Rebel Without a Cause (1955)

Director:

Nicholas Ray

Writers:

Stewart Stern (screenplay)
Irving Shulman (adaptation)

Release Date:

27 octubre 1955 (USA)

Genre:

Drama | Romance

Frase comercial:

Teenage terror torn from today's headlines

Plot:

A rebellious young man with a troubled past comes to a new town, finding friends and enemies.

Plot Keywords:

Face Slap | Easter | New School | Father Daughter Relationship | Father Son Relationship

Awards:

Nominated for 3 Oscars. Another 1 win & 2 nominations

Comentarios de los usuarios:

Not perfect, but still extraordinary

Cast

James Dean	...	Jim Stark
Natalie Wood	...	Judy
Sal Mineo	...	John 'Plato' Crawford
Jim Backus	...	Frank Stark
Ann Doran	...	Mrs. Carol Stark
Corey Allen	...	Buzz Gunderson
William Hopper	...	Judy's Father
Rochelle Hudson	...	Judy's Mother
Dennis Hopper	...	Goon
Edward Platt	...	Ray Fremick
Steffi Sidney	...	Mil
Marietta Canty	...	Crawford family maid
Virginia Brissac	...	Mrs. Stark, Jim's grandmother
Beverly Long	...	Helen
Ian Wolfe	...	Dr. Minton (lecturer at planetarium)

También conocida como:

Rebelde sin causa (Spain) [es]

MPAA:

Rated PG-13 for some violence and thematic elements. (2005 re-issue)

Duración:

111 min

País:

USA

Idioma:

English

Color:

Color (Warnercolor)

Aspect Ratio:

2.55 : 1

Sonido:

4-Track Stereo (RCA Sound Recording) (magnetic prints) | Mono (optical prints)

Clasificación:

USA:Not Rated (video rating) | Finland:K-16 (cut) (1956) | USA:Approved (certificate #17504) (original rating) | Canada:A (Nova Scotia) | Iceland:12 | Canada:14A (video rating) | Spain:T | Australia:PG (TV rating) | Finland:K-16 (uncut) (1981) | Argentina:16 | Australia:M | Canada:PG (Manitoba/Ontario) | Chile:18 | Norway:16 | Portugal:M/12 | Sweden:15 | UK:AA (re-rating) (1976) | UK:PG (video rating) | UK:X (original rating) (cut) | USA:PG-13 (re-release) (2005) | West Germany:16

Filming Locations:

641 N. Irving Blvd., Midtown, Los Angeles, California, USA

Company:

Warner Bros. Pictures

Trivialidades:

Frank Mazzola ("Crunch") had actually been a member of a Hollywood street gang, and taught James Dean how to fight with a real switchblade knife.

Goofs:

Crew or equipment visible: When Plato arrives at the mansion just after Judy and Jim do, after talking briefly, they let him into the house. When he walks into the house and comes up the stairs, a cord is clearly visible dragging on the ground behind him. Probably a cord for the microphone.

Quotes:

Police Chief: You know if the boy ever talked to a psychiatrist?
Plato: You mean a head-shrinker?
Crawford family maid: Oh, Mrs. Crawford don't believe in them, sir.
Police Chief: Well, maybe she better start.

Movie Connections:

Featured in "The O.C.: The Disconnect (#3.9)" (2005)

Soundtrack:

Ride of the Valkyries

Not perfect, but still extraordinary

I was quite impressed with _Rebel Without a Cause_. I expected it to be quite standard, having only gathered its reputation because of the tragedy surrounding James Deans' death. Fortunately, it stood up on its own quite well. Its superficial situations are somewhat dated, which was inevitable, but its themes remain potent after many decades.

The major theme is the burgeoning relationship between adults and their teenage children. All three of the main characters are at different stages in this process. Jim (James Dean) is surprisingly at the earliest stage of this. His mother is pretty distanced and unresponsive already, but he still seems to communicate well with his father (Jim Backus, who is amazing. His character's relationship with his wife also provides an interesting view into 1950s gender politics; in one scene, Backus is wearing a cooking apron, which is very obviously meant for a woman). Judy (Natalie Wood, whom I didn't even recognize here) is almost completely rejected by her father, who feels that her affection is out of place in her teenage years. Worst of all is Plato, both of whose parents have left him alone in the world. He tries desperately to make Jim and Judy his parents (although from this vantage point in time, Plato seems resoundingly sexually attracted to Jim, and he sees Judy as a threat to their relationship. Although the writer/director has denied that forever, no human being can watch it nowadays without that thought constantly crossing their mind).

The reason that I say this film is flawed lies in the actions of Plato near the end of the film. I felt his escalating insanity was kind of a cop-out. Instead of actually delving into Plato's true character and motives by having intelligent and realistic dialogue and actions, he is just made to go batty, wherein he spouts off his thoughts as if he were some eight year old or man-child. Plato may have been sycophantic throughout the film, but he was anything but a moron. His actions provide an easy way for the director/writer to answer all questions about his character, and then to facilitate an ending which is tragic, but more than a little contrived.

Despite what I feel is a cop-out ending, _Rebel Without a Cause remains a thoroughly powerful film. I liked it, and I'll never forget it. 9/10