| Fotos (ver todos los 19 | slideshow) |
| Paul Newman | ... | Hud Bannon | |
| Melvyn Douglas | ... | Homer Bannon | |
| Patricia Neal | ... | Alma Brown | |
| Brandon De Wilde | ... | Lon 'Lonnie' Bannon (as Brandon de Wilde) | |
| Whit Bissell | ... | Mr. Burris | |
| Crahan Denton | ... | Jesse | |
| John Ashley | ... | Hermy | |
| Val Avery | ... | Jose | |
| George Petrie | ... | Joe Scanlon | |
| Curt Conway | ... | Truman Peters | |
| Sheldon Allman | ... | Mr. Thompson | |
| Pitt Herbert | ... | Mr. Larker | |
| Carl Low | ... | Mr. Kirby | |
| Robert Hinkle | ... | Rodeo Announcer Frank | |
| Don Kennedy | ... | Charlie Tucker | |
| Sharyn Hillyer | ... | Myra (as Sharon Hillyer) | |
| Yvette Vickers | ... | Lily Peters | |
| listado alfabético del resto del reparto: | |||
| Charlie Briggs | ... | Voice on Lonnie's radio (uncredited) | |
| Peter Brooks | ... | George (uncredited) | |
| Elmer Wayne Brown | ... | Cowboy (uncredited) | |
| Nino Candido | ... | Patron (uncredited) | |
| Dennis Hedlund | ... | Patron in Cafe (uncredited) | |
| John Indrisano | ... | Bar-room Brawler (uncredited) | |
| David Kent | ... | Donald (uncredited) | |
| Frank Killmond | ... | Dumb Billy (uncredited) | |
| Montie Montana | ... | Cowboy (uncredited) | |
| Simon Prescott | ... | Man in greased pig sequence (uncredited) | |
| John Michael Quijada | ... | Cowboy (uncredited) | |
| Carl Saxe | ... | Proprietor sweeping glass (uncredited) | |
Dirigida por | |||
| Martin Ritt | |||
Créditos del guión | ||
| Larry McMurtry | (novel "Horseman Pass By") | |
| Irving Ravetch | (writer) and | |
| Harriet Frank Jr. | (writer) | |
Producida por | |||
| Irving Ravetch | .... | producer | |
| Martin Ritt | .... | producer | |
Música original por | |||
| Elmer Bernstein | |||
Fotografía por | |||
| James Wong Howe | |||
Montaje por | |||
| Frank Bracht | |||
Dirección artística | |||
| Tambi Larsen | |||
| Hal Pereira | |||
Decorados | |||
| Robert R. Benton | (as Robert Benton) | ||
| Sam Comer | |||
Diseño de vestuario por | |||
| Edith Head | |||
Departamento de maquillaje | |||
| Nellie Manley | .... | hair styles supervisor | |
| Wally Westmore | .... | makeup supervisor | |
Dirección de producción | |||
| Lloyd Anderson | .... | unit production manager (uncredited) | |
| Andrew J. Durkus | .... | unit production manager (uncredited) | |
Ayudante de dirección | |||
| Charles C. Coleman | .... | assistant director (as C.C. Coleman Jr.) | |
Departamento de sonido | |||
| John R. Carter | .... | sound recordist (as John Carter) | |
| John Wilkinson | .... | sound recordist | |
Efectos especiales | |||
| Farciot Edouart | .... | process photography | |
| Paul K. Lerpae | .... | special photographic effects | |
Cámara y Departamento Eléctrico | |||
| Rex Wimpy | .... | photographer: second unit | |
Departamento de Música | |||
| Bob Bain | .... | musician: guitar (uncredited) | |
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| Giant | Big Fish | Terms of Endearment | The Night of the Hunter | Little Miss Sunshine |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
Hud is the finest American movie ever made. One hundred years from now people will want to know who we were, how we lived and what kind of problems we faced. Hud is a great movie not only because it is a great story with great actors, great direction and a great score but also because it helps future generations understand us. It is a great human interest story, a classic story of right and wrong. The movie gains power because it is shot in black and white with a spare score; and it is not afraid to experiment as when Hud Bannon (Paul Newman) refers to Lon (Brandon de Wilde) as Fantan. The scenes of everyday Texas in the 1950s are pure Americana. This movie is as refreshing today as when I first saw it as a boy in the 1960s; and the performances have not aged.