| Fotos (ver todos los 10 | slideshow) |
| Clark Gable | ... | Victor Marswell | |
| Ava Gardner | ... | Honey Bear Kelly | |
| Grace Kelly | ... | Linda Nordley | |
| Donald Sinden | ... | Donald Nordley | |
| Philip Stainton | ... | John Brown-Pryce | |
| Eric Pohlmann | ... | Leon Boltchak | |
| Laurence Naismith | ... | Skipper | |
| Denis O'Dea | ... | Father Josef | |
| listado alfabético del resto del reparto: | |||
| Asa Etula | ... | Young native girl (uncredited) | |
Dirigida por | |||
| John Ford | |||
Créditos del guión | ||
| Wilson Collison | (play) | |
| John Lee Mahin | (screenplay) | |
Producida por | |||
| Sam Zimbalist | .... | producer | |
Fotografía por | |||
| Robert Surtees | (director of photography) | ||
| Freddie Young | (director of photography) (as F.A. Young) | ||
Montaje por | |||
| Frank Clarke | |||
Dirección artística | |||
| Alfred Junge | |||
Departamento de maquillaje | |||
| Colin Garde | .... | makeup artist | |
| Maude Onslow | .... | hairdresser (as Maud Onslow) | |
Dirección de producción | |||
| Roy Parkinson | .... | unit manager | |
Ayudante de dirección | |||
| Cecil F. Ford | .... | assistant director (as Cecil Ford) | |
| Wingate Smith | .... | assistant director | |
| John Pallatt | .... | assistant director: gorilla footage (uncredited) | |
Departamento de sonido | |||
| Amy Fisher | .... | sound recordist (as A.S. Fisher) | |
| A.W. Watkins | .... | recording director | |
| Hugh Strain | .... | sound assistant (uncredited) | |
Efectos especiales | |||
| Tom Howard | .... | special effects | |
| Bert Monk | .... | special effects (uncredited) | |
Especialistas | |||
| Bunny Allen | .... | stunt double: Clark Gable (uncredited) | |
Cámara y Departamento Eléctrico | |||
| Cecil R. Cooney | .... | camera operator (as Cecil Cooney) | |
| Skeets Kelly | .... | camera operator (as Graham Kelly) | |
| Freddie Cooper | .... | camera operator: gorilla footage (uncredited) | |
| Stephen Dade | .... | additional photographer (uncredited) | |
| Jackson Drury | .... | camera operator: gorilla footage (uncredited) | |
| Kelvin Pike | .... | clapper loader (uncredited) | |
| Jack Whitehead | .... | director of photography: gorilla footage (uncredited) | |
| Doug Wolf | .... | camera operator: gorilla footage (uncredited) | |
Departamento de vestuario | |||
| Helen Rose | .... | costumes | |
Departamento de Edición | |||
| Joan Bridge | .... | color consultant: Technicolor | |
Otros miembros del equipo | |||
| Angela Martelli | .... | continuity | |
| Bunny Allen | .... | technical advisor (uncredited) | |
| Frank Allen | .... | researcher (uncredited) | |
| Frank Allen | .... | technical advisor (uncredited) | |
| Yakima Canutt | .... | director: gorilla footage (uncredited) | |
| Eva Monley | .... | production coordinator (uncredited) | |
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| Darkest Africa | Out of Africa | Road to Zanzibar | Tarzan Escapes | Hatari! |
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Some stunning Technicolor photography of African footage and beautiful AVA GARDNER are the sole reasons for watching John Ford's MOGAMBO, a remake of "Red Dust" that starred Jean Harlow twenty years before this was made.
Harlow's co-star, CLARK GABLE, is back reprising his role as the great white hunter (what happened to STEWART GRANGER???), but Gable has mellowed quite a bit and looks a bit too tired to be the love interest of both AVA GARDNER and GRACE KELLY--which is what the plot really boils down to. However, he is more than able to tame both of them.
GRACE KELLY still has the affected way of reciting her lines in a prim and princess-like way and is the less interesting of the two females. AVA GARDNER, on the other hand, livens up the story with her sarcastic one-liners and her ability to size up any situation and call a spade a spade. She's honest, frank and completely charming in her own way and walks off with every scene she's in, fully deserving her sole Oscar nomination.
But if you're looking for a real good story, MOGAMBO is not it. It has all the realism of a picture postcard despite the fact that much of it was filmed in colorful Africa. But the use of stock footage is also apparent as are shots of Gable and others before a process screen.
Fans of the stars should enjoy this one, but be warned--it's not without some serious flaws, mostly due to a weak script.