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El ángel exterminador (1962)
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Revisión
Calificación de los usuarios:
Fecha de Lanzamiento:
21 agosto 1967 (USA) másPlot:
The guests at an upper-class dinner party find themselves unable to leave. full summary | add synopsisPremios:
1 win & 1 nomination másComentarios de los usuarios:
still one of the top comedies about utter frustration másReparto
(Descripción general del reparto)| Silvia Pinal | ... | Leticia 'La Valkiria' | |
| Enrique Rambal | ... | Edmundo Nobile | |
| Claudio Brook | ... | Julio, Mayordomo; Steward | |
| José Baviera | ... | Leandro Gomez | |
| Augusto Benedico | ... | Carlos Conde; Doctor | |
| Antonio Bravo | ... | Sergio Russell | |
| Jacqueline Andere | ... | Alicia de Roc | |
| César del Campo | ... | Alvaro, Coronel; Colonel | |
| Rosa Elena Durgel | ... | Silvia | |
| Lucy Gallardo | ... | Lucía de Nobile | |
| Enrique García Álvarez | ... | Alberto Roc | |
| Ofelia Guilmáin | ... | Juana Avila | |
| Nadia Haro Oliva | ... | Ana Maynar | |
| Tito Junco | ... | Raúl | |
| Xavier Loyá | ... | Francisco Avila |
Más detalles
Parents Guide:
View content advisory for parentsDuración:
95 minPaís:
MexicoIdioma:
EspañolColor:
Negro y BlancoSonido:
Mono (RCA Sound System)Locaciones de Filmación:
Mexico City, México D.F., MexicoCosas divertidas
Trivialidades:
The title was taken from a friend of Buñuel, José Bergamin, who was writing a play with that title but never finished it. When Buñuel wanted to title his film, he asked for the rights of the title from his friend, but he answered that there was no trouble, because it was taken from the Bible, the Book of Revelations. másErrores:
Micrófono Boom visible: After the butler trips in the dining room, the lady of the house follows him into the kitchen. While they speak the boom mic can clearly be seen at the bottom of the screen, extending out from under a table. máspreguntas frecuentes
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The Exterminating Angel, what a movie- I've seen it twice now and each time it went against (in the best possible way) my better logic. It's a work that's the product of a kind of madman place, and it stays impressive forty plus years later due to its humor. Like Dr. Strangelove, or maybe more so akin to a Kafka work submerged in Catholic plague, the film subverts expectations. At the start of the film, Luis Bunuel makes it clear as day that his only explanation is that its nonsense. If one were wanting to dig on a pure comedy level it would work because the dialog is so strange and out of place (if taken seriously) but consistently so, and the timing of the sort of downward spiral that plunges into the denouement (if there is one). If one were wanting to look at it for more of the technical reasons, its peerless- Bunuel has a steady, carefully controlled camera, quite tradition at times. But then at others he reveals his revealing, awesome flashes of symbolism, which may or may not fly over some viewers heads.
And then, if one were to go so far, on an existential level it goes into the realm of nothingness, a kind of study of how a nonsensical existence, trapped for reasons not made clear to the viewer (barely to the rich cast of bourgeois, a running gag almost), which also calls in the Kafka aspect. By the hand of a surrealist comes a deadpan satire, and it almost becomes a dark fable (the Catholic aspect to the film) by the end. It's a rather shocking film on the first try, which is why it probably had some controversy when it first opened. Giving it another chance, the film works better, on a more sensory level almost. This is the kind of film where you're either scratching your head and turning it off midway through, or laughing (while in the grips of cringing perhaps) and in a weird awe. One of Bunuel's very best Mexican films.