| Van Johnson | ... | Phillip Hannon | |
| Vera Miles | ... | Jean Lennox | |
| Cecil Parker | ... | Bob Matthews | |
| Patricia Laffan | ... | Miss Alice MacDonald | |
| Maurice Denham | ... | Inspector Grovening | |
| Estelle Winwood | ... | Barmaid | |
| Liam Redmond | ... | Mr. Murch | |
| Isobel Elsom | ... | Lady Syrett | |
| Martin Benson | ... | Pillings | |
| Natalie Norwick | ... | Janet Murch | |
| Terence de Marney | ... | Sergeant Luce | |
| listado alfabético del resto del reparto: | |||
| Ashley Cowan | ... | Lift operator (uncredited) | |
| Arthur Gomez | ... | Mr. De Master (uncredited) | |
| A. Cameron Grant | ... | Pinball Player (uncredited) | |
| Walter Horsbrugh | ... | Shop Assistant (uncredited) | |
| Charles Keane | ... | Policeman (uncredited) | |
| Lucie Lancaster | ... | Miss Marston (uncredited) | |
| Howard H. Lang | ... | Doorman (uncredited) | |
| Queenie Leonard | ... | Miss Schuyler (uncredited) | |
| Robert Raglan | ... | Police Inspector (uncredited) | |
| Maggie Rennie | ... | Demonstrator (uncredited) | |
| Reginald Sheffield | ... | Bespectacled Man (uncredited) | |
| Yorke Sherwood | ... | Cabby (uncredited) | |
| Leslie Sketchley | ... | English Policeman (uncredited) | |
| Charles Stanley | ... | Photographer (uncredited) | |
| Michael Trubshawe | ... | Shop Customer in Photo. (uncredited) | |
| Ben Wright | ... | Hotel Porter (uncredited) | |
Dirigida por | |||
| Henry Hathaway | |||
Créditos del guión | ||
| Philip MacDonald | (novel) | |
| Nigel Balchin | (screenplay) | |
Producida por | |||
| Henry Ephron | .... | producer | |
Música original por | |||
| Leigh Harline | |||
Fotografía por | |||
| Milton R. Krasner | (director of photography) (as Milton Krasner) | ||
Montaje por | |||
| James B. Clark | |||
Dirección artística | |||
| Maurice Ransford | |||
| Lyle R. Wheeler | |||
Decorados | |||
| Fay Babcock | |||
| Walter M. Scott | |||
Diseño de vestuario por | |||
| Travilla | |||
Departamento de maquillaje | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
Ayudante de dirección | |||
| Edmond F. Bernoudy | .... | assistant director (as Eddie Bernoudy) | |
Departamento de sonido | |||
| Bernard Freericks | .... | sound | |
| Harry M. Leonard | .... | sound | |
Efectos especiales | |||
| Ray Kellogg | .... | special photographic effects | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | executive wardrobe designer (as Charles LeMaire) | |
Editorial Department | |||
| Leonard Doss | .... | color consultant | |
Music Department | |||
| Maurice De Packh | .... | orchestrator (as Maurice de Packh) | |
| Lionel Newman | .... | conductor | |
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| The Black Doll | 48 Hrs. | Eyes in the Night | Foreign Correspondent | Along Came a Spider |
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IMDb Calificación de los usuarios:
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| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb USA section | Add this title to MyMovies |
Now I will go to great trouble to avoid entering a spoiler like an earlier commenter. I give this film such a high rating because of the cleverness of toe concept: a blind man overhearing a conversation which indicates a crime is afoot. A tip of toe hat to the commentator who noticed the similarity between this movie and Argento's Cat O' Nine Tails ... a similarity that immediately crossed my mind the first time I saw the Argento flick. Anyway, 23 Paces to Baker Street could easily be an Argento giallo with the clever plot twists, but it lacks the gore most Argento fans want. I enjoyed 23P in 1956 when it was new and I was my voice had not changed. The plot twists and surprises have remained vividly in my memory for 50 years. Oddly I didn't notice a resemblance to Rear Window but I was very young then. I heartily recommend 23P to Baker Street. It's most suspenseful!