How the West Was Won (1962)

Calificación de los usuarios:

7.0/10   

Directors:

John Ford
Henry Hathaway

Guionista:

James R. Webb (written by) (suggested by the series "How the West Was Won" in LIFE magazine)

Fecha de Lanzamiento:

20 febrero 1963 (USA)

Género:

Aventura | Drama | Romance | Del Oeste

Frase comercial:

A FABULOUS ROMANTIC ADVENTURE

Plot:

A family saga covering several decades of Westward expansion in the nineteenth century--including the Gold Rush, the Civil War, and the building of the railroads.

Plot Keywords:

Railroad | Civil War | Erie Canal | Train | Army

Premios:

Won 3 Oscars. Another 6 wins & 5 nominations

Comentarios de los usuarios:

Awesome - American history on a grand scale

Reparto

Carroll Baker	...	Eve Prescott Rawlings
Lee J. Cobb	...	Marshal Lou Ramsey
Henry Fonda	...	Jethro Stuart
Carolyn Jones	...	Julie Rawlings
Karl Malden	...	Zebulon Prescott
Gregory Peck	...	Cleve Van Valen
George Peppard	...	Zeb Rawlings
Robert Preston	...	Roger Morgan
Debbie Reynolds	...	Lilith 'Lily' Prescott
James Stewart	...	Linus Rawlings
Eli Wallach	...	Charlie Gant
John Wayne	...	Gen. William Tecumseh Sherman
Richard Widmark	...	Mike King
Brigid Bazlen	...	Dora Hawkins
Walter Brennan	...	Col. Jeb Hawkins

También conocida como:

La conquista del Oeste (Argentina) (Spain) [es]

Duración:

162 min

País:

USA

Idioma:

Inglés | Arapaho

Color:

Color (Technicolor) (credited as Metrocolor)

Relación de Aspecto:

2.89 : 1

Sonido:

4-Track Stereo (35 mm prints) | Cinerama 7-Track (Westrex Recording System)

Clasificación:

Canada:G | Portugal:M/12 | USA:Approved (certificate #20143) | USA:G (re-rating) (1970) | West Germany:12 (f) | Argentina:Atp | Australia:G | Chile:TE | Finland:K-16 | Norway:12 | Spain:7 | Sweden:11 | UK:PG (video rating) (1986) (cut) | UK:PG (video re-rating) (1995) (uncut) | UK:U (original rating)

Locaciones de Filmación:

Alabama Hills, Lone Pine, California, USA

Compañía:

Cinerama Productions Corp.

Trivialidades:

Because the 2 dividing lines that separate the 3 separate projections could not be totally edited into a seamless match, the directors skillfully used camouflage techniques to disguise the lines. Some of the objects used for this were trees, lamp posts, window edges, porch rails, building corners, doorways and wooden crates which were positioned at these points.

Errores:

Continuidad: Linus Rawlings ('Jimmy Stewart') is depicted as having gray hair. The body of the man they identify as Linus Rawlings to the Civil War surgeon has red hair.

Citas:

[first lines]
Narrator: [as the camera pans over the Rocky Mountains] This land has a name today, and is marked on maps. But, the names and the marks and the maps all had to be won, won from nature and from primitive man.

Conexiones de Película:

Referenced in "Leave It to Beaver: Wally's Practical Joke (#6.35)" (1963)

Banda de Sonido:

What Was Your Name in The States?

Awesome - American history on a grand scale

As a seven year old boy who adored history, I was brought by my mother to see this in Cinemascope on a huge screen. Anyone who has seen this can just imagine the impact.

There has always been a healthy dispute about what historical developments most influenced the outlook and behavior of Americans. Among the candidates are: i) the development of an entirely new world on distant shores - a world where the rules were there to be made as the Pilgrims/Puritans/Quakers and others determined, ii) the colonists' growing self-identity as Americans, the evolution of that separate identity, and these peoples' coordination and cooperation from 1607 to the Albany Union conference in 1759, the Stamp Act Congress in 1763 and the Second Continental Congress' decision to declare independence in 1776, iii) the workings of a multi-racial society due to the presence of aboriginal people and the importation of slaves, iv) the role of the frontier and settlement of a continually receding West, v) the enormity of immigration and their inter-action with the native-born from about the 1840s to the present, vi) the sheer size and diverse conditions of topography and climate, vii) the evolution of democracy over four centuries on a large scale, viii) the experience of modernization over the past century on a scale unknown to, and before, the rest of the world.

This movie in effect tells the fourth story - and tells it in a thrilling, colorful way -- from the 1840s when the frontier was still the Ohio Valley to about 1885 - not so long a time. (Contrast this with the 169 year colonial period).

The movie is stunning - beautifully cast - music you'll always remember - and many powerful and moving scenes. So many scenes live forever in my mind

- the return of the George Peppard character from the Civil War to his family's farmstead in Ohio,

-- the astonishing speech by the Richard Widmark character after the buffalo stampede has killed so many,

-- the wonderfully written emotional scenes whenever Debbie Reynolds was dealing with either Robert Preston's clumsy attempt at courtship ("why with hips like yours, having children would be as easy as rolling off a log") or her own love for the roguish Gregory Peck,

-- the George Peppard family (with the wonderful Carolyn Jones and Debbie Reynolds) singing Greensleaves as the movie nears its end,

-- and the astonishing scene of the West transformed into cloverleaf highways and overpasses after we've been watching a deserted West for several hours.

The pride in those who won the West is so evident throughout the movie - yet it's shown along with losses (the deep sadness of Henry Fonda's mountaineer at the continuing encroachment of civilization, the breach of the boundary set in an Indian treaty due to the railroad's need to set a straight course - and the resulting catastrophe).

Not too many years would pass before movie makers would be telling audiences that the settlement of the West was a triumph of vicious villains, charlatans, cynics and fast-buck artists in movies like McCabe and Mrs. Miller, Soldier Blue, Little Big Man, The Wild Bunch.

But I'm deeply grateful that I was old enough to see how the West was won in a movie like this.