Porgy and Bess (1959)

Director:

Otto Preminger

Writers:

Dorothy Heyward (play)
DuBose Heyward (libretto)

Release Date:

24 junio 1959 (USA)

Genre:

Drama | Musical | Romance

Frase comercial:

Introducing a new era in motion pictures!

Plot:

In this legendary Gershwin opera set among the black residents of a fishing village in 1912 South Carolina...

Plot Keywords:

Soldier | Black American | U.S. Soldier | African American Woman | Singer

Awards:

Won Oscar. Another 4 wins & 8 nominations

Comentarios de los usuarios:

A lost treasure

Cast

Sidney Poitier	...	Porgy
Dorothy Dandridge	...	Bess
Sammy Davis Jr.	...	Sportin' Life
Pearl Bailey	...	Maria
Brock Peters	...	Crown
Leslie Scott	...	Jake
Diahann Carroll	...	Clara
Ruth Attaway	...	Serena Robbins
Claude Akins	...	Detective
Clarence Muse	...	Peter
Everdinne Wilson	...	Annie
Joel Fluellen	...	Robbins
Earl Jackson	...	Mingo
Moses LaMarr	...	Nelson
Margaret Hairston	...	Lily

También conocida como:

Porgy y Bess (Venezuela) [es]

Duración:

138 min

País:

USA

Idioma:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Sonido:

70 mm 6-Track (70 mm prints) | Stereo

Clasificación:

West Germany:12 | Finland:K-16

Filming Locations:

Samuel Goldwyn/Warner Hollywood Studios - 1041 N. Formosa Avenue, Hollywood, Los Angeles, California, USA

Company:

Samuel Goldwyn Company, The

Trivialidades:

The Gershwin family was dissatisfied with the film, largely because it was not staged as a true opera with all the recitative performed musically, and also because the two leads had their singing voices dubbed. The film's original director, Rouben Mamoulian, wanted to film on location, but producer Samuel Goldwyn refused and insisted on using sound stages. When a mysterious fire broke out and destroyed the sets, Mamoulian again requested that the film be made on location. Enraged, Goldwyn felt that Mamoulian was taking advantage of a misfortune, promptly fired him, and hired Otto Preminger, who made the film on sound stages in Hollywood. The film is currently (Nov. 2002) withheld from release because of actions by both the Gershwin and Goldwyn estates, as neither Samuel Goldwyn nor the Gershwin family were satisfied with the film.

Movie Connections:

Referenced in "Mystery Science Theater 3000: The Sidehackers (#3.2)" (1990)

Soundtrack:

Finale: O Lawd, I'm On My Way

A lost treasure

I have always been a fan of this largely unseen filming of the Gershwin opera, since I last saw it in 1959. As many of you know, it has been unavailable on video or DVD; in fact, the Gershwin family sought to destroy all existing prints.

Yet, for some reason--hopefully signaling an end to its opposition, the Gershwin family recently approved the showing of a collector's print at the Museum of the Moving Image in Astoria, Queens. .

Well, the wide-screen, Technicolor print was excellent! (Not perfect, but excellent.) The sound was outstanding, in road-show quality stereo. The folks who saw this in its original release wouldn't have seen a much better copy. (The program notes include the original Variety review, which cautions that people might balk at the steep limited-release ticket price of $3.50!)

And, as much as I loved it originally, PORGY AND BESS was better than I remembered it. It's just wonderful. Sidney Poitier as Porgy was at the point where his career was just beginning to catch fire, and his charisma shines through. Dorothy Dandridge as Bess is spectacularly beautiful. Brock Peters as Crown is aggressively masculine. Pearl Bailey as Maria provides a few comic moments, although her role is small. And Sammy Davis, Jr., as Sporting Life, steals every scene he's in; he's especially riveting in his two big numbers: "It Ain't Necessarily So" and "There's a Boat that's Leavin' Soon for New York." (That last one won applause in the screening I saw.)

PORGY AND BESS is set-bound, but it really doesn't matter when the set is as gorgeous as this one. The costumes are also outstanding.

Sidney and Dorothy's singing voices are dubbed in, but they are dubbed in extremely well. The exquisite "Summertime" is sung by Clara, played by a young Diahann Carroll; her singing also is dubbed. (Actually, only Pearl and Sammy do their own vocalizing.)

The music is sublime, of course, but what really struck me this time was how much emotion Preminger got out of the story. People were actually sniffling in the audience a number of times--once when Bess sings that beautiful "I Loves You Porgy." And I got a kick out of the audience actually laughing out loud at the lines in "It Ain't Necessarily So." Could it be they had never heard this song before-- or never really listened to it? I believe that much of the emotional impact of this film is due to Poiter and Dandridge's performances--you root for their love to win out.

A minor quibble with the 136 minute running time--one or two slow spot, and a stereotypical, Amos-n-Andy kind of scene about Bess seeing a shyster lawyer to get a divorce from Crown, even though she's not even married to him. (I would have cut that.) And the beginning is a little confusing--both title characters are introduced awkwardly--they're part of the movie before you realize who they are.

And I don't think Preminger used a single close-up in the entire movie. It all seems to be shot in 3/4, which I'm guessing was his way of working with the wide screen.

PORGY AND BESS has always been a cult film for those of us who saw it, for those of us who loved the soundtrack, and for some of us who have only heard about it. Let's hope they find a way to re-release this, and put it out on DVD. It deserves the widest audience possible.