Directed by
| Terence Fisher | ||
Writing Credits
| Anthony Hinds | ... | (screenplay) (as John Elder) |
| Guy Endore | ... | (novel) |
Cast (in credits order) verified as complete
Produced by
| Michael Carreras | ... | executive producer |
| Anthony Hinds | ... | producer |
| Anthony Nelson Keys | ... | associate producer |
Music by
| Benjamin Frankel | ||
Cinematography by
| Arthur Grant | ... | director of photography |
Editing by
| Alfred Cox | ||
Casting By
| Stuart Lyons | ||
Production Design by
| Bernard Robinson | ||
Art Direction by
| Don Mingaye | ||
| Thomas Goswell | ... | (uncredited) |
Makeup Department
| Roy Ashton | ... | makeup artist |
| Frieda Steiger | ... | hair stylist |
| Colin Garde | ... | makeup artist (uncredited) |
Production Management
| Clifford Parkes | ... | production manager |
Second Unit Director or Assistant Director
| John Peverall | ... | assistant director |
| Dominic Fulford | ... | second assistant director (uncredited) |
Art Department
| Peter Allchorne | ... | chargehand props (uncredited) |
| Arthur Banks | ... | construction manager (uncredited) |
| Margaret Robinson | ... | gargoyles (uncredited) |
Sound Department
| Jock May | ... | sound recordist |
| Alban Streeter | ... | sound editor |
Special Effects by
| Les Bowie | ... | special effects |
Stunts
| Jack Cooper | ... | stunts (uncredited) |
| Joe Dunne | ... | stunts (uncredited) |
Camera and Electrical Department
| Len Harris | ... | camera operator |
| Tom Edwards | ... | still photographer (uncredited) |
| Ronald Lenoir | ... | set rigger (uncredited) |
| Alan McDonald | ... | clapper loader (uncredited) |
| Harry Oakes | ... | focus puller (uncredited) |
Costume and Wardrobe Department
| Molly Arbuthnot | ... | wardrobe mistress |
Editorial Department
| James Needs | ... | supervising editor |
Music Department
| Benjamin Frankel | ... | conductor |
| Leonard Salzedo | ... | composer: stock music (uncredited) |
Script and Continuity Department
| Tilly Day | ... | continuity |
