| Fotos (ver todos los 35 | slideshow) |
| David Niven | ... | Sir Charles Lytton | |
| Peter Sellers | ... | Insp. Jacques Clouseau | |
| Robert Wagner | ... | George Lytton | |
| Capucine | ... | Simone Clouseau | |
| Brenda De Banzie | ... | Angela Dunning (as Brenda de Banzie) | |
| Colin Gordon | ... | Tucker | |
| John Le Mesurier | ... | Defence Barrister (as John LeMesurier) | |
| James Lanphier | ... | Saloud | |
| Guy Thomajan | ... | Artoff | |
| Michael Trubshawe | ... | Felix Townes | |
| Riccardo Billi | ... | Aristotle Sarajos | |
| Meri Welles | ... | Monica Fawn (as Meri Wells) | |
| Martin Miller | ... | Pierre Luigi - Photographer | |
| Fran Jeffries | ... | Greek 'cousin' | |
| Claudia Cardinale | ... | The Princess | |
| listado alfabético del resto del reparto: | |||
| John Bartha | ... | Policeman (uncredited) | |
| William Bryant | ... | Policeman (uncredited) | |
| Mario Fabrizi | ... | Hotel manager (uncredited) | |
| Eugene Walter | ... | Hotel manager (English dubbing) (uncredited) | |
Dirigida por | |||
| Blake Edwards | |||
Créditos del guión | ||
| Maurice Richlin | (screenplay) and | |
| Blake Edwards | (screenplay) | |
Producida por | |||
| Dick Crockett | .... | associate producer | |
| Martin Jurow | .... | producer | |
Música original por | |||
| Henry Mancini | |||
Fotografía por | |||
| Philip H. Lathrop | (director of photography) (as Philip Lathrop) | ||
Montaje por | |||
| Ralph E. Winters | |||
Dirección artística | |||
| Fernando Carrere | |||
Decorados | |||
| Reg Allen | (as Reginald Allen) | ||
| Arrigo Breschi | |||
| Jack Stevens | |||
Departamento de maquillaje | |||
| Amalia Paoletti | .... | hair stylist | |
| Euclide Santoli | .... | makeup artist | |
| Michele Trimarchi | .... | makeup artist (as Michele Tremarchi) | |
| Giancarlo De Leonardis | .... | hair stylist (uncredited) | |
Dirección de producción | |||
| Guy Luongo | .... | production supervisor | |
| Jack McEdward | .... | production supervisor | |
Ayudante de dirección | |||
| Ottavio Oppo | .... | assistant director | |
| Owen Crump | .... | second unit director (uncredited) | |
Departamento de Arte | |||
| Mickey Lennon | .... | chargehand dressing prop (uncredited) | |
| Italo Tomassi | .... | head scenic painter (uncredited) | |
Departamento de sonido | |||
| Alexander Fisher | .... | sound | |
| Gilbert D. Marchant | .... | sound effects editor | |
| Sash Fisher | .... | sound (uncredited) | |
Efectos especiales | |||
| Lee Zavitz | .... | special effects | |
Especialistas | |||
| Dick Crockett | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
Cámara y Departamento Eléctrico | |||
| John Burton Jr. | .... | camera operator: animation (uncredited) | |
| Bill Geddes | .... | camera grip (uncredited) | |
| Richard H. Kline | .... | camera operator (uncredited) | |
Departamento de Animación | |||
| Warren Batchelder | .... | animator: main titles (uncredited) | |
| Dale Case | .... | animator: main titles (uncredited) | |
| George DeLado | .... | background artist: main titles (uncredited) | |
| David H. DePatie | .... | animation producer (uncredited) | |
| Friz Freleng | .... | animation producer (uncredited) | |
| Manny Gould | .... | animator: main titles (uncredited) | |
| George Grandpré | .... | animator: main titles (uncredited) | |
| Laverne Harding | .... | animator: main titles (uncredited) | |
| Harry Love | .... | production coordinator: animation (uncredited) | |
| Bob Matz | .... | animator: main titles (uncredited) | |
| Norm McCabe | .... | animator: main titles (uncredited) | |
| Tom O'Loughlin | .... | background artist: main titles (uncredited) | |
| Manuel Perez | .... | animator: main titles (uncredited) | |
| Hawley Pratt | .... | director: animation sequence (uncredited) | |
| Dick Ung | .... | layout artist: main titles (uncredited) | |
| Don Williams | .... | animator: main titles (uncredited) | |
Departamento de vestuario | |||
| Annalisa Nasalli-Rocca | .... | wardrobe supervisor (as Annalisa Rocca) | |
| Yves Saint-Laurent | .... | wardrobe: Claudia Cardinale and Capucine (as Yves St. Laurent) | |
| William Ware Theiss | .... | wardrobe consultant (as William Theiss) | |
Departamento de Edición | |||
| Marshall M. Borden | .... | assistant editor | |
| David B. Zinnemann | .... | assistant editor | |
| Lee Gunther | .... | film editor: animation (uncredited) | |
Departamento de Música | |||
| Richard Carruth | .... | music editor | |
| Bob Bain | .... | musician: guitar (uncredited) | |
Departamento de Transporte | |||
| Eddie Frewin | .... | transportation chief (uncredited) | |
Otros miembros del equipo | |||
| Betty A. Griffin | .... | script supervisor (as Betty Abbott) | |
| James Lanphier | .... | dialogue coach | |
| Corny Cole | .... | lead graphic designer: main titles (uncredited) | |
| Ralph M. