| Fotos (ver todos los 6 | slideshow) |
| Marisa Solinas | ... | Luciana (segment "Renzo e Luciana") | |
| Germano Gilioli | ... | Renzo (segment "Renzo e Luciana") | |
| Anita Ekberg | ... | Anita (segment "Le tentazioni del dottor Antonio") | |
| Peppino De Filippo | ... | Dr. Antonio Mazzuolo (segment "Le tentazioni del dottor Antonio") | |
| Romy Schneider | ... | Pupe (segment "Il lavoro") | |
| Tomas Milian | ... | Conte Ottavio (segment "Il lavoro") (as Thomas Milian) | |
| Romolo Valli | ... | Lawyer Zacchi (segment "Il lavoro") | |
| Sophia Loren | ... | Zoe (segment "La riffa") | |
| Luigi Giuliani | ... | Gaetano (segment "La riffa") | |
| Alfio Vita | ... | Cuspet (segment "La riffa") | |
| listado alfabético del resto del reparto: | |||
| Antonio Acqua | ... | Commendatore La Pappa (segment "Le tentazioni del dottor Antonio") (uncredited) | |
| Nando Angelini | ... | Man winning a bottle (segment "La riffa") (uncredited) | |
| Silvio Bagolini | ... | Secretary of Monsignore (segment "Le tentazioni del dottor Antonio") (uncredited) | |
| Ciccio Barbi | ... | Engineer in the car (uncredited) | |
| Suso Cecchi d'Amico | ... | (segment "Renzo e Luciana") (uncredited) | |
| Donatella Della Nora | ... | Mazzuolo's sister (segment "Le tentazioni del dottor Antonio") (uncredited) | |
| Giacomo Furia | ... | Worker (segment "Le tentazioni del dottor Antonio") (uncredited) | |
| Giuliano Gemma | ... | Hercules (uncredited) | |
| Amedeo Girardi | ... | (segment "Il lavoro") (uncredited) | |
| Valentino Macchi | ... | Friend of man winning a bottle (segment "La riffa") (uncredited) | |
| Dante Maggio | ... | Foreman (segment "Le tentazioni del dottor Antonio") (uncredited) | |
| Franco Magno | ... | Secretary of La Pappa (uncredited) | |
| Mario Passante | ... | Sacristan (segment "Le tentazioni del dottor Antonio") (uncredited) | |
| Polidor | ... | Foreman (uncredited) | |
| Alfredo Rizzo | ... | Foreman (uncredited) | |
| Alberto Sorrentino | ... | Worker (segment "Le tentazioni del dottor Antonio") (uncredited) | |
| Paolo Stoppa | ... | Lawyer Alcamo (segment "Il lavoro") (uncredited) | |
Dirigida por | |||
| Vittorio De Sica | (segment "La riffa") | ||
| Federico Fellini | (segment "Le tentazioni del dottor Antonio") | ||
| Mario Monicelli | (segment "Renzo e Luciana") | ||
| Luchino Visconti | (segment "Il lavoro") | ||
Créditos del guión(en orden alfabético) | ||
| Giovanni Arpino | segment "Renzo e Luciana" | |
| Italo Calvino | segment "Renzo e Luciana" | |
| Suso Cecchi d'Amico | segments "Renzo e Luciana" and "Il lavoro" | |
| Federico Fellini | segment "Le tentazioni del dottor Antonio" | |
| Ennio Flaiano | segment "Le tentazioni del dottor Antonio" | |
| Mario Monicelli | segment "Renzo e Luciana" | |
| Goffredo Parise | segment "Le tentazioni del dottor Antonio" (as G. Parise) | |
| Tullio Pinelli | segment "Le tentazioni del dottor Antonio" | |
| Brunello Rondi | segment "Le tentazioni del dottor Antonio" (as B. Rondi) | |
| Luchino Visconti | segment "Il lavoro" | |
| Cesare Zavattini | segment "La riffa" | |
Producida por | |||
| Tonino Cervi | .... | producer (as Antonio Cervi) | |
| Carlo Ponti | .... | producer | |
Música original por | |||
| Nino Rota | (segments "Il lavoro" and "Le tentazioni del dottor Antonio") | ||
| Armando Trovajoli | (segment "La riffa") | ||
| Piero Umiliani | (segment "Renzo e Luciana") | ||
Fotografía por | |||
| Otello Martelli | (segments "La riffa" and "Le tentazioni del dottor Antonio") | ||
| Armando Nannuzzi | (segment "Renzo e Luciana") | ||
| Giuseppe Rotunno | (segment "Il lavoro") | ||
Montaje por | |||
| Leo Cattozzo | (segment "Le tentazioni del dottor Antonio") (as L. Cattozzo) | ||
| Adriana Novelli | (segments "La riffa" and "Renzo e Luciana") | ||
| Mario Serandrei | (segment "Il lavoro") | ||
Diseño de producción por | |||
| Elio Costanzi | (segment "La riffa") | ||
| Mario Garbuglia | (segment "Il lavoro") | ||
| Piero Gherardi | (segment "Renzo e Luciana") | ||
| Piero Zuffi | (segment "Le tentazioni del dottor Antonio") | ||
Dirección de producción | |||
| Sante Chimirri | .... | production manager | |
| Alfredo Melidoni | .... | production manager | |
| Lucio Orlandini | .... | production manager | |
| Ugo Tucci | .... | production manager | |
Ayudante de dirección | |||
| Mario Maffei | .... | assistant director (segment "Renzo e Luciana") (uncredited) | |
Departamento de vestuario | |||
| Piero Zuffi | .... | costume designer: segment "Le tentazioni del dottor Antonio" | |
| Piero Tosi | .... | costume designer: segment "Il lavoro" (uncredited) | |
Otros miembros del equipo | |||
| Cesare Zavattini | .... | original idea | |
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| 8½ | Ieri, oggi, domani | Giulietta degli spiriti | La dolce vita | Le coppie |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Comedia section | IMDb Italy section | Add this title to MyMovies |
I've seen "Boccaccio" just few days ago and so I can express my fresh opinion of it. And I have seen FOUR segments of it - including "Renzo e Luciana" of Monicelli which is quite good. It puts some accent on social criticism and tells about young consorts that due to their poverty and constrained conditions have to bear many difficulties in their family life. The second of Fellini I almost forced myself to look to the end - I'm not fond of big bust and hips like ones of Ekberg. This segment seemed to me too flashy and tasteless (just imagine the plump Cupidon with the silky wings and nuns in the paper burlesque frock)though it's main idea concerning with the sexual complexes that obsess the most convinced moralists is very clear. I regret to write this as I didn't expect such a disappointment from Fellini whom I esteem much for his wonderful "Le notti di Cabiria". The third segment - 'Il Lavoro" ( The job) - is the most exquisite, thoughtful, plastic and stylish. Here Visconti tried to subject to his rigorous analysis the question of what lies in the base of a modern marriage. It's also the story of a young well-off little woman ( Romy Schneider) that one day faces the necessity of earning money by her own (thanks to her light-minded husband's behavior) and understand that she has nothing to offer in this men's world except her body. Romy dressed up by Chanel is very sexual (but when I use this word it means something very far from vulgar, something surrounded with the mist of secret and desire) and touching; after the number of the roles of cheerful ingenuous girls she for the first time found the image suiting her real abilities and qualities. The forth segment is "La riffa" (The raffle) be de Sica. De Sica made some good film in the time of realism but then yielded to the commercial cinema and seemed to be unable for the more or less significant criticism. Thus his segment is very light and benevolent with a lot of spicy humor and a lot of Loren