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Advise & Consent
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Advise & Consent (1962) More at IMDb Pro »

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Overview

Calificación de los usuarios:
7.8/10   1,715 votes
Director:
Otto Preminger
Writers:
Allen Drury (novel)
Wendell Mayes (screenplay)
Release Date:
6 junio 1962 (USA) más
Genre:
Drama más
Frase comercial:
Are the men and women of Washington really like this?
Plot:
Senate investigation into the President's newly nominated Secretary of State, gives light to a secret from the past, which may not only ruin the candidate, but the President's character as well. full summary | full synopsis
Awards:
Nominated for BAFTA Film Award. Another 1 win & 1 nomination más
Comentarios de los usuarios:
Even more relevant today than in 1962 más

Cast

  (in credits order) (verified as complete)

Henry Fonda ... Robert A. Leffingwell

Charles Laughton ... Sen. Seabright Cooley

Don Murray ... Sen. Brigham Anderson
Walter Pidgeon ... Senate Majority Leader
Peter Lawford ... Sen. Lafe Smith

Gene Tierney ... Dolly Harrison

Franchot Tone ... The President
Lew Ayres ... Vice President Harley Hudson
Burgess Meredith ... Herbert Gelman
Eddie Hodges ... Johnny Leffingwell
Paul Ford ... Sen. Stanley Danta
George Grizzard ... Sen. Fred Van Ackerman
Inga Swenson ... Ellen Anderson

Frank Sinatra ... Himself, Club 602 Singer on Jukebox (voice)
Edward Andrews ... Sen. Orrin Knox
Paul McGrath ... Hardiman Fletcher
Will Geer ... Senate Minority Leader Warren Strickland

Betty White ... Sen. Bessie Adams
Tom Helmore ... British Ambassador
Rene Paul ... French Ambassador
Paul Stevens ... Lewis Newborn
Russ Brown ... Night watchman Mike

Malcolm Atterbury ... Sen. Tom August
Janet & Jane Carty ... Pidge Anderson
Hilary Eaves ... Lady Maudulayne
Michele Montau ... Celestine Barre
J. Edward McKinley ... Sen. Powell Hanson
Bill Quinn ... Sen. Paul Hendershot (as William Quinn)
Tiki Santos ... Sen. Kanaho
Raoul De Leon ... Sen. Velez
Chet Stratton ... Rev. Carney Birch
Larry Tucker ... Manuel
Bettie Johnson ... Lafe's Girl
John Granger ... Ray Shaff
Sid Gould ... Bartender at Club 602
Meyer Davis ... Director of Orchestra (as Meyer Davis and his orchestra)
Irv Kupcinet ... Journalist
Robert C. Wilson ... Journalist
Alan Emory ... Journalist
Jesse Stearns Buscher ... Journalist
Milton Berliner
Allen W. Crowley ... Journalist
William Knighton ... President of White House Correspondents Association
Guy M. Gillette ... Sen. Harper (as The Honorable Guy M. Gillette)
Henry Fountain Ashurst ... Sen. McCafferty (as The Honorable Henry Fountain Ashurst)
Raj Mallick ... Indian Ambassador
listado alfabético del resto del reparto:
Cay Forrester ... President's Secretary (uncredited)
Henry Jackson ... Drink Refuser (uncredited)
Kenner G. Kemp ... Reporter (uncredited)
Walter Reed ... Senate Staff Clerk (uncredited)
Jeffrey Sayre ... Senate Staff Clerk (uncredited)
Bernard Sell ... Journalist (uncredited)
Hal Taggart ... Senator (uncredited)
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Dirigida por
Otto Preminger 
 
Créditos del guión
Allen Drury (novel "Advise and Consent")

Wendell Mayes (screenplay)

Producida por
Otto Preminger .... producer
 
Música original por
Jerry Fielding 
 
Fotografía por
Sam Leavitt (director of photography)
 
Montaje por
Louis R. Loeffler 
 
Diseño de producción por
Lyle R. Wheeler  (as Lyle Wheeler)
 
Decorados
Eli Benneche 
 
Departamento de maquillaje
Del Armstrong .... makeup artist
Robert Jiras .... makeup artist
Myrl Stoltz .... hair stylist
 
Dirección de producción
Jack McEdward .... production manager
Henry Weinberger .... unit manager
 
Ayudante de dirección
Charles Bohart .... assistant director
Don Kranze .... assistant director
L.V. McCardle Jr. .... first assistant director
Larry Powell .... assistant director
 
Art Department
Meyer Gordon .... property master
Arnold Pine .... construction manager
 
Departamento de sonido
Leon Birnbaum .... sound effects editor
William Hamilton .... sound
Harold Lewis .... sound
 
Camera and Electrical Department
James Almond .... electrical supervisor
Saul Midwall .... camera operator
Emil Oster .... camera operator (as Emil Oster Jr.)
Morris Rosen .... key grip
Al St. Hilaire .... still photographer
Josh Weiner .... still photographer
 
