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sonido:

Mono (Western Electric Recording)

Clasificación:

Australia:M | Argentina:16 | Canada:G (Quebec) | Chile:18 | Finland:K-16 | Spain:13 | Sweden:15 | Switzerland:14 | UK:12 | UK:X (original rating) | USA:Unrated | West Germany:16 | USA:PG-13 | Singapore:PG

Filming Locations:

Kyoto, Japan

Company:

Daiei Motion Picture Company

Trivialidades:

The title "Rashomon" actually refers to the wraparound segments, from a Akutagawa story set at the Rashomon Gate of Kyoto. The actual story related in the film instead comes from another tale by Akutagawa, "In a Grove".

Quotes:

Priest: I don't want to hear it. No more horror stories.
Commoner: They are common stories these days. I even heard that the demon living here in Rashômon fled in fear of the ferocity of man.

Movie Connections:

Referenced in Kurosawa: The Last Emperor (1999) (TV)

Kurosawa is just so damn good

"Rashomon", Akira Kurosawa's 1950 film about a horrible crime and the various versions of the "truth" that come to fruition during the investigation is absolutely amazing, pure and simple. The story is told four different times, each time from the point of view of one of the participants. The basic story of the crime is that a bandit (Mifune) comes across a husband and wife traveling through the forest. The bandit, Tajomaru, seduces/assaults the Masako (Kyo) after tying up her husband Takehiro (Mori), and soon after, Takehiro is dead. What happens between the times Tajomaru encounters the couple and the discovery of Takehiro's body is what is left to be discovered. Masako, Tajomaru and even Takehiro (with the assistance of a medium) each tell their account of the story, each taking blame for Takehiro's death. The fourth telling is from a passer-by, and the audience is left to decide which is the true account.

I absolutely loved this film. I had heard that Yimou Zhang's "Hero" had, if not as an homage, employed the same technique of storytelling and perspective, but seeing this great film was a real treat. The story is original and rich, and Kurosawa always is able to pull great performances from his actors. I found "Rashomon" to be extremely compelling from start to finish, and even managed to be really creeped out at one point. (The psychic medium is pure, unadulterated nightmare fuel) From the very little that I know of Japanese cinema of the 1950's & 1960's, I realize that Kurosawa was not the only director, but he certainly was the trailblazer and set the bar for the genre for decades to come. His peers were putting out material, it was just fairly primitive. (It is easy to forget that not every country's film industry was as opulent as America's) To see this kind of film, a film that is actually incredibly simple, but so ingeniously conceived of and executed makes me remember why I have been and always will be both a student of and lover of film. 8/10 --Shelly