Hitchcock's superbly insouciant crime caper from 1955 must surely be one of the last movies in which the American super-rich are indulged so extravagantly and adoringly – the kind of people who stub their cigarettes out in fried eggs.
Cary Grant is at his most suave and Grace Kelly is stunningly beautiful in To Catch a Thief, a bubbly and effervescent Alfred Hitchcock romantic-suspenser that finds the Master in a relaxed and purely entertaining mood.
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Slant Magazine
Slant Magazine
Hitchcock and screenwriter John Michael Hayes posited voyeuristic spectacle as the essence of cinema in Rear Window; in To Catch a Thief they validate their thesis with plenty of spectacle to be voyeuristic over.