Costume and Wardrobe Department
Hope Bryce .... costume coordinator
Michael J. Harte .... wardrobe (as Michael Harte)
Joe King .... wardrobe
Adele Parmenter .... wardrobe
 
Music Department
Lee Osborne .... music editor
Murray Spivack .... music recordist
 
Otros miembros del equipo
Saul Bass .... title designer
David De Silva .... production assistant
Allen Drury .... technical advisor
Kathleen Fagan .... script supervisor
Florence Nerlinger .... production secretary
Sol Schulman .... furrier
Max Slater .... assistant to producer
Harry Winston .... diamond jewelry
 
Crew believed to be complete


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Additional Details

También conocida como:
Tempestad sobre Washington (Spain) [es]
más
Duración:
139 min
País:
USA
Idioma:
English
Aspect Ratio:
2.35 : 1 más
Sonido:
Mono (Westrex Recording System)
Clasificación:
UK:PG (TV rating) | UK:U (original rating) | West Germany:12 (f) | Finland:K-16 | Sweden:15 | UK:12 | Australia:M | USA:Approved (PCA #20078)
MOVIEmeter: ?
V 4% since last week why?

Cosas divertidas

Trivialidades:
Although the character of The President (played by Franchot Tone carries no role name, at one point in the script Munson (played by Walter Pidgeon) calls him "Russ". más
Goofs:
Revealing mistakes: As the security guard enters Senator Anderson's office the telephone is ringing. The rings (apparently added in post-production) each echo around the office, but the final ring stops abruptly and there is no echo. Even if the caller had hung up in mid-ring, that ring, like the others, would still have briefly reverberated around the room. más
Quotes:
Robert Leffingwell: Son, this is a Washington, D.C. kind of lie. It's when the other person knows you're lying and also knows you know he knows. más
Soundtrack:
The Song from Advise and Consent más

preguntas frecuentes

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40 out of 65 people found the following comment useful:-
Even more relevant today than in 1962, 25 May 2005
8/10
Author: extratempore2 de United States

Although I had seen it when it first came out (I was 18) and again about about 6 months ago (Winter, 2004), this screening (May, 2005) was even more insightful.

It really has aged very well, and is, obviously, at least as relevant today as it was in 1962 --"realistic" in its depiction of the congressional situation in its own day, positively prescient in its relation to our own.

Fonda is good, but curiously second fiddle to the other, more subtle characters.

It's Walter Pigeon's best flick (by far), well cast as the Senate Majority Leader and he carries the role off with an almost Shakespearean aplomb.

Almost Charles Laughton's best (only because that's a very hard call), with his hopelessly crumpled white suit and hat, shufflin' gait, positively Irvinesque homespun witticisms and wonderful, drawling, contemptuous "Mis-ter Rob-ert A. Leff-in-well".

Might be Franchot Tone's best, as well, as the ailing, frail, chain-smoking president, a little bit too close to Life (filmed 6 years before he died of lung cancer).

Gene Tierney is very good as the D.C. socialite hostess "Dolly Harrison" --a character clearly based on Averill Harriman's wife Pamela or, as a type, a later Katherine Graham.

Definitely Peter Lawford's best film --which, admittedly, is not saying much, but he's very well cast as a rather dissolute, philandering Kennedyesque senator who is, nonetheless, not without his Qualities.

Lew Ayres' Casper Milquetoast "Vice President Harley M. Hudson" is an excellently wrought character, from his "bucket of warm spit" role as the impotent President of the Senate to the wonderful twist he gives it at the end, which expounds quite beautifully the subtleties and definitiveness of the Reality of Power.

The scenes of D.C. are positively nostalgic --imagine anyone being able to catch a cab to the capital and then walk right up the steps and go inside ; or an aged night-watchman making his rounds as *the* Security for the inside of the Senate building.

As are the various aspects of the underground "Gay Scene" in NYC with the wonderfully cast Larry Tucker, Jerry Fielding's fine music and "the voice of Frank Sinatra" (as credited). (Some might object to the "clichés" in these scenes, but, to me, those clichés are part and parcel of the ambiance of the period of the film and the culture it portrays and should be seen as such --rather like appreciating the overt racism in "Birth of a Nation" for what it is. I am glad that Preminger didn't "sanitize" his presentation of this matter, especially given the crucial nature of it to the plot of the film.)

But the contrast between the civility --albeit occasionally a rather raw one-- of the senate of circa 1960 and that of the present day is not nostalgic quite so much as it is just heart-rending ("The World We Have Lost"), and the roots of our present grotesque, take-no-prisoners congressional savagery are fully exposed in the intertwined plot lines of McCarthyesque ideological rigidity and homosexual blackmail.

All in all, a "Roman à Clef" to the political world of 1960's Washington, vividly relevant to our own time.

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