The Miracle Worker (1962)
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- Approved
- 1h 46min
- Biography, Drama
- 28 Jul 1962 (USA)
- Movie
- Won 2 Oscars. Another 10 wins & 13 nominations.
- See more »
Photos and Videos
Cast verified as complete
Anne Bancroft | ... |
Annie Sullivan
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Victor Jory | ... |
Captain Arthur Keller
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Inga Swenson | ... |
Kate Keller
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Andrew Prine | ... |
James Keller
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Kathleen Comegys | ... |
Aunt Ev
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Patty Duke | ... |
Helen Keller
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Rest of cast listed alphabetically: | |||
Maribel Ayuso | ... |
Undetermined Role (uncredited)
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Dale Ellen Bethea | ... |
Martha at Age 10 (uncredited)
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John Bliss | ... |
Admissions Officer (uncredited)
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Grant Code | ... |
Doctor (uncredited)
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Michael Darden | ... |
Percy at Age 10 (uncredited)
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Michele Farr | ... |
Annie at Age 10 (uncredited)
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William F. Haddock | ... |
2nd Crone (uncredited)
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Jack Hollander | ... |
Mr. Anagnos of Perkins School in Boston (uncredited)
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Alan Howard | ... |
Jimmie at Age 8 (uncredited)
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Judith Lowry | ... |
1st Crone (uncredited)
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Helen Ludlam | ... |
3rd Crone (uncredited)
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Beah Richards | ... |
Viney - Keller Maid (uncredited)
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Madge West | ... |
Undetermined Role (uncredited)
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Directed by
Arthur Penn |
Written by
William Gibson | ... | (screenplay) |
William Gibson | ... | (based upon the stage play by) |
Helen Keller | ... | (book "The Story of My Life") (uncredited) |
Produced by
Fred Coe | ... | producer |
Music by
Laurence Rosenthal | ... | (music composed by) |
Cinematography by
Ernesto Caparrós | ... | director of photography (as Ernest Caparros) |
Editing by
Aram Avakian | ... | (edited by) |
Art Direction by
George Jenkins |
Costume Design by
Ruth Morley | ... | (costumes by) |
Makeup Department
Herman Buchman | ... | make up |
Ed Callaghan | ... | hair styles |
Production Management
Harrison Starr | ... | production manager |
David Golden | ... | production manager (uncredited) |
Second Unit Director or Assistant Director
Larry Sturhahn | ... | assistant director (as Larry Sturhan) |
Ulu Grosbard | ... | assistant director (uncredited) |
Art Department
Mel Bourne | ... | assistant art director |
Sound Department
Emil Kolisch | ... | sound |
Hugh A. Robertson | ... | sound effects editor |
Dick Vorisek | ... | sound (as Richard Vorisek) |
Camera and Electrical Department
Jack Horton | ... | camera operator |
Tom Volpe | ... | dolly grip (uncredited) |
Music Department
Edward Beyer | ... | music editor |
Gloria Agostini | ... | musician: harp (uncredited) |
Seymour Barab | ... | musician: cello (uncredited) |
Norman Carr | ... | musician: strings (uncredited) |
C. Robert Fine | ... | music engineer (uncredited) / music mixer (uncredited) |
Loren Glickman | ... | musician: bassoon (uncredited) |
Lenny Hambro | ... | musician: piano (uncredited) |
Herbert J. Harris | ... | musician: drums, percussion (uncredited) |
Jacob Krachmalnick | ... | musician: strings (uncredited) |
Sam Levitan | ... | musician: bass (uncredited) |
Charles Libove | ... | musician: strings (uncredited) |
David Nadien | ... | musician: strings (uncredited) |
Jerome Neff | ... | orchestrator (uncredited) |
Matthew Raimondi | ... | musician: strings (uncredited) |
Laurence Rosenthal | ... | conductor (uncredited) / orchestrator (uncredited) |
Walter Trampler | ... | musician: strings (uncredited) |
Arthur Weisberg | ... | musician: bassoon (uncredited) |
Script and Continuity Department
Maggie James | ... | script supervisor |
Additional Crew
Gene Lasko | ... | direction aide |
Production Companies
Distributors
- United Artists (1962) (United States) (theatrical)
- United Artists (1962) (United Kingdom) (theatrical)
- United Artists (1962) (Sweden) (theatrical)
