Seven Brides for Seven Brothers (1954)

Calificación de los usuarios:

7.2/10   

Director:

Stanley Donen

Escritores:

Stephen Vincent Benet (story)
Albert Hackett (writer) ...

Fecha de Lanzamiento:

22 julio 1954 (USA)

Género:

Aventura | Comedia | Drama | Familia | Musical | Romance | Del Oeste

Frase comercial:

LUSTY, MIRTHFUL GIRL-STEALING MUSICAL! . . . with Seven Great Songs!

Plot:

In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too.

Plot Keywords:

Cabin | Mountain | Love | 1850s | Singing

Premios:

Won Oscar. Another 2 wins & 7 nominations

Comentarios de los usuarios:

All Singin', All Dancin', All Fighting, All Lovin' Musical

Reparto

Howard Keel	...	Adam Pontipee
Jeff Richards	...	Benjamin Pontipee
Russ Tamblyn	...	Gideon Pontipee
Tommy Rall	...	Frankincense (Frank) Pontipee
Marc Platt	...	Daniel (Dan) Pontipee
Matt Mattox	...	Caleb Pontipee
Jacques d'Amboise	...	Ephraim Pontipee
Jane Powell	...	Milly Pontipee
Julie Newmar	...	Dorcas Gailen (as Julie Newmeyer)
Nancy Kilgas	...	Alice Elcott
Betty Carr	...	Sarah Kine
Virginia Gibson	...	Liza
Ruta Lee	...	Ruth Jebson (as Ruta Kilmonis)
Norma Doggett	...	Martha
Ian Wolfe	...	Rev. Elcott

También conocida como:

Siete novias para siete hermanos (Argentina) (Peru) (Spain) [es]

Duración:

102 min

País:

USA

Idioma:

Inglés

Color:

Color (Anscocolor)

Relación de Aspecto:

1.85 : 1

Sonido:

4-Track Stereo (Western Electric Sound System) (magnetic prints) | 70 mm 6-Track (Australia) (1968 re-release) | Mono (optical prints)

Clasificación:

Iceland:L | South Korea:Todo | Sweden:11 (re-rating) (1963) | Sweden:15 (original rating) | Argentina:Atp | Australia:G | Chile:TE | Finland:S | Peru:PT | UK:U | USA:Approved (PCA #16932) | USA:G (re-rating) (1971) | USA:Passed (National Board of Review)

Locaciones de Filmación:

Corral Creek Canyon, Sun Valley, Utah, USA

Compañía:

Metro-Goldwyn-Mayer (MGM)

Trivialidades:

The working titles of this film were "Sobbin' Women" and "A Bride for Seven Brothers".

Errores:

Continuidad: In the big fight and dance at the barn raising, the brothers change locations rapidly.

Citas:

Adam: Smells good enough to eat.
Milly: Tastes good too, so they tell me.
Adam: Got any ketchup handy?
Milly: My stew can stand on its own feet.

Conexiones de Película:

Referenced in "Mystery Science Theater 3000: The Magic Sword (#5.11)" (1992)

Banda de Sonido:

Lonesome Polecat

All Singin', All Dancin', All Fighting, All Lovin' Musical

How can "Seven Brides for Seven Brothers" be such a wonderful musical? While the songs are lovely, they are mostly forgettable. The characters of the six brides and five of the brothers are almost hopelessly underwritten. Credit director Stanley Donen, choreographer Michael Kidd, cinematographer George Folsey, and a perfect cast led by Howard Keel and Jane Powell for creating one of the all time great musicals and an unforgettable motion picture experience even 50 years after its release. "Brides" has never been surpassed for ensemble performance, and that includes "West Side Story". This is largely due to Michael Kidd's choreography and the Donen/Folsey scene composition. Kidd exploited the best elements of each character's dance style (one brother is a ballet star; another, an acrobat) and created the most bravura ballroom/freestyle dance number in motion picture history, the barn dance sequence which formally introduces the "brides" to the "brothers". Kidd's work would have been in vain, however, had not Donen and Folsey so skillfully composed the scene. "Brides" is the best example of scene composition of any wide screen musical I've ever seen; every frame is filled with something visually interesting. Donen frequently, but subtly uses Jane Powell's tiny stature for comic effect by surrounding her with the tall brothers in submissive poses. Powell is clearly always in control, but her size and generally cheery temperament prevent her from ever seeming a bully. Donen also carefully chose to dress the brothers in bright, distinctly colored shirts, which enables the audience to clearly distinguish the characters during key scenes.

The movie also has a subtle feminist slant. Powell is clearly younger than her husband, Howard Keel, but she is also clearly a more mature and dominant character. For the time, "Brides" was also daring in its depiction of "good" women looking forward to enjoying sex. Prior to one song/dance number, bride Julie Newmarr poses on a bed in a position clearly representing "missionary position" sex, legs up and astride an imaginary lover's back.

Though the brides don't get as much screen time or individuality as the brothers, each looks as if she would be a great partner. Both the brides and the brothers get a satisfactory showcasing as couples in the last song, "Spring, Spring, Spring".

I'll leave others to explain the plot. I would like to mention that Donen had an uphill battle with the studio while making "Seven Brides for Seven Brothers". The studio had so little faith, they continually cut "Brides" budget to put more money into the lumbering "Brigadoon." Sets and even cast members were loaned out to other movies. Brothers Russ Tamblyn an Jeff Richards, as well as part of the set can be seen in "Many Rivers to Cross." Instead of Technicolor, the studio used Ansco color. Thus, "Brides" looks about as good as "Wizard of Oz," but no where near as good as "Harvey Girls" or "Meet Me in St. Louis." That's quite an achievement being the best photographed, best choreographed and best ensemble acted musical of the last 50 years. I think it's also the most entertaining. I give "Seven Brides for Seven Brothers" a "10."