Vie privée (1962)

Calificación de los usuarios:

5.4/10   

Director:

Louis Malle

Escritores:

Jean-Paul Rappeneau (screenplay) and
Louis Malle (screenplay) ...

Fecha de Lanzamiento:

28 septiembre 1962 (USA)

Género:

Drama

Frase comercial:

A new triumph for today's most talked about star!

Plot:

When Jill becomes a movie star, she soon discovers that her private life is destroyed by persistent fans that won't leave her alone...

Plot Keywords:

Star | Showbiz | Wealth | Paris France | Reflection

Comentarios de los usuarios:

very dull and pretentious

Reparto

Brigitte Bardot	...	Jill
Marcello Mastroianni	...	Fabio Rinaldi
Nicolas Bataille	...	Edmond
Dirk Sanders	...	Dick
Jacqueline Doyen	...	Juliette
Paul Sorèze	...	Maxime (as Paul Soreze)
Eléonore Hirt	...	Cecile (as Eleonore Hirt)
Gloria France	...	Anna
Ursula Kubler	...	Carla
Isarco Ravaioli
Gregor von Rezzori	...	Gricha
Antoine Roblot	...	Alain, the photographer
Simonetta Simeoni

También conocida como:

A Very Private Affair (UK) (USA)
Vita privata (Italy)
Una vida privada (Spain) [es]

Duración:

103 min | Germany:104 min

País:

France | Italy

Idioma:

Francés

Color:

Color (Eastmancolor)

Relación de Aspecto:

1.85 : 1

Sonido:

Mono (Westrex Recording System)

Clasificación:

Finland:K-16 | Sweden:15

Locaciones de Filmación:

Franstudio, Saint-Maurice, Val-de-Marne, France

Compañía:

Compagnia Cinematografica Montoro (CCM)

Trivialidades:

French actor Michel Auclair dubs Marcelo Mastroianni's voice in French.

Conexiones de Película:

Referenced in Afgrunden (2003) (TV)

Banda de Sonido:

SIDONIE

very dull and pretentious

I have seen quite a few Bardot movies and I have enjoyed all of them,...until now. She is simply much more competent than the material she was given in this film. Essentially, she plays a parody of herself--a young woman who suddenly achieves super star status. There is so much commotion over her, that she is mauled where ever she goes and her life spins out of control. So far, the plot isn't all that bad. However, Bardot responds to this by behaving like a pouty kid starring in a grade school play--by fainting, crying and over-dramatizing everything! The part was poorly written and it was up to the director to elicit something more. However, this one dimensional performance just goes on and on and the film becomes a very nice to look at bore. With Louis Malle, Bardot and Mastroianni, I sure expected more than a dull mess.

On top of all my other complaints, this video from MGM was dubbed. I hate dubbed films but especially ones like this where the voices sound so fake. The narrator, in particular, sounds almost robotic--very flat and mechanical. If I had watched the subtitled version, no doubt my score would have been a bit higher.