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Don't Bother to Knock
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Don't Bother to Knock (1952) Más información en IMDbPro »

Fotos (ver todos los 31 | slideshow)

Revisión

Calificación de los usuarios:
6.7/10   1,442 votos
MOVIEmeter: ?
Down 20% in popularity this week. See rank & trends on IMDbPro.
Director:
Roy Ward Baker
Escritores:
Daniel Taradash (screenplay)
Charlotte Armstrong (novel)
Contact:
View company contact information for Don't Bother to Knock on IMDbPro.
Fecha de Lanzamiento:
agosto 1952 (USA) más
Género:
Drama | Suspenso más
Frase comercial:
SHE'S DYNAMITE! It Opens the Door on the Screen's Most Exciting New Personality---MARILYN MONROE más
Plot:
An airline pilot, dumped by his girlfriend, pursues a baby-sitter in his hotel...and gradually realizes she's dangerous. full summary | add synopsis
Plot Keywords:
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Comentarios de los usuarios:
Don't tell mom the babysitter is NUTS más

Reparto

  (Reparto completo)

Richard Widmark ... Jed Towers

Marilyn Monroe ... Nell Forbes

Anne Bancroft ... Lyn Lesley
Donna Corcoran ... Bunny Jones
Jeanne Cagney ... Rochelle
Lurene Tuttle ... Ruth Jones
Elisha Cook Jr. ... Eddie Forbes
Jim Backus ... Peter Jones
Verna Felton ... Mrs. Ballew
Willis Bouchey ... Joe the Bartender (as Willis B. Bouchey)
Don Beddoe ... Mr. Ballew
listado alfabético del resto del reparto:
Emmett Vogan ... Toastmaster (unconfirmed)
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Más detalles

También conocida como:
Niebla en el alma (Spain) [es]
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Duración:
76 min
País:
USA
Idioma:
Inglés
Relación de Aspecto:
1.37 : 1 más
Sonido:
Mono (Western Electric Recording)
Clasificación:
Canada:PG (video rating) | West Germany:16 (f) | Australia:PG | Finland:K-16 | Sweden:15 | UK:PG | USA:Approved (certificate #15705) | Argentina:13

Cosas divertidas

Trivialidades:
Donna Corcoran is the only member of the cast still alive today. más
Errores:
Continuidad: When Lyn and Jed get photographed in the bar by the camera lady, she snaps only one picture of them. When she brings the novelty items to their booth minutes later, each item (handkerchief, matchbook, ashtray, and postcard) shows a slightly different pose. más
Citas:
[first lines]
Mrs. Emma Ballew: After all, we guests who live here from year to year, we deserve a little consideration, too.
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Conexiones de Película:
Apareció en "Biography: Marilyn Monroe: The Mortal Goddess" (1996) más
Banda de Sonido:
THERE'S A LULL IN MY LIFE más

preguntas frecuentes

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3 out of 3 people found the following comment useful:-
Don't tell mom the babysitter is NUTS, 29 July 2005
7/10
Author: blanche-2 de United States

Marilyn Monroe and Richard Widmark star in this early Monroe star vehicle. This is one film you'd never see being made today, due to the new child-care sensibilities. Jim Backus and Lorene Tuttle leave their child with a complete stranger while they go out for an evening. The stranger is Monroe, complete with wrist scars, who is the niece of the elevator man in the hotel where the couple is staying. Mid-evening, she picks up with Widmark, who is more upset about his lounge singer girlfriend (Anne Bancroft) breaking up with him than he thought he would be - he and Monroe flirt from their respective rooms. Widmark goes to the room, expecting a night of fun. Instead he and the hapless child get a night of terror, with Monroe believing Widmark is her dead pilot boyfriend and nearly killing not only the little girl but her uncle as well. Turns out, Marilyn's been institutionalized and her uncle (Elisha Cooke, Jr.) thought she was "nearly well." Monroe is very good in this - very beautiful, of course, as well as vulnerable and believable. The wild look in her eyes when she scolds the little girl is downright scary. One thing that has always bothered me about Monroe doing drama is her very excellent diction which always sounds studied and unnatural. It's a distraction in this film as well. However, she's so watchable in everything - the camera just adored her - I have to believe that as she lived and aged, she would have had more chances at drama.

Widmark is excellent as the apparent cynic who proves to have more to him than his girlfriend thought - in fact, his character was much better with the child than Monroe's; Bancroft's role is small and belies her future dramatic appearances; and there is a cameo by "Honeybee Gillis," Joan Blondell's sister Gloria, as a photographer.

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