On the Waterfront (1954)

Calificación de los usuarios:

8.4/10   

Director:

Elia Kazan

Escritores:

Malcolm Johnson (suggested by articles)
Budd Schulberg (story)

Fecha de Lanzamiento:

24 junio 1954 (Japan)

Género:

Crimen | Drama | Romance

Frase comercial:

The Man Lived by the Jungle Law of the Docks!

Plot:

An ex-prize fighter turned longshoreman struggles to stand up to his corrupt union bosses.

Plot Keywords:

Union | Murder | Longshoreman | Dock | Waterfront

Premios:

Won 8 Oscars. Another 16 wins & 7 nominations

Comentarios de los usuarios:

A classic for all the right reasons

US TV Schedule:

Fri. July 10

8:00 PM

TCM

Reparto

Marlon Brando	...	Terry Malloy
Karl Malden	...	Father Barry
Lee J. Cobb	...	Johnny Friendly
Rod Steiger	...	Charley 'the Gent' Malloy
Pat Henning	...	Timothy J. 'Kayo' Dugan
Leif Erickson	...	Glover
James Westerfield	...	Big Mac
Tony Galento	...	Truck
Tami Mauriello	...	Tullio
John F. Hamilton	...	'Pop' Doyle (as John Hamilton)
John Heldabrand	...	Mutt
Rudy Bond	...	Moose
Don Blackman	...	Luke
Arthur Keegan	...	Jimmy
Abe Simon	...	Barney

También conocida como:

The Hook (USA) (working title)
Nido de ratas (Argentina) (Mexico) (Venezuela) [es]
La ley del silencio (Spain) [es]

Duración:

108 min

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

1.85 : 1

Sonido:

Mono (Western Electric Recording)

Clasificación:

Mexico:A | Iceland:12 | South Korea:12 | Brazil:14 | Argentina:13 | Australia:PG | Canada:PG (Ontario) | Finland:K-16 | Norway:16 (1954) | Sweden:15 | UK:A (original rating) | UK:PG (video rating) (1985) | USA:Approved (certificate #16916) | West Germany:12

Locaciones de Filmación:

Court Street, Hoboken, New Jersey, USA

Compañía:

Horizon Pictures

Trivialidades:

The only film that wasn't a musical for which Leonard Bernstein wrote the incidental music.

Errores:

Errores que Revelan: Obvious dummy for Terry's brother's hanging.

Citas:

Edie: But Pop, I've seen things that I know are so wrong. Now how can I go back to school and keep my mind on... on things that are just in books, that-that-that aren't people living?

Conexiones de Película:

Apareció en Hollywood Screen Tests: Take 1 (1999) (TV)

A classic for all the right reasons

Watching On The Waterfront nowadays, two scenes stand out head and shoulders above the rest. First is the impassioned speech by Father Barry (Karl Malden) to the gathered dock workers in the hull of a ship where he tries to rally them against the mobsters running their lives. Second is the confrontation between Terry and Charlie Malloy (Marlon Brando and Rod Steiger) in the back of a taxi which ends in one brother pointing a gun at the other and Brando's now legendary "contender speech." Both of them are sequences where the characters do nothing but talk but each is a fine example of what makes On The Waterfront the undeniable classic it is; acting, scripting, cinematography, music, everything fits into one cohesive whole and the end result is a welcome addition to any film collection.

The story here concerns Terry Malloy, a New York shipyard worker who finds his conscience bothering him when one of his friends is murdered. Terry at first is a tough guy with a grim outlook ("you know my philosophy on life, give it to 'em before they give to you") who despite his inner turmoil refuses to confess anything to the Police as it would make him a "rat." However, the arrival of Malden's headstrong Preacher and the victim's innocent sister Edie (Eva Marie Saint in her debut appearance) throws his deaf and dumb world into chaos. Soon, Terry finds himself falling for Edie and the Preacher's words hit home, leaving the angry young dockworker to question what's really right. The mob meanwhile aren't too happy about Terry's UNHEALTHY RELATIONSHIP and begin to pile on the pressure, especially his older brother Charlie who's torn between loyalty to his boss and looking out for his younger sibling. Before anyone can put a lid on things, the dockyard becomes a very tense place to be.

Brando of course puts his heart and soul into his performance. Terry by his very nature isn't one to carry his heart on his sleeve and so the great Method Actor is left to convey his turmoil through body language alone. It is a testament to how good he is that you can tell exactly what Terry is feeling even though he hardly ever expresses it verbally. Instead his shoulders hunch with resigned indignation and his eyes spark with anger, Brando playing the part so well he more or less disappears into the character completely. While he may have taken a lot of the credit however, he is far from the only strong presence in the film as Karl Malden's rock hard Preacher is just as compelling, his depiction of the dignified man of Christ who isn't afraid to drink beer and smoke cigarettes with the Wharf rats being a refreshingly positive portrayal of a Catholic leader. Eva Marie Saint meanwhile puts in a convincing portrayal of Edie, but she is hamstrung a little by some old fashioned writing. Her pursuit of her brother's murderers give her some powerful moments but there are a couple of instances where it becomes all too clear that the part was written by a man. However, she still gives us one of the most touching moments in the film, a confrontation with Terry where most of their chat is disrupted by a tug horn that is achingly sad despite the absence of dialogue.

Acting is only one half of the equation of course and needless to say, the story remains constantly gripping. The murder that opens the film leaves an instant grip on the viewer's attention and as Terry spirals further into an intricate web of half truths, things get incredibly dark. The New York tenement blocks that tower over the proceedings provide an imposing sense of claustrophobia while the rooftops are a smoke laden jungle of chimney stacks and TV aerials. However, if you look closely it becomes apparent that the crew still had some fun with the material and there is some subtle humour to be had - a wedding party degenerating into a brawl and a bar full of panicked customers emptying into the streets followed by a shot of one isolated individual desperately jumping into the bathroom.

All in all therefore, On The Waterfront is a film that is thoroughly deserving of its reputation. Brando excels in his role and heads up a highly talented cast giving it their all. Most of all though, it's an engaging and captivating story of urban paranoia, filled with tough guys spitting out slang in barking New York accents. Think you're a big shot, do ya? Huh? Well do us all a favour and check this one out. Ah enough a youse guys, ged outta here.