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North to Alaska (1960)
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Overview
Release Date:
7 noviembre 1960 (USA) másFrase comercial:
In all the 50 states you won't find a fun-filled adventure like it! másPlot:
Sam (John Wayne) and George (Stewart Granger) strike gold in Alaska. George sends Sam to Seattle to bring George's fiance back to Alaska... más | add synopsisAwards:
1 win & 1 nomination másComentarios de los usuarios:
One of Wayne's better stabs at comedy. másUS TV Schedule:
| Tue. May 20 | 6:00 AM | AMC | |||
| Wed. May 21 | 2:45 PM | AMC |
Cast
(Complete credited cast)| John Wayne | ... | Sam McCord | |
| Stewart Granger | ... | George Pratt | |
| Ernie Kovacs | ... | Frankie Canon | |
| Fabian | ... | Billy Pratt | |
| Capucine | ... | Michelle ('Angel') | |
| Mickey Shaughnessy | ... | Peter Boggs | |
| Karl Swenson | ... | Lars Nordquist | |
| Joe Sawyer | ... | Land Commissioner | |
| Kathleen Freeman | ... | Lena Nordquist | |
| John Qualen | ... | Logger | |
| Stanley Adams | ... | Breezy |
Additional Details
También conocida como:
Go North (USA) (working title)The Alaskans (USA) (working title)
Alaska, tierra de oro (Spain) [es]
más
Parents Guide:
Add content advisory for parentsDuración:
122 minPaís:
USAIdioma:
EnglishColor:
Color (DeLuxe)Aspect Ratio:
2.35 : 1 másSonido:
4-Track Stereo (Westrex Recording System)MOVIEmeter: 
Cosas divertidas
Trivialidades:
Richard Fleischer was originally hired to direct the picture. He accepted, but when he asked to see the script he was informed that one hadn't been written yet. Also, after talking with Capucine, he thought she was all wrong for the role of the prostitute--he didn't think she was sexy or earthy enough to convince anyone that she was a hooker--and he informed producer Charles K. Feldman of his conclusion and asked that she be replaced. Unfortunately for Fleischer, Feldman and Capucine were living together at the time, and he had already promised her the role. So Capucine got the part, and Fleischer got the boot. He was replaced by Henry Hathaway. másGoofs:
Continuity: When Billy Pratt and Angel are having dinner, Billy opens a bottle of champagne that sprays out and douses one of the candles on the table. In the very next shot, Billy has his hand over the mouth of the bottle to stop the spray and the candle is lit. The candle is then out again, then lit again, then out a third time in following shots. másQuotes:
Sam McCord: Well, I'm savin' a life, that's all I know.Michelle: Maybe, but you don't make any sense at all! Which is all right, because if you're too drunk to talk, we'll find something else to do.
Sam McCord: That's perfect. You even sound like a wife!
Michelle: I do not consider that a compliment!
Sam McCord: I'm on your side, lady! It's my only politics: anti-wife! Any woman who devotes herself to making one man miserable instead of a lot of men happy don't get my vote.
más
Soundtrack:
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Related Links
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A recent issue of Vanity Fair magazine contained a lengthy article (riddled with some annoying errors, by the way) about the exploits of legendary Hollywood agent (and producer, on occasion), Charles K. Feldman. For John Wayne he at one time obtained a three-picture deal at 20th-Century Fox that included this one, as well as "The Comancheros" and "The Barbarian and the Geisha." This comedy, set in Gold Rush Alaska, is the best of that trio, thanks to Henry Hathaway's hand at the helm, and some extremely astute casting. Stewart Granger, presumably a free agent after fulfilling his MGM contract, is credible as Wayne's partner; Ernie Kovacs, in one of his few film roles, before his untimely death, makes a thoroughly convincing cad; and Fabian, shoehorned in to lure the teenage females, is refreshingly funny in probably his best film performance. Capucine, one of Feldman's conquests, according to that same Vanity Fair article, was given the role of Michelle/'Angel' and she gave a preview of her ability to play a glamour role with an emphasis on comedy that came to full flower in 1964's "The Pink Panther," in which she skillfully matched pratfalls with Peter Sellers in his first incarnation as the immortal Inspector Clouseau.
With the great Kathleen Freeman, the always funny Mickey Shaugnessy, and Karl Swenson rounding out a cast giving full play to the script's comic aspects; Leon Shamroy lensing the proceedings with his usual professionalism; and Lionel Newman contributing an apposite score; this one, with a title song that managed a place on the Hit Parade back then, is lots of not-too-taxing fun. It's soon to be available on DVD, I notice, so its CinemaScope ratio will no doubt be restored, the only way to revisit a film made when widescreens were really wide.