The Big Heat (1953)

Calificación de los usuarios:

8.0/10   

Director:

Fritz Lang

Escritores:

Sydney Boehm (screenplay)
William P. McGivern (Saturday Evening Post serial)

Fecha de Lanzamiento:

14 octubre 1953 (USA)

Género:

Crimen | Drama | Cine Negro | Misterio | Suspenso

Frase comercial:

A hard cop and a soft dame!

Plot:

Tough cop Dave Bannion takes on a politically powerful crime syndicate.

Plot Keywords:

B Girl | Mob | Mob Boss | Police | Suicide

Premios:

1 win

Comentarios de los usuarios:

Gritty, brutal, intense and powerful – a fantastic pot-boiler than stands out almost half a century later

Reparto

Glenn Ford	...	Det. Sgt. Dave Bannion
Gloria Grahame	...	Debby Marsh
Jocelyn Brando	...	Katie Bannion
Alexander Scourby	...	Mike Lagana
Lee Marvin	...	Vince Stone
Jeanette Nolan	...	Bertha Duncan
Peter Whitney	...	Tierney
Willis Bouchey	...	Lt. Ted Wilks
Robert Burton	...	Det. Gus Burke
Adam Williams	...	Larry Gordon
Howard Wendell	...	Police Commissioner Higgins
Chris Alcaide	...	George Rose
Michael Granger	...	Hugo (police clerk)
Dorothy Green	...	Lucy Chapman
Carolyn Jones	...	Doris

También conocida como:

Los sobornados (Mexico) (Spain) [es]

Duración:

89 min

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

1.37 : 1

Sonido:

Mono (Western Electric Recording)

Clasificación:

Norway:16 | UK:15 (re-rating) (1988) | UK:X (original rating) | Canada:G (Nova Scotia/Québec) | Germany:16 (nf) (re-rating) | West Germany:18 (nf) (original rating) | South Korea:15 | Finland:(Banned) | Finland:K-16 (re-rating) (1966) | Spain:13 | Sweden:15 | USA:Approved (certificate #16549) | Australia:PG | Germany:Película restringida en Alemania

Compañía:

Columbia Pictures Corporation

Trivialidades:

Bannion's wife Katie is played by Jocelyn Brando, older sister of Marlon.

Errores:

Continuidad: Near the end of the film, Dave Bannion has an altercation with his brother-in-law's old army buddy in the stairwell. When he enters the apartment a second later, the sleeves of his suit are suddenly rolled up.

Citas:

Mike Lagana: Prisons are bulging with dummies who wonder how they got there.

Conexiones de Película:

Apareció en Finding Forrester (2000)

Banda de Sonido:

Put the Blame on Mame

Gritty, brutal, intense and powerful – a fantastic pot-boiler than stands out almost half a century later

An honest, family man cop with a wife and daughter is put onto the investigation of another cop's suicide. He closes the case as suicide due to ill health. However when a women tells him another story and is promptly killed, Bannion just investigates further to find that powerful criminals and powerful politicians share the same table at dinner. When his family is split in an attack meant for him he loses his job and becomes bitter – he starts to become more like his enemies as he pursues them.

This is a hardboiled thriller that would still stand up today as a tough film – violence and attitudes that make it feel more modern than it is. The story follows the descent of family man Bannion into violence and bitterness when he not only loses what is important to him, but when he finds that corruption at high levels has fed down into rank and file officers causing him to stand out when he tries to catch a criminal.

The brutality of this film shouldn't be underestimated – Fritz Lang is no softy! Here we have women beaten and killed, we have sex crimes, we have a women disfigured by scalding coffee in her face. Of course all these things are unseen but this was the 50's! However it is still powerful and adds to the intensity of the film. The story may well have been done many times now – but imagine seeing something like this back then!

The cast are great. Ford descends into bitterness really well and seems at ease as both thug and family man. The female cast are good in different ways but the one that catches the eye is a young Lee Marvin. I suspect Marvin got fame because his coffee attack stuck in people's minds – even today he is best know as a tough guy in the movies.

Overall this is well worth hunting out – it is still being copied by many video thrillers and it just goes to show that you don't have to show gory or graphic violence on screen to be powerful, gritty or shocking.