The Thing from Another World (1951)

Calificación de los usuarios:

7.4/10   

Director:

Christian Nyby

Escritores:

John W. Campbell Jr. (story)
Charles Lederer (writer)

Fecha de Lanzamiento:

29 abril 1951 (USA)

Género:

Horror | Ciencia-Ficción

Frase comercial:

Look Out...It's

Plot:

Scientists and American Air Force officials fend off a blood-thirsty alien organism while at a remote arctic outpost.

Plot Keywords:

Arctic | Alien | Scientist | Spacecraft | Sled Dog

Premios:

1 win

Comentarios de los usuarios:

Rhythmic masterpiece of sci-fi

Reparto

Margaret Sheridan	...	Nikki
Kenneth Tobey	...	Captain Patrick Hendry
Robert Cornthwaite	...	Dr. Carrington
Douglas Spencer	...	Scotty
James R. Young	...	Lt. Eddie Dykes (as James Young)
Dewey Martin	...	Crew Chief
Robert Nichols	...	Lt. Ken McPherson
William Self	...	Corporal Barnes
Eduard Franz	...	Dr. Stern
Sally Creighton	...	Mrs. Chapman
James Arness	...	The Thing

También conocida como:

The Thing (USA) (short title)
El enigma... de otro mundo (Spain) [es]
La cosa (Venezuela) [es]

Duración:

87 min | USA:81 min (re-issue version) | USA:85 min (original US 16 mm television syndication prints)

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

1.37 : 1

Sonido:

Mono (RCA Sound System)

Clasificación:

USA:Approved (PCA #14925) | USA:Unrated (DVD rating) (video rating) | Australia:PG | Finland:K-16 | Norway:16 | Sweden:15 | UK:12 | West Germany:12 | Germany:Película restringida en Alemania

Locaciones de Filmación:

Glacier National Park, Montana, USA

Compañía:

Winchester Pictures Corporation

Trivialidades:

Veteran stunt man Tom Steele replaced James Arness in the fire scene. Steele wore an asbestos suit with a special fiberglass helmet with an oxygen supply underneath. He use a 100% oxygen supply which was highly combustible. It was pure luck he didn't burn his lungs whilst breathing in the mixture.

Errores:

Continuidad: Near the end of the film, when the Thing breaks through the door to confront the airmen for the last time, the wood planks that had been used to reinforce the door are broken off and dispersed. Then the camera quickly cuts to the airmen and then back to the Thing. Only now there is a new large piece of wood that appears next to the Thing, which he proceeds to pick up. This piece of wood was not there when he initially broke through the door.

Citas:

Ned "Scotty" Scott: Think of what it means to the world!
Hendry: I'm not working for the world. I'm working for the Air Force.

Conexiones de Película:

Spoofed in The Naked Monster (2005)

Rhythmic masterpiece of sci-fi

Let me get my two (minor) complaints out of the way first: the attempt to get the UFO out of the ice felt rushed (as in the filmmakers wanted to get to the rest of the film) because I saw the result coming a mile away . . . it just felt soulless and obligatory. Second, the scientist Dr Carrington, rubbed up with the 'mad scientist in pursuit of knowledge risking everyone's life' cliché a bit too much for me . . . and I was trying to be forgiving since this was 50 years ago and far less cliché then.

All right, now . . . I have to say, I loved The Thing from Another World. I loved the dialogue in this movie. It's been a long long (Jesus Christ, a loooong) time since I had this much fun listening to exposition. Yes, exposition. The obligatory plot details that no one cares about that some poor sap spells out? Yes, that exposition! Thing from Another World actually gains momentum with its exposition whereas your typical film slows down and comes to a screeching halt for it.

Nyby spreads the exposition across about half a dozen characters, and they have real conversation with overlapping, quick fire, back and forth, dialogue, and in brief instances multiple conversations going at the same time. The result? Five minutes of exposition becomes one minute of exposition. Will the audience catch every single detail of their plan? No, but the audience doesn't need to either. Thank you Howard Hawks!

Lace this exposition with characterization, inside jokes amongst characters, hints at their history together, and friendly pranks, and The Thing from Another World not only knocks out exposition with one blow, but develops their characters simultaneously, yielding a wonderfully complex and realistic relationship between the characters and plot. No spot light and overdone Shakespearian aside with melodramatic boo-hoo backstory that brings elicits yawns and groans, no little nerd with all the answers getting to explain everything while everyone asks stupid questions--nope--the Thing from Another World is above that drivel.

Nyby and Hawks sold me on the characters from the get go, placing emphasis on how they introduce the characters and not so much in what their character backstory is. I salute the filmmakers for this decision, and in response was more than willing to suspend my disbelief for the sake of the film's needs.

Follow it up with well lit and well staged action sequences--the fire scene was perhaps one of the most beautiful and glorious moments caught by b/w photography--and the Thing from Another World delivers with all its 1950s charms. I'll take a film with narrow corridors and electrodes over all out war with CGI bugs/machines any day of the week.