Killer's Kiss (1955)

Calificación de los usuarios:

6.7/10   

Director:

Stanley Kubrick

Guionista:

Stanley Kubrick (story)

Fecha de Lanzamiento:

1 octubre 1955 (USA)

Género:

Crimen | Drama | Cine Negro | Suspenso

Frase comercial:

Her Soft Mouth Was the Road to Sin-Smeared Violence!

Plot:

As a man waits at a train station for his girl, he tells us about the recent past and we segue into a long flashback.

Plot Keywords:

Train Station | Dancer | Flashback Sequence | Director Also Cinematographer | Police

Premios:

1 win

Comentarios de los usuarios:

Kubrik's kiss to New York

Reparto

Frank Silvera	...	Vincent Rapallo
Jamie Smith	...	Davey Gordon
Irene Kane	...	Gloria Price
Jerry Jarrett	...	Albert (the fight manager)
Mike Dana	...	Gangster
Felice Orlandi	...	Gangster
Shaun O'Brien
Barbara Brand
Skippy Adelman	...	Mannequin factory owner (as Julius Adelman)
David Vaughan	...	Conventioneer
Alec Rubin	...	Conventioneer
Ralph Roberts	...	Gangster
Phil Stevenson	...	Gangster
Arthur Feldman
Bill Funaro

También conocida como:

Kiss Me, Kill Me (USA) (working title)
El beso del asesino (Argentina) (Spain) [es]

Duración:

67 min | Japan:43 min

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

1.37 : 1

Sonido:

Mono

Clasificación:

Spain:T | Canada:A (Nova Scotia) | Canada:G (Quebec) | Canada:PG (Manitoba/Ontario) | Iceland:L | Finland:K-16 | Netherlands:12 | Brazil:12 | Argentina:13 | Australia:PG | UK:12 | USA:Unrated | West Germany:12 (re-rating) (2003) | Germany:18 | UK:A

Locaciones de Filmación:

Dumbo, Brooklyn, New York City, New York, USA

Compañía:

Minotaur Productions

Trivialidades:

Working with practically no budget and largely without on-location filming permits, Stanley Kubrick had to remain unnoticed while shooting in the nation's busiest city, sometimes secretly shooting from a nearby vehicle.

Errores:

Continuidad: Before Davy jumps through the loft window, he is wearing dark socks. When he lands on the sidewalk, he is clearly wearing white socks.

Citas:

Davy Gordon: It's crazy how you can get yourself in a mess sometimes and not even be able to think about it with any sense-and yet not be able to think about anything else. You get so you're no good for anything or anybody. Maybe it begins by taking life too serious. Anyway, I think that's the way it began for me. Just before my fight with Rodriguez three days ago...

Conexiones de Película:

Apareció en Edge of Outside (2006)

Kubrik's kiss to New York

This film, directed by Stanley Kubrik, is not seen often these days. It was a surprise that it was shown recently on cable as it gave all of Mr. Kubrik's fans the opportunity to watch one of his early works.

The copy that was shown is amazing in that it has been kept, or probably restored, with great care. Stanley Kubrik was a genius; he probably knew more about movies than many other of his contemporaries. Yet, his legacy is somehow meager, only sixteen full length features in almost fifty years as a director.

Killer's Kiss shows the Manhattan of 1955 like it has never been seen in other movies made in the city. Mr. Kubrik's attention to detail and style overshadows the story. The main problem is his screen play, it never involves the viewer in what he is seeing. This is exacerbated by the voice over one hears over the action. We never know what makes these people tick, much less what's going on in their heads at any given moment.

The story is told in a flashback. We see Davy waiting at the old Pennsylvania Station for the train that is to take him to Seattle. He had planned to leave with Gloria, but she seems never to appear; for all we know, he might be waiting in vain.

The streets of Manhattan come alive in the brilliant black and white cinematography by Mr. Kubrik, himself. That old New York that is no longer around, is captured by Mr. Kubrik in such brilliant detail that we mourn the fact those buildings and institutions are not around any more. The night scenes around Times Square, especially the stairway leading to the dance hall have a style that brings some of Edward Hooper's work to mind. Mr. Kubrik deserves credit for filming on location and never making it feel as though those scenes have been fixed to give that effect. In fact, that's where Kubrik's genius comes into play, we realize he had an eye for making things real.

The acting is not the main focus of this film. Frank Silvera makes a menacing Vincent, the mobster and dance hall owner. Jamie Smith and Irene Kane, go through the paces, but they don't convey to the viewer the passion that is supposed to be going on between them.

This movie should be seen by the serious moviegoer as it shows Mr. Kubrik's tremendous talent. It might be a minor film, in comparison to his best work, but being one of his first movies, one can clearly see what will come later.