Moby Dick (1956)

Calificación de los usuarios:

7.4/10   

Director:

John Huston

Escritores:

Herman Melville (novel)
Ray Bradbury (writer) ...

Fecha de Lanzamiento:

27 junio 1956 (USA)

Género:

Aventura | Drama

Frase comercial:

The most eagerly awaited motion picture of the year!

Plot:

The sole survivor of a lost whaling ship relates the tale of his captain's self-destructive obsession to hunt the white whale, Moby Dick.

Plot Keywords:

Whale | Ship | Obsession | Whaling | Revenge

Premios:

4 wins & 2 nominations

Comentarios de los usuarios:

There's Majesty For You!

Reparto

Gregory Peck	...	Captain Ahab
Richard Basehart	...	Ishmael
Leo Genn	...	Starbuck
James Robertson Justice	...	Captain Boomer
Harry Andrews	...	Stubb
Bernard Miles	...	The Manxman
Noel Purcell	...	Ship's Carpenter
Edric Connor	...	Daggoo
Mervyn Johns	...	Peleg
Joseph Tomelty	...	Peter Coffin
Francis De Wolff	...	Captain Gardiner
Philip Stainton	...	Bildad
Royal Dano	...	'Elijah'
Seamus Kelly	...	Flask
Friedrich von Ledebur	...	Queequeg (as Friedrich Ledebur)

También conocida como:

Herman Melville's Moby Dick (USA) (complete title)
Moby Dick, la ballena blanca (Spain) [es]

Duración:

116 min | 115 min (TCM print)

País:

USA

Idioma:

Inglés

Color:

Color (Technicolor)

Relación de Aspecto:

1.37 : 1

Sonido:

Mono (RCA Sound Recording)

Clasificación:

Finland:K-12 (1986) | Finland:K-16 (1956) | Iceland:L | South Korea:15 | USA:Approved (PCA #17465) | Australia:G | West Germany:12

Locaciones de Filmación:

Associated British Elstree Studios, Shenley Road, Borehamwood, Hertfordshire, England, UK

Compañía:

Moulin Productions Inc.

Trivialidades:

The fake white whale used in the film kept sinking, breaking, etc., which meant that it had to be continuously rebuilt, leading to budget overruns and schedule delays.

Errores:

Continuidad: Early at sea (on the Cape Verde grounds) the first whale is spotted and then harpooned by harpooniers on each of the three boats. As the whale runs, towing each boat behind him, a call of "man overboard" is made and we see a close-up of a crewman cutting his boat's harpoon line and then another shot of both remaining boats being towed by the whale. But in the next shot, facing forward from the whaleboat's perspective, we see three taut lines leading back from the whale.

Citas:

Captain Ahab: Blacksmith, I set ye a task. Take these harpoons and lances. Melt them down. Forge me new weapons that will strike deep and hold fast. But do not douse them in water; they must have a proper baptism. What say ye, all ye men? Will you give as much blood as shall be needed to temper the steel?

Conexiones de Película:

Referenced in "NewsRadio: Led Zeppelin Boxed Set (#3.13)" (1997)

There's Majesty For You!

"We are all killers, on land and on sea," wrote Herman Melville more than 100 years ago. But the artistic failure of a recent television adaptation of his greatest work shows that some are killers, too, on screen. Movie makers. Butchers. Their guts are now gorged with Moby Dick.

"Majestic" raved "TV Guide" about USA Network's production of Melville's book. Reading that review I had a fantasy where Captain Ahab, with his sublime limp, walks into the magazine's office, shoves director John Huston's 1956 film of Moby Dick into the VCR, points to the screen and defiantly exclaims:

"There's majesty for you . . . "

. . . in the faces of men. Huston's film benefits from its intelligent casting of the seamen. The actors in the recent production are just pretty-boy imports from Los Angeles, rabble-rousers lacking the dignity that is gained from a lifetime of duty. But that dignity is plainly visible on the rugged faces of the men in the earlier film. One rarely sees that anymore.

. . . in the faces of women, too. The images of the women suffering as they watch their men go off to sea are utterly devastating, they hold so much emotional depth, so much beauty. The attention to detail in Huston's film is striking: the hairs on the chins of the old women, the tired, thick-skinned expressions of the wives and widows, the heavy shawls covering their heads.

. . . in the performances. Over 40 years ago when Orson Welles gave his performance as Father Mapple (a role which only a person with a special kind of magnificence could successfully take on), Gregory Peck might have been busily preparing for his role as Captain Ahab in the same film. What a testament to Peck's stature as one of our leading actors that throughout his career he could play not only Captain Ahab but also, in the recent production, Father Mapple.

. . . in the color. Huston's film is in Technicolor, a technique which produced colors not even seen in nature. The sky is now blue now red now green. The water is brown, pink, gray. Colors blend. Colors clash. By comparison, how banal the colors of our post-Technicolor world!

. . . in the mouth. The seamen have the exquisite mouths of pipe-smokers. The upper lip tight and stiff after so many hours pulled down in the puff.

. . . in the eyes. My favorite scene is where Peck as Captain Ahab famously proclaims: "Speak not to me of blasphemy. I'd strike the sun if it insulted me." The lighting, the acting, everything here is superb. The camera is focused tightly on Peck's face. The stark appearance of his eyes -- the tense, black irises all surrounded by gleaming white -- seems to reveal the subtext of the story. His eyes electrify!

John Huston's film says more in its two hours than USA Network's says in four; it suggests a lot and explains little, whereas the latter tries to explain a lot but says nothing. A great film, it doesn't butcher Melville's Moby Dick but adds to its power.