| Photos (see all 9 | slideshow) |
| Hayley Mills | ... | Kathy Bostock | |
| Bernard Lee | ... | Mr. Bostock | |
| Alan Bates | ... | The Man | |
| Norman Bird | ... | Eddie | |
| Elsie Wagstaff | ... | Auntie Dorothy | |
| Diane Holgate | ... | Nan Bostock | |
| Alan Barnes | ... | Charles Bostock | |
| Hamilton Dyce | ... | The Vicar | |
| Diane Clare | ... | Sunday School Teacher | |
| Patricia Heneghan | ... | Salvation Army Girl | |
| Roy Holder | ... | Jackie | |
| John Arnatt | ... | Superintendent Teesdale | |
| Howard Douglas | ... | The Vet | |
| Ronald Hines | ... | P.C. Thurstow | |
| Gerald Sim | ... | Detective | |
| Michael Lees | ... | 1st Civil Defence Worker | |
| May Barton | ... | Villager | |
| Barry Dean | ... | Raymond | |
| Christine Ashworth | ... | Disciple | |
| John Boden | ... | Disciple | |
| Doreena Clark | ... | Disciple | |
| Keith Clement | ... | Disciple | |
| Pamela Lonsdale | ... | Disciple | |
| Judy Ollerenshaw | ... | Disciple | |
| Robert Palmer | ... | Disciple | |
| Lois Read | ... | Disciple | |
| Nigel Stafford | ... | Disciple | |
| Anne Newby | ... | Latecomer | |
| Julie Jackson | ... | Latecomer | |
| listado alfabético del resto del reparto: | |||
| Michael Raghan | ... | 2nd Civil Defence Worker | |
| Charlotte Attenborough | ... | Child in final crowd scene (uncredited) | |
| Sarah Forbes | ... | Child in final crowd scene (uncredited) | |
Dirigida por | |||
| Bryan Forbes | |||
Créditos del guión | ||
| Mary Hayley Bell | (novel) | |
| Keith Waterhouse | (writer) & | |
| Willis Hall | (writer) | |
Producida por | |||
| Richard Attenborough | .... | producer | |
| Jack Rix | .... | associate producer | |
Música original por | |||
| Malcolm Arnold | |||
Fotografía por | |||
| Arthur Ibbetson | |||
Montaje por | |||
| Max Benedict | |||
Casting | |||
| Maureen Goldner | |||
Dirección artística | |||
| Ray Simm | |||
Departamento de maquillaje | |||
| Stella Rivers | .... | hair stylist | |
| Geoffrey Rodway | .... | makeup artist | |
Ayudante de dirección | |||
| Basil Rayburn | .... | assistant director | |
| Charles Blair | .... | second assistant director (uncredited) | |
Art Department | |||
| Len Townsend | .... | assistant art director | |
| Gus Walker | .... | construction manager (uncredited) | |
Departamento de sonido | |||
| Bill Daniels | .... | sound recordist | |
| Alastair McIntyre | .... | dubbing editor | |
| Gus Lloyd | .... | boom operator (uncredited) | |
Camera and Electrical Department | |||
| David Harcourt | .... | camera operator | |
| John Alcott | .... | focus puller (uncredited) | |
| Ken Coles | .... | clapper loader (uncredited) | |
| Harry Gillard | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Laurel Staffell | .... | wardrober | |
Editorial Department | |||
| Tom Priestley | .... | assistant editor | |
Otros miembros del equipo | |||
| Penny Daniels | .... | continuity | |
| John Hargreaves | .... | location advisor | |
| Ann Skinner | .... | production secretary | |
| Lorely Farley | .... | assistant continuity (uncredited) | |
| John L. Hargreaves | .... | location advisor (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
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Adolescent English farm-girl discovers an escaped, bearded convict sleeping in the family barn and thinks he's Jesus. Young Kathy needs to believe this, even after the police come to cart him away. He even drops a picture of the Savior, which seems to symbolize not only the prisoner's fall from grace but one more sign for Kathy that, yes, this mysterious man might be Him. "Whistle Down the Wind" is a hard-shelled movie that says we lose hope and faith as we mature--which isn't an original idea for a film, but the cynical way this is presented catches you off-guard. One little boy numbers the eggs he has has eaten (a mixture of his bemusement and his feeling of monotony), one little girl vows to keep counting until Kathy comes out of the barn. These children need to believe too, of course, but they're much more raw than Kathy; they strip ideas down to the basics. Kathy believes blindly. It's a touching character, the centerpiece of the film, and I was enchanted by Hayley Mills' open face and yearning smile. The other youngsters are also remarkable. If the film doesn't offer us fanciful answers, it does provide playful bits of visual humor. Even the rhythm of the kids' words is comical (and the way they relate to one another seems very natural). The film gives away nothing without an eternal struggle, and at the end there is no clear answer. I believe the next day would become routine for the children, they would go back to their basics. But Kathy has changed, and the convict has as well. Their lives intersected for a moment, and, though others became involved, they both learned something from the other about the need to believe. ***1/2 from ****