The Story In an effort to draw more customers to the restaurant, Bob enlists his kids to form a promo band. The band is such a (minor) hit that it encourages Gene to start a real band at school with the help of some classmates, including Regular-Size Rudy and Darryl. Their talent is debatable, but their fun is contagious, so they’re invited to play at the most popular sixth-grader’s birthday party. When Darryl finds out Gene only knows one key and three chords, however, the farting maestro is booted, Steve Jobs (or David Lee Roth) style, from the group. While Gene’s worrying about his future as a musician, Bob and Linda are worrying about their careers as restaurant owners, thanks to a gnarly armpit rash that has Mama Belcher sporting some major fur. The Highlight ReelClad in the burger suit, Gene takes his trusty keyboard and "strawesome...
- 4/27/2015
- by Sean Fitz-Gerald
- Vulture
This rare Hollywood risk-taker is currently starring in The Kids Are All Right, a comedy about lesbian parents. She talks here about feminism, family and how moving to Europe changed her life
In many of Julianne Moore's best films there comes a trademark moment when her eyes squint, mist over, and the mask that her character has been wearing slips decisively. Cue, the great unravelling. It's there in Boogie Nights, when Amber Waves, a porn star with thwarted maternal instincts, gets high and starts shattering on screen, her misty eyes combining with a brittle, metallic laugh that sounds oddly like a death rattle. It's there in Magnolia, when Linda Partridge realises too late that she actually loves the dying husband she married for money, and breaks down in a chemist's: "You have the balls, the indecency to ask me a question about my life," she bellows at the pharmacist,...
In many of Julianne Moore's best films there comes a trademark moment when her eyes squint, mist over, and the mask that her character has been wearing slips decisively. Cue, the great unravelling. It's there in Boogie Nights, when Amber Waves, a porn star with thwarted maternal instincts, gets high and starts shattering on screen, her misty eyes combining with a brittle, metallic laugh that sounds oddly like a death rattle. It's there in Magnolia, when Linda Partridge realises too late that she actually loves the dying husband she married for money, and breaks down in a chemist's: "You have the balls, the indecency to ask me a question about my life," she bellows at the pharmacist,...
- 10/28/2010
- by Kira Cochrane
- The Guardian - Film News
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