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The Four Horsemen of the Apocalypse (1962)
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Revisión
Calificación de los usuarios:
Fecha de Lanzamiento:
18 enero 1962 (France) másFrase comercial:
Paris, city of lovers...the day the clocks stopped turning and the world stood still... másPlot:
Karl from Germany and Marcelo from France emigrated to Argentina and became brothers-in-law. Whatever... más | add synopsisComentarios de los usuarios:
A near-miss for Minnelli. másReparto
(Reparto completo)| Glenn Ford | ... | Julio Desnoyers | |
| Ingrid Thulin | ... | Marguerite Laurier | |
| Charles Boyer | ... | Marcelo Desnoyers | |
| Lee J. Cobb | ... | Julio Madariaga | |
| Paul Lukas | ... | Karl von Hartrott | |
| Yvette Mimieux | ... | Chi Chi Desnoyers | |
| Karlheinz Böhm | ... | Heinrich von Hartrott (as Karl Boehm) | |
| Paul Henreid | ... | Etienne Laurier | |
| Harriet E. MacGibbon | ... | Dona Luisa Desnoyers (as Harriet MacGibbon) | |
| Kathryn Givney | ... | Elena von Hartrott | |
| Marcel Hillaire | ... | Armand Dibier | |
| George Dolenz | ... | Gen. von Kleig | |
| Stephen Bekassy | ... | Col. Kleinsdorf | |
| Nestor Paiva | ... | Miguel | |
| Albert Rémy | ... | François (as Albert Remy) |
Más detalles
Parents Guide:
Add content advisory for parentsDuración:
153 minPaís:
USAIdioma:
InglésColor:
Color (Metrocolor)Relación de Aspecto:
2.35 : 1 másSonido:
4-Track Stereo (Westrex Recording System)Cosas divertidas
Trivialidades:
Parts of André Previn's score were used on the original trailers for Doctor Zhivago (1965) the film itself being scored by Maurice Jarre. másErrores:
Continuidad: When Karl is proposing a toast in honor of the family reunited at last (1h 01'), we can see Julio successively in the mirror and in close-up. In the mirror he has a glass in his left hand, but in close-ups the glass is in his right hand. The left-right hand images alternates three times. másBanda de Sonido:
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When I saw this during its first-run release, I was already an avid Minnelli fan but had been forewarned by the reviews that this was not one of his best. I recall enjoying it, nevertheless, and much of my pleasure was due to Minnelli's always inventive visual style, the expensive mounting in CinemaScope and Metrocolor, the interesting cast (not all of them well-chosen, especially the deadly-dull Glenn Ford, who was being assigned to what seemed like every other big budget M-G-M picture during that period), the astute use of Angela Lansbury to dub Ingrid Thulin's lines (though I'm sure that Miss Thulin's own voice, even if she had learned her lines phonetically, would have been preferable), and Andre Previn's very expressive score. (Mr. Previn came to disown a lot of his Hollywood work once he concentrated on conducting major classical orchestras, but I suspect he wouldn't have included this one among those he would prefer that we forget.) Tony Duquette's Four Horsemen figures are a striking addition to the lavish mounting of this production. It's not available on DVD (yet, anyway) and it's probably a safe bet that the VHS version is (ugh!) "formatted"...don't bother! You'll be missing the greater percentage of this film's achievement.