- United Artists (1962) (Argentina) (theatrical) (as Artistas Unidos)
- Nova Film (1963) (Netherlands) (theatrical)
- Towa. (1963) (Japan) (theatrical)
- United Artists (1963) (West Germany) (theatrical)
- Rank Filmes de Portugal (1964) (Portugal) (theatrical)
- American Broadcasting Company (ABC) (1964) (United States) (tv)
- Zweites Deutsches Fernsehen (ZDF) (1973) (West Germany) (tv)
- Radio Télévision Belge Francophone (RTBF) (1979) (Belgium) (tv) (French speaking region)
- British Broadcasting Corporation (BBC) (1982) (United Kingdom) (tv) (BBC1)
- Evangelische Omroep (EO) (1986) (Netherlands) (tv)
- MGM Home Entertainment (1987) (United States) (VHS) (pan and scan)
- Warner Home Video (1992) (United States) (VHS)
- Chapel Distribution (1997) (Australia) (theatrical) (35mm print)
- MGM Home Entertainment (2004) (Germany) (DVD)
- MGM Home Entertainment (2004) (United States) (DVD)
- MGM Home Entertainment (2007) (United States) (DVD)
- Olive Films (2017) (United States) (DVD) (DVD and Blu-ray)
- Olive Films (2017) (Canada) (DVD) (DVD and Blu-ray)
- Mary-X Distribution (2019) (France) (theatrical) (re-release) (restored version)
- Wicked-Vision Media (2022) (Germany) (Blu-ray)
- BS Japan (2015) (Japan) (tv)
- Fox Video Japan (2001) (Japan) (DVD)
- MGM/UA Home Entertainment (United States) (VHS)
- MGM/UA Telecommunications (United States) (tv) (as MGM/UA Communications Co.)
- NHK-BS2 (1993) (Japan) (tv)
- Pluto TV (2023) (United States) (video)
Special Effects
- Film Opticals (special effects)
Other Companies
- Descriptive Video Works (descriptive video)
- Film Opticals (opticals)
- MGM/UA Home Communications Group (VHS package design)
- MGM/UA Home Entertainment Group (VHS package design)
Storyline
Plot Summary |
Young Helen Keller, blind, deaf, and mute since infancy, is in danger of being sent to an institution. Her inability to communicate has left her frustrated and violent. In desperation, her parents seek help from the Perkins Institute, which sends them a "half-blind Yankee schoolgirl" named Annie Sullivan to tutor their daughter. Through persistence and love, and sheer stubbornness, Annie breaks through Helen's walls of silence and darkness and teaches her to communicate.
Written by Christina Dunigan |
Plot Keywords | |
Taglines | An emotional earthquake! See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Filming Locations |
Box Office
Budget | $500,000 (estimated) |
Cumulative Worldwide Gross | $38,872 |
Did You Know?
Trivia | Although Patty Duke had been playing Helen Keller in the play for more than a year, she almost didn't get the part in the film adaptation. The studio felt that being a teenager, she looked too old to play a seven-year-old. However, they decided to use Duke after deciding to use Anne Bancroft, who played Duke's original Annie Sullivan in the play. See more » |
Goofs | Annie Sullivan has to look up the word discipline in a dictionary later in the film even though she's used it in a letter near the beginning; however, she remarks that she must know how to spell it before teaching it to Helen, and may have simply used her best guess in the letter since nothing was at stake. See more » |
Movie Connections | Edited into Le contrôle de l'univers (1999). See more » |
Soundtracks | Hush, Little Baby See more » |
Quotes |
Annie Sullivan:
I have to live with her somewhere else. Kate Keller: For how long? Annie Sullivan: Until she learns to listen to and depend on me. Captain Arthur Keller: Miss Sullivan... Annie Sullivan: Captain Keller, it meets both of your conditions. It's the one way I can get back in touch with Helen, and I don't see how I can be rude to you again if you're not around to interfere with me. Captain Arthur Keller: And what's your plan if I say no? Pack the other half for home and abandon your charge to... to... Annie Sullivan: The asylum? I grew up in such an asylum, the State Alms House. Rats? Why, my brother Jimmy and I used to play with the rats because we didn't have any toys. Maybe you'd like to know what Helen will find there, not on visiting days. One ward was full of the old women. Crippled, blind, most of them dying, but even if what they had was catching, there was nowhere else to move them. That's where they put us. Then there were younger ones across the hall, prostitutes mostly, with TB and epileptic fits. And some of the kind that keep after other girls, especially the young ones. And some were just insane. Some had the DTs. Then there were girls in another ward to have babies they didn't want. They started at thirteen, fourteen. They left afterwards, but the babies stayed. We played with them, too. There were a lot of them, with sores all over from diseases you're not supposed to talk about. See more » |