Moulin Rouge (1952)

Calificación de los usuarios:

7.3/10   

Director:

John Huston

Writers:

John Huston (screenplay)
Pierre La Mure (novel)

Release Date:

23 diciembre 1952 (USA)

Genre:

Biografía | Drama | Music | Romance

Frase comercial:

The most startling and daring love story ever told!

Plot:

Fictional account of French artist Henri de Toulouse-Lautrec.

Plot Keywords:

Song | Dancing | Male Female Relationship | Cancan | Dancer

Awards:

Won 2 Oscars. Another 3 wins & 10 nominations

Comentarios de los usuarios:

PROFOUNDLY MOVING and BRILLIANT; Ferrer was never better!

US TV Schedule:

Tue. Oct. 14

5:30 PM

TCM

Cast

José Ferrer	...	Henri de Toulouse-Lautrec / The Comte de Toulouse-Lautrec
Zsa Zsa Gabor	...	Jane Avril
Suzanne Flon	...	Myriamme Hayam
Claude Nollier	...	Countess de Toulouse-Lautrec
Katherine Kath	...	La Goulue
Muriel Smith	...	Aicha
Mary Clare	...	Madame Louet
Walter Crisham	...	Valentin Dessosse
Lee Montague	...	Maurice Joyant
Jim Gérald	...	Pere Cotelle (as Jim Gerald)
Georges Lannes	...	Police Sgt. Patou
Harold Kasket	...	Zidler
Maureen Swanson	...	Denise de Frontiac
Tutte Lemkow	...	Aicha's partner
Jill Bennett	...	Sarah

También conocida como:

Moulin Rouge (Spain) [es]

Duración:

119 min

País:

UK

Idioma:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sonido:

Mono (Western Electric Recording)

Clasificación:

UK:A (original rating) | UK:PG | UK:PG (video rating) | Hungary:14 | West Germany:16 (nf) | USA:Approved (PCA #16156) | Australia:PG | Finland:K-16 | France:U (re-release) | Sweden:15 | Canada:PG

Filming Locations:

London, England, UK

Company:

Romulus Films

Trivialidades:

Artist Marcel Vertès, whose hand is seen making "Lautrec" drawings, paid part of his tuition in art school by forging and selling "Lautrec" drawings.

Goofs:

Miscellaneous: When Henri Lautrec arrives at the gallery for the showing of his pictures, as he 'walks' in, his shadow on the ground clearly shows Ferrar's legs tucked behind him as he walks, (in on his knees).

Quotes:

Prudish woman: Are you Monsieur Joyant?
Maurice Joyant: Yes, madame.
Prudish woman: You should be arrested. To hang such a thing on your wall! Look at this woman. She is undressing, with a man looking on! Disgusting!
Henri: Forgive me, madame, the lady is not undressing, she is dressing. The gentleman happens to be her husband. They are celebrating their twenty-seventh wedding anniversary. They are going to have dinner with their oldest son. He is a taxidermist. I am appalled that you should thus malign these good people. It goes to prove what I have always maintained, that evil exists only in the eye of the beholder. I will thank you to stop looking at my pictures.

Movie Connections:

Featured in "SexTV: Shunga/Moulin Rouge/Cock Temple (#6.19)" (2004)

Soundtrack:

It's April Again

PROFOUNDLY MOVING and BRILLIANT; Ferrer was never better!

With the appearance of the 2001 movie entitled "Moulin Rouge" (see review) I went back to the Jose Ferrer version to add a review of it. Note that both films are entirely different in style and purpose; to equate them is to compare apples to pineapples.

This version, so well directed by John Huston, is not a wild frenetic musical but a very touching and moving character study of the great artist Henri Toulose-Lautrec, whose legs were badly mishappen and shortened by an accident early in his life leaving him basically a midget. His frustration at his appearance, and unattractiveness to women, forever scarred his short life that was curtailed by drink and other excess. Jose Ferrer was superb as this tortured yet brilliant soul; Ferrer also played expertly Henri's powerful father descended from French nobility.

"Moulin Rouge" began with a long scene in the club itself filled with dancing, exciting music, beautiful women, good friends,and lots of drink. The sets and costumes and were colorful and beautiful. After about half an hour we follow Henri home - and we see him, alone, so short and vulnerable, walking all alone through the dark streets of Paris. The contrast was most effective. Such was the REALITY of Henri's life. The remainder of the film focused on his unsatisfactory relationship with a prostitute he befriends, along with flashbacks to his privileged wealthy childhood.

Perhaps the most emotional scene was at the end. With Henri dying in his bed his father there tells him that he is the first living artist to be honored by having his work displayed at the Louvre. As he appealed for forgiveness for his previously harsh treatment, saying "I didn't understand", all Henri's old friends from the Moulin Rouge, as spirits (or hallucinations), visited him.

Like with the fine movie about Van Gogh, "Lust for Life", this even better movie is not necessarily always true to historical fact, but it is a cinematic classic.

HIGHLY RECOMMENDED!