Beyond a Reasonable Doubt (1956)

Calificación de los usuarios:

6.8/10   

Director:

Fritz Lang

Guionista:

Douglas Morrow (story)

Fecha de Lanzamiento:

5 septiembre 1956 (USA)

Género:

Crimen | Cine Negro | Drama

Frase comercial:

Put them all together they spell M-U-R-D-E-R !

Plot:

Writer sets himself up to take murder rap to show the errors of circumstantial evidence. With a friend...

Plot Keywords:

Trial | Falsely Convicted | Beautiful Woman | Twist In The End

Comentarios de los usuarios:

Last but by no means least for Lang!

US TV Schedule:

Sun. July 12

9:00 AM

TCM

Reparto

Dana Andrews	...	Tom Garrett
Joan Fontaine	...	Susan Spencer
Sidney Blackmer	...	Austin Spencer
Arthur Franz	...	Bob Hale
Philip Bourneuf	...	Roy Thompson
Ed Binns	...	Lt. Kennedy
Shepperd Strudwick	...	Jonathan Wilson
Robin Raymond	...	Terry Larue
Barbara Nichols	...	Dolly Moore
William F. Leicester	...	Charlie Miller (as William Leicester)
Dan Seymour	...	Greco
Rusty Lane	...	Judge
Joyce Taylor	...	Joan Williams
Carleton Young	...	Allan Kirk
Trudy Wroe	...	Hatcheck girl

También conocida como:

Más allá de la duda (Spain) [es]

Duración:

80 min

País:

USA

Idioma:

Inglés

Color:

Negro y Blanco

Relación de Aspecto:

2.00 : 1

Sonido:

Mono (RCA Sound Recording)

Clasificación:

USA:Approved (certificate #18013) | UK:PG (re-rating) (1990) | West Germany:12 (f) | UK:A (original rating) (1956) | Finland:K-16

Compañía:

Bert E. Friedlob Productions

Trivialidades:

The last film that 'Fritz Lang' made in the USA before returning to Germany.

Conexiones de Película:

Referenced in Ritual (2001/I)

Banda de Sonido:

Beyond A Reasonable Doubt

Last but by no means least for Lang!

For his final Hollywood film, Fritz Lang decided to expose the pitfalls of capital punishment for circumstantial evidence. For this film, Lang has kept it simple; with the entire movie focusing on the central premise and not a lot of anything else going on. Filmmakers can sometimes saturate a film with lots of sub-plots, and it can have a huge detrimental effect on what the film is trying to achieve. By keeping it simple, Lang gives himself time to fully explore the implications of his plot and the film is made more compelling because of this. The story follows Austin Spencer; a person of stature that is continually campaigning against circumstantial evidence being used as a means to send someone to the electric chair. His efforts are unsuccessful, until he has the bright idea to have a man sent to death row on circumstantial evidence, only to be pardoned at the last minute by means of the evidence to prove his innocence being brought to light. Enter Tom Garrett; Austin's son in law to be, and the man that agrees to frame himself for murder...

This is perhaps Lang's best assault on the American justice system; he has created a story that is interesting and very plausible and it works a treat in that it gets you thinking about the fact that with this kind of law; someone really could be killed for something they didn't do. Of course, the chances of someone risking being put to death to expose this are unlikely, but then again; it's only a movie, so you can expect to suspend your belief a little for a point to be made. Beyond a Reasonable Doubt also features one of the most finely tuned plot twists that I've seen in a movie. Lang shows us everything about the plot; from the first ideas, to the setting up, all the way to the trial and because of this; the final twist comes as a complete surprise. It's been done and done a million times since this film, but despite this; Beyond a Reasonable Doubt still has the power to shock the viewer.

Beyond a Reasonable Doubt is one of the highlights of Lang's illustrious filmography. It has an unfairly low IMDb rating, and I hope that you will not use that as a means of deciding whether or not to see this film. It is efficient story telling at it's best and this is one of the highlights of the film noir era.