The Pride and the Passion (1957)

Calificación de los usuarios:

5.5/10   

Director:

Stanley Kramer

Escritores:

C.S. Forester (novel)
Edna Anhalt (screen story and screenplay) ...

Fecha de Lanzamiento:

10 julio 1957 (USA)

Género:

Acción | Aventura | Drama | Romance | Guerra

Plot:

The story in this movie deals with the perseverance of Spaniards to take back their country from the...

Plot Keywords:

French | Spain | Cannon | British | Napoleonic

Premios:

1 nomination

Comentarios de los usuarios:

Giant Cannon in Historic Misfire...

Reparto

Cary Grant	...	Anthony
Frank Sinatra	...	Miguel
Sophia Loren	...	Juana
Theodore Bikel	...	General Jouvet
John Wengraf	...	Sermaine
Jay Novello	...	Ballinger
José Nieto	...	Carlos (as Jose Nieto)
Carlos Larrañaga	...	Jose (as Carlos Larranaga)
Philip Van Zandt	...	Vidal
Paco El Laberinto	...	Manolo (as Paco el Laberinto)
Julián Ugarte	...	Enrique
Félix de Pomés	...	Bishop
Carlos Casaravilla	...	Leonardo
Juan Olaguivel	...	Ramon
Nana DeHerrera	...	Maria (as Nana de Herrera)

También conocida como:

Orgullo y pasión (Argentina) (Spain) [es]

Duración:

Germany:125 min | USA:132 min | Argentina:133 min | UK:132 min

País:

USA

Idioma:

Inglés | Español

Color:

Color (Technicolor)

Relación de Aspecto:

1.85 : 1

Sonido:

Mono (Western Electric Recording)

Clasificación:

UK:PG | Finland:K-12 | West Germany:12 | Sweden:15 | Argentina:13

Locaciones de Filmación:

Ciudad Encantada, Cuenca, Castilla-La Mancha, Spain

Compañía:

Stanley Kramer Productions

Trivialidades:

Loren received a reported $200,000 for her work on this production, the publicity stills of which, were taken by Kenneth Danvers.

Errores:

Continuidad: When the cannon is being floated over a river on a raft, one of the four drag lines breaks, allowing the gun to charge down the river through rapids, eventually crashing on a rock. When the raft is shooting the rapids, however, all four lines are trailed out on either side, including the "broken" one.

Conexiones de Película:

Referenced in Magnavox Presents Frank Sinatra (1973) (TV)

Giant Cannon in Historic Misfire...

Stanley Kramer's second directorial effort,THE PRIDE AND THE PASSION, gave him his first opportunity to create an epic, involving a cast of thousands against a backdrop of 19th century Spain. A tale of heroism, dogged determination, and sacrifice, the production reunited him with NOT AS A STRANGER co-star Frank Sinatra, along with international sex symbol Sophia Loren and screen legend Cary Grant. The three leads were to provide a romantic triangle that would add a 'human' element to the story of a massive cannon's journey to crush the 'impregnable' walls of French-occupied Avila. It was an ambitious endeavor for veteran producer Kramer, as his directorial debut, NOT AS A STRANGER, had been panned as nothing more than a glorified soap opera, criticized by reviewers for the miscasting of Robert Mitchum in the lead.

Miscasting would be a major criticism of this production, as well...along with the ponderous, overlong plot, occasionally sappy dialog, and lack of believability in the romance between the leads.

If only Kramer had filmed the action occurring 'off the set', which was FAR more spectacular...

Frank Sinatra had taken the role of the guerilla fighter, Miguel, simply to be close to his estranged wife, Ava Gardner, who was also in Spain, filming THE SUN ALSO RISES. He was well aware that his attempts at a Spanish accent would be the butt of many jokes, and he disliked the tedious production, anyway, especially as his co-star, Cary Grant, preferred multiple 'takes' of each scene (Sinatra was a 'one-take' actor, who believed in 'saying it all', the first time). As the production dragged on, with the movement of thousands of extras creating long waits between set-ups, Sinatra grew increasingly surly, and would often disappear to be at Gardner's side.

Cary Grant, at 53, coming off the classic AN AFFAIR TO REMEMBER, hated 'period' pictures and costumes, but was grateful to be away from America and his crumbling marriage to Betsy Drake. He was lonely and unhappy, however...a situation that would change dramatically, as he got to know Sophia Loren. The voluptuous 23-year old Italian actress, who had just exploded onto American screens in BOY ON A DOLPHIN (standing in trenches to accommodate her much shorter co-star, Alan Ladd), was earthy, passionate, and single, although romantically involved with director Carlo Ponti, the man who 'discovered' her, for several years. But Ponti was in Italy, had refused, as yet, to marry her, and Loren was working with an actor she had idolized since childhood...and the pair were soon having a tempestuous affair off-camera, as Grant fell madly in love with his young co-star. He proclaimed that he would marry Loren, as soon as filming was completed, and he could get Drake to file for divorce.

The announcement did NOT sit well with Carlo Ponti, who arrived as filming wrapped, acknowledged to Loren that he loved her, and wanted to marry. The actress contemplated both proposals, finally choosing Ponti, as she knew the depth of his feelings, and was well-aware of Grant's lousy track record as a husband.

Ponti married Loren in Mexico (and, in a bit of irony, was accused, five years later, of bigamy, as it turned out he was still married to another woman, at the time!), and Grant, heartbroken, would end up making a romantic comedy (complete with a wedding scene) with Loren, a year later, in their next film together, HOUSEBOAT.

The firings of the giant cannon at the climax of THE PRIDE AND THE PASSION couldn't match the explosiveness behind the scenes!