The Hustler (1961)
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- Not Rated
- 2h 14min
- Drama, Sport
- 25 Sep 1961 (USA)
- Movie
- Won 2 Oscars. Another 11 wins & 21 nominations.
- See more »
Photos and Videos
Cast verified as complete
Paul Newman | ... |
Eddie Felson
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Jackie Gleason | ... |
Minnesota Fats
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Piper Laurie | ... |
Sarah Packard
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George C. Scott | ... |
Bert Gordon
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Myron McCormick | ... |
Charlie Burns
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Murray Hamilton | ... |
Findley
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Michael Constantine | ... |
Big John
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Stefan Gierasch | ... |
Preacher
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Clifford A. Pellow | ... |
Turk
(as Cliff Pellow)
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Jake LaMotta | ... |
Bartender
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Gordon B. Clarke | ... |
Cashier
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Alexander Rose | ... |
Score Keeper
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Carolyn Coates | ... |
Waitress
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Carl York | ... |
Young Hustler
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Vincent Gardenia | ... |
Bartender
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Rest of cast listed alphabetically: | |||
William Adams | ... |
Old Doctor (uncredited)
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Tom Ahearne | ... |
Bartender (uncredited)
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Charles Andre | ... |
Waiter at Parisien Restaurant (uncredited)
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Don Crabtree | ... |
Small Role (uncredited)
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Gloria Curtis | ... |
Girl with Fur Coat (uncredited)
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Robert Daget | ... |
(uncredited)
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Don De Leo | ... |
Another Player (uncredited)
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Charles Dierkop | ... |
Pool Room Hood (uncredited)
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William Duell | ... |
Billy (Louisville Hustler) (uncredited)
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James Dukas | ... |
Kibitzer (uncredited)
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Brendan Fay | ... |
Player (uncredited)
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Larry Gaynes | ... |
Extra in Poolroom (uncredited)
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Jack Healy | ... |
Hotel Proprietor (uncredited)
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Hoke Howell | ... |
Bit Part (uncredited)
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Don Koll | ... |
Racetrack Ticket Clerk (uncredited)
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Charles McDaniel | ... |
Reservation Clerk at Louisville Hotel (uncredited)
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Charles Mosconi | ... |
Second Man (uncredited)
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Willie Mosconi | ... |
Willie (uncredited)
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Sid Raymond | ... |
First Man (uncredited)
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Art Smith | ... |
Old Man Attendant (uncredited)
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Blue Washington | ... |
Limping Attendant at Ames Billiards (uncredited)
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Directed by
Robert Rossen |
Written by
Sidney Carroll | ... | (screenplay) (as Sydney Carroll) and |
Robert Rossen | ... | (screenplay) |
Walter Tevis | ... | (based on the novel by) (as Walter S. Tevis) |
Produced by
Robert Rossen | ... | producer |
Music by
Kenyon Hopkins |
Cinematography by
Eugen Schüfftan | ... | director of photography (as Eugene Shuftan) |
Editing by
Dede Allen | ... | film editor |
Editorial Department
Dick Stone | ... | assistant film editor (as Richard Stone) |
Evan A. Lottman | ... | montage of pool scenes editor (uncredited) |
Production Design by
Harry Horner |
Set Decoration by
Gene Callahan |
Costume Design by
Ruth Morley | ... | (costumes designed by) |
Makeup Department
Donoene | ... | hair stylist |
Robert Jiras | ... | makeup artist |
Production Management
John Graham | ... | production manager |
Second Unit Director or Assistant Director
Charles H. Maguire | ... | assistant director (as Charles Maguire) |
Ulu Grosbard | ... | assistant director (uncredited) |
Don Kranze | ... | assistant director (uncredited) |
Angelo Laiacona | ... | second assistant director (uncredited) |
Art Department
Albert Brenner | ... | associate art director |
Jack Flaherty | ... | property master (uncredited) |
Sound Department
Edward Beyer | ... | sound editor |
James Shields | ... | sound |
Dick Vorisek | ... | sound (as Richard Vorisek) |
Jack Fitzstephens | ... | sound editor (uncredited) |
Stunts
Herbert Holcombe | ... | stunts (uncredited) |
Larry Sherman | ... | stunt double: Myron McCormick (uncredited) |
Camera and Electrical Department
William Cronjager | ... | assistant cameraman |
David Golden | ... | chief electrician |
Saul Midwall | ... | camera operator |
Muky | ... | still photographer |
