Lola Montès (1955)

Calificación de los usuarios:

7.4/10   

Director:

Max Ophüls

Escritores:

Cécil Saint-Laurent (novel)
Annette Wademant (adaptation) ...

Fecha de Lanzamiento:

23 diciembre 1955 (France)

Género:

Drama | Romance

Plot:

The film tells the tragical story of the life of Lola Montes who was a great adventurer and stopped...

Plot Keywords:

Circus | Protest Riot | Dance Show | Career | Safety Net

Comentarios de los usuarios:

the most flawed masterpiece

Reparto

Martine Carol	...	Lola Montes
Peter Ustinov	...	Circus Master
Anton Walbrook	...	Ludwig I, King of Bavaria
Henri Guisol	...	Horseman Maurice
Lise Delamare	...	Mrs. Craigie, Lola's mother
Paulette Dubost	...	Josephine, The maid
Oskar Werner	...	Student
Jean Galland	...	Private Secretary
Will Quadflieg	...	Franz Liszt
Héléna Manson	...	Lieutenant James' Sister (as Helena Manson)
Germaine Delbat	...	Stewardess
Carl Esmond	...	Doctor (as Willy Eichberger)
Jacques Fayet	...	Steward
Friedrich Domin	...	Circus Manager
Werner Finck	...	Wisböck, The artist

También conocida como:

Lola Montez (Alemania Occidental)
The Fall of Lola Montes (UK)
The Sins of Lola Montes

Duración:

110 min

País:

France | Alemania Occidental

Idioma:

Francés | Inglés | Alemán

Color:

Color (Eastmancolor)

Relación de Aspecto:

2.35 : 1

Sonido:

4-Track Stereo (Western Electric Sound System)

Clasificación:

Finland:S | UK:PG (2000 video) | Sweden:15

Locaciones de Filmación:

Bamberg, Bavaria, Germany

Compañía:

Florida Films

Trivialidades:

This is the only film ever to be shown at three New York Film Festivals.

Conexiones de Película:

Referenced in Tirez sur le pianiste (1960)

the most flawed masterpiece

Of all movies that appear here and there in lists of greatest movies of all-time Lola Montès is the most criticized. Ranked by some as one of the 10 greatest, the movie suffers from some slow scenes and a wooden-acted protagonist played by Martine Carol. But the overall effect is mesmerizing. Cinema´s history isn´t made only of perfect movies.

It is the only color movie that Max Ophüls directed and the last of his career. You could only imagine the genius he would be in color films. The circus that links all the facts is a example of decadence in its greens and reds that many advertising-style filmmakers would kill for to get the same effect to show beauty. Ophüls is subtle and the most elegant director that has ever lived. He is one of the fundamental cinema masters (in the same category of Griffith, Chaplin, Eisenstein, Buñuel, Renoir, Welles, Bergman, Ford, Hitchcock, Wilder, Visconti, Mizoguchi, Truffaut, etc) and probably the less seen of them.

Lola Montès received poor critics at the time of its release but was recognized as great art and a summing up of Ophüls´ themes by the French nouvelle vague critics. You find in it some interesting comments about the way the society created by men destroy women and their paths to happiness. Ophüls was an author not a historian. He wasn´t interested in Lola as a historic figure but as a celebrity humiliated by her public just because she tried to be free. Ophüls has decided to make the movie after noticing how press used to treat the crisis of Judy Garland and Zsa Zsa Gabor affairs.

If you want to see other incredible films of the director watch to Libelei, Letter from an Unknown Woman and La Ronde.