Five Guns West (1955)

Calificación de los usuarios:

2.9/10   

Director:

Roger Corman

Guionista:

R. Wright Campbell (screenplay)

Fecha de Lanzamiento:

15 abril 1955 (USA)

Género:

Del Oeste

Frase comercial:

Kiss for kiss! Bullet for bullet!

Plot:

During the Civil War, five condemned Southern prisoners are plucked off Death Row and promised pardons...

Plot Keywords:

Spy | Pardon | Gold | Double Cross | Psychotronic

Comentarios de los usuarios:

watchable

Reparto

John Lund	...	Govern Sturges
Dorothy Malone	...	Shalee
Mike Connors	...	Hale Clinton (as Touch Connors)
R. Wright Campbell	...	John Candy (as Bob Campbell)
Jonathan Haze	...	Billy Candy (as Jonathon Haze)
Paul Birch	...	J.C. Haggard
James Stone	...	Uncle Mime
Jack Ingram	...	Jethro
Larry Thor	...	Confederate Captain
Jack Bohrer
Lionel C. Place		(as Lionel Place)
William Taylor

También conocida como:

Cinco pistolas (Spain) [es]

Duración:

Spain:74 min | USA:78 min

País:

USA

Idioma:

Inglés

Color:

Color (Pathécolor)

Relación de Aspecto:

1.85 : 1

Sonido:

Mono

Clasificación:

Australia:M | Canada:PG (Ontario) | Spain:T | UK:PG (video rating) (2005) | UK:U (original rating)

Locaciones de Filmación:

Chatsworth, Los Angeles, California, USA

Compañía:

Palo Alto Productions

Trivialidades:

James Sikking's film debut.

Citas:

Govern Sturges: Don't string out. Indians like to pick off the last man.

Conexiones de Película:

Apareció en "The Directors: The Films of Roger Corman (#1.5)" (1999)

watchable

A group of five condemned confederates are sent west to find a stagecoach carrying a southern spy and $30,000 in confederate gold. The highpoint comes when they reach the stage coach station to await the arrival of the targeted stagecoach. Working there in the isolated station are Dorothy Malone and her alcoholic uncle. The interesting interaction between her, her uncle and the five men isn't half bad, with much of the attention sharply focused on the men and Malone, the highpoint being an interesting scene where they share dances with her. While the story is full of potential, it seems to avoid it more than not, though it is notable as Corman's first directorial effort.