Martin Nallan | ... | chief grip (as Martin Nallan Jr.) |
Felix Trimboli | ... | assistant camera (uncredited) |
Tom Volpe | ... | dolly grip (uncredited) |
Music Department
Angelo Ross | ... | music editor |
Dan Terry | ... | musician: Louisville music |
Script and Continuity Department
Marguerite James | ... | script supervisor |
Additional Crew
Willie Mosconi | ... | technical advisor |
Richard Cowgill | ... | stand-in: Paul Newman (uncredited) |
Fred Hift | ... | publicist (uncredited) |
Ralph M. Leo | ... | production accountant (uncredited) |
Production Companies
Distributors
- Twentieth Century Fox (1961) (United States) (theatrical) (as 20th Century Fox) (presents) (A Cinemascope Picture)
- 20th Century Fox India (1962) (India) (theatrical)
- 20th Century Fox (1961) (Italy) (theatrical)
- Centfox (1961) (West Germany) (theatrical)
- Twentieth Century Fox Film Company (1961) (United Kingdom) (theatrical)
- Fox Films (1962) (Argentina) (theatrical)
- Metro-Goldwyn-Mayer (MGM) (1962) (Austria) (theatrical)
- Twentieth Century Fox (1962) (France) (theatrical)
- Twentieth Century Fox (1962) (Japan) (theatrical)
- Twentieth Century-Fox (1962) (Mexico) (theatrical)
- Twentieth Century Fox (1964) (United States) (theatrical) (reissue)
- Blue Dolphin Film Distribution (1984) (United Kingdom) (theatrical) (Re- Issue)
- CBS/Fox Home Video (1984) (Australia) (video)
- CBS / Fox Video (1987) (United Kingdom) (video)
- 20th Century Fox Home Entertainment (1999) (United States) (VHS)
- 20th Century Fox Home Entertainment (2002) (Germany) (DVD)
- 20th Century Fox Home Entertainment (2002) (United Kingdom) (video)
- 20th Century Fox Home Entertainment (2002) (United States) (DVD)
- 20th Century Fox Home Entertainment (2006) (United Kingdom) (video)
- Deltamac Co. (2006) (Hong Kong) (DVD)
- Deltamac Co. (2006) (Hong Kong) (video) (VCD)
- 20th Century Fox Home Entertainment (2007) (United States) (DVD)
- 20th Century Fox Home Entertainment (2011) (Germany) (Blu-ray)
- 20th Century Fox Home Entertainment (2014) (United Kingdom) (Blu-ray)
Special Effects
Other Companies
- Film Opticals (optical effects)
- Westrex Recording System (sound recording system)
Storyline
Plot Summary |
"Fast" Eddie Felson is a small-time pool hustler with a lot of talent but a self-destructive attitude. His bravado causes him to challenge the legendary "Minnesota Fats" to a high-stakes match, but he loses in a heartbreaking marathon. Now broke and without his long-time manager, Felson faces an uphill battle to regain his confidence and his game. It isn't until he hits rock bottom that he agrees to join up with ruthless and cutthroat manager Bert Gordon. Gordon agrees to take him on the road to learn the ropes. But Felson soon realizes that making it to the top could cost him his soul, and perhaps his girlfriend. Will he decide that this is too steep a price to pay in time to save himself?
Written by |
Plot Keywords | |
Taglines | They Called Him "Fast Eddie" See more » |
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Parents Guide | View content advisory » |
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Box Office
Budget | $2,125,000 (estimated) |
Did You Know?
Trivia | Paul Newman and Jackie Gleason established a friendship on the set. At one point, Newman got a little cocky about his newfound pool skills and challenged the much more experienced Gleason to a $50 bet on a game. Newman broke, then it was Gleason's turn. He knocked all 15 balls in and Newman never got another shot. Gleason recalled that the next day Newman paid him off with 5000 pennies. See more » |
Goofs | During the last pool match, second game, Minnesota Fats has taken his jacket off, loosened his tie and unbuttoned his vest, but one subsequent shot shows him with his tie tightened and wearing a buttoned vest and jacket. See more » |
Movie Connections | Featured in Portrait of an Actor (1971). See more » |
Soundtracks | Louisville Dixieland See more » |
Quotes |
[Fast Eddie is bothered because Bert called him a born loser]
Fast Eddie: Cause, ya see, twice, Sarah... once at Ames with Minnesota Fats and then again at Arthur's, in that cheap, crummy pool room, now why'd I do it, Sarah? Why'd I do it? I coulda beat that guy, coulda beat 'im cold, he never woulda known. But I just hadda show 'im. Just hadda show those creeps and those punks what the game is like when it's great, when it's REALLY great. You know, like anything can be great, anything can be great. I don't care, BRICKLAYING can be great, if a guy knows. If he knows what he's doing and why and if he can make it come off. When I'm goin', I mean, when I'm REALLY goin' I feel like a... like a jockey must feel. He's sittin' on his horse, he's got all that speed and that power underneath him... he's comin' into the stretch, the pressure's on 'im, and he KNOWS... just feels... when to let it go and how much. Cause he's got everything workin' for 'im: timing, touch. It's a great feeling, boy, it's a real great feeling when you're right and you KNOW you're right. It's like all of a sudden I got oil in my arm. The pool cue's part of me. You know, it's uh - pool cue, it's got nerves in it. It's a piece of wood, it's got nerves in it. Feel the roll of those balls, you don't have to look, you just KNOW. You make shots that nobody's ever made before. I can play that game the way... NOBODY'S ever played it before. Sarah Packard: You're not a loser, Eddie, you're a winner. Some men never get to feel that way about anything. See more » |