| Fotos (ver todos los 10 | slideshow) |
| Paul Newman | ... | Ben Quick | |
| Joanne Woodward | ... | Clara Varner | |
| Anthony Franciosa | ... | Jody Varner | |
| Orson Welles | ... | Will Varner | |
| Lee Remick | ... | Eula Varner | |
| Angela Lansbury | ... | Minnie Littlejohn | |
| Richard Anderson | ... | Alan Stewart | |
| Sarah Marshall | ... | Agnes Stewart | |
| Mabel Albertson | ... | Mrs. Stewart | |
| J. Pat O'Malley | ... | Ratliff | |
| Bill Walker | ... | Lucius (as William Walker) | |
| listado alfabético del resto del reparto: | |||
| Robert Adler | ... | Ambulance driver (uncredited) | |
| Val Avery | ... | Wilk (uncredited) | |
| Jim Brandt | ... | Linus Olds (uncredited) | |
| Brian Corcoran | ... | Harry Peabody (uncredited) | |
| Lee Erickson | ... | Tom Shortly (uncredited) | |
| Byron Foulger | ... | Harris (uncredited) | |
| Eugene Jackson | ... | Waiter (uncredited) | |
| I. Stanford Jolley | ... | Houston (uncredited) | |
| Nicholas King | ... | John Fisher (uncredited) | |
| Terry Rangno | ... | Pete Armistead (uncredited) | |
| Ralph Reed | ... | J.V. Bookright (uncredited) | |
| Victor Rodman | ... | Justice of the Peace (uncredited) | |
| Pat Rosemond | ... | Girl (uncredited) | |
| Helen Wallace | ... | (uncredited) | |
| Steve Widders | ... | Buddy Peabody (uncredited) | |
Dirigida por | |||
| Martin Ritt | |||
Créditos del guión | ||
| William Faulkner | (stories "Barn Burning" and "The Spotted Horses") (novel "The Hamlet") | |
| Irving Ravetch | (screenplay) and | |
| Harriet Frank Jr. | (screenplay) | |
Producida por | |||
| Jerry Wald | .... | producer | |
Música original por | |||
| Alex North | |||
Fotografía por | |||
| Joseph LaShelle | (director of photography) (as Joseph La Shelle) | ||
Montaje por | |||
| Louis R. Loeffler | |||
Dirección artística | |||
| Maurice Ransford | |||
| Lyle R. Wheeler | |||
Decorados | |||
| Eli Benneche | |||
| Walter M. Scott | |||
Diseño de vestuario por | |||
| Adele Palmer | |||
Departamento de maquillaje | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
Dirección de producción | |||
| Arthur Lueker | .... | unit production manager (uncredited) | |
Ayudante de dirección | |||
| Eli Dunn | .... | assistant director | |
Departamento de sonido | |||
| Harry M. Leonard | .... | sound | |
| E. Clayton Ward | .... | sound | |
Efectos especiales | |||
| L.B. Abbott | .... | special photographic effects | |
Departamento de vestuario | |||
| Charles Le Maire | .... | executive wardrobe designer (as Charles LeMaire) | |
Departamento de Edición | |||
| Leonard Doss | .... | color consultant | |
Departamento de Música | |||
| Lionel Newman | .... | conductor | |
Otros miembros del equipo | |||
| Curtis Harrington | .... | assistant to producer (uncredited) | |
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| Gone with the Wind | To Kill a Mockingbird | The Night of the Hunter | Sweet Bird of Youth | Cat on a Hot Tin Roof |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I saw this film again last night at an old-time movie palace, in an audience of about 2,000 people. The film, which I had seen before, was even more enjoyable then the previous times I had seen it on TV. For one thing, it has some very lovely and well executed uses of the CinemaScope frame. It shows both the dry openness of the landscape, as well as the lush extravagance of the plantation estate which belongs to Orson Welles' character. I'm not too familiar with Faulkner's stories, but the plot elements of this film flow together rather nicely, and there isn't really a dull moment in the whole picture. The only part which is still difficult for me to take, is the resolution of the conflict between Welles' and Franciosa's characters. That scene builds up to something in a matter of minutes, and then suddenly it's over. I could hear disappointment in some audience members in the theater as well, including one person who shouted "What the heck was that about?". This aside, it's still a worthwhile film to see, and the acting of Newman, Woodward, and Welles are standouts. There are also plenty of (probably unintentional) laughs to be had as well. One of the better soap opera-type films to come out of the late 1950s.