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Lawrence of Arabia (1962)
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Revisión
Calificación de los usuarios:
Fecha de Lanzamiento:
30 enero 1963 (Canada) másFrase comercial:
The Desert Classic. (1983 Video Release) másPlot:
Epic rumination on a flamboyant and controversial British military figure and his conflicted loyalties during wartime service. full summary | full synopsisPremios:
Won 7 Oscars. Another 18 wins & 12 nominations másComentarios de los usuarios:
Review-proof másReparto
(Descripción general del reparto)| Peter O'Toole | ... | T.E. Lawrence | |
| Alec Guinness | ... | Prince Feisal | |
| Anthony Quinn | ... | Auda abu Tayi | |
| Jack Hawkins | ... | General Lord Edmund Allenby | |
| Omar Sharif | ... | Sherif Ali | |
| José Ferrer | ... | Turkish Bey (as Jose Ferrer) | |
| Anthony Quayle | ... | Colonel Brighton | |
| Claude Rains | ... | Mr. Dryden | |
| Arthur Kennedy | ... | Jackson Bentley | |
| Donald Wolfit | ... | General Sir Archibald Murray | |
| I.S. Johar | ... | Gasim | |
| Gamil Ratib | ... | Majid | |
| Michel Ray | ... | Farraj | |
| John Dimech | ... | Daud | |
| Zia Mohyeddin | ... | Tafas |
Más detalles
Parents Guide:
View content advisory for parentsDuración:
216 min | UK:228 min (director's cut) | UK:187 min (1970 re-release) | UK:210 min (original version) | UK:222 min (premiere version) | USA:227 min (restored roadshow version)País:
UKColor:
Color (Technicolor)Relación de Aspecto:
2.35 : 1 másSonido:
70 mm 6-Track (RCA Sound Recording) (70 mm prints) | Dolby SR (35 mm prints) (restored version) | Mono (35 mm prints) (original version) | 4-Track Stereo (magnetic prints) (35 mm) (original version)Clasificación:
Hong Kong:IIA | USA:Approved (original rating) | USA:G (re-rating) (1971) | Iceland:12 | Portugal:M/12 | Canada:A (Nova Scotia) | Canada:G (Quebec) | Canada:PG (Manitoba/Ontario) | Netherlands:12 (DVD rating) | South Korea:12 | Brazil:14 | USA:PG (edited for re-rating) (1988) | West Germany:12 (f) | Argentina:Atp | Australia:M (Special Edition DVD) | Australia:PG | Chile:TE | Finland:K-16 | France:U | Ireland:PG | Norway:15 (director's cut) | Norway:16 | Singapore:PG | Spain:18 | Sweden:15 | UK:PGCosas divertidas
Trivialidades:
Peter O'Toole finally mastered his camel-riding technique by adding a layer of sponge rubber under the saddle to ease his bruised backside...a practical innovation quickly adopted by the actual Bedouin tribesmen acting as extras during the desert location filming. másErrores:
Continuidad: When Lawrence is showing off in his new Arab dress, the shadows are initially long, but in the next shot have suddenly shortened. másCitas:
[first lines]Vicar at St. Paul's: Well nil nisi bonum. But I find something... disproportionate in all this.
Colonel Brighton: He was a remarkable chap. By any counts, remarkable.
Vicar at St. Paul's: Did you know him well?
Colonel Brighton: I knew him.
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Conexiones de Película:
Referenced in "Saturday Night Live: Michael Palin/Eugene Record (#3.16)" (1978) másBanda de Sonido:
The Man Who Broke the Bank at Monte Carlo máspreguntas frecuentes
A NOTE REGARDING SPOILERSWhat was Robert Bolt's contribution to the script vs. Michael Wilson's contribution, and why was Wilson denied credit?
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I first saw this movie on a scratchy VHS almost twenty years ago (I was 10). Liked it (sort of-enjoyed the battle scenes and the train blowing up), but didn't understand why my dad was so crazy about it.
The next time was on laserdisc (remember those?) almost 10 years ago and I was hooked. I finally got it - the conflict, the performances, the music, the dialogue - all mesmerising.
But it was only in 2002, when I saw the 40th-anniversary reissue on 70mm that I was completely blown away seeing the scale, the enormity of Lean's accomplishment. There were scenes that gave me goosepimples (the opening credits, the cut from the matchstick to the desert sunrise, "nothing is written" - others too numerous to mention).
The point of this rather rambling review is this - a movie that can evoke such passion in its admirers stands by itself, beyond reviews or criticism. If you haven't seen it yet I envy you, because you get to experience it for the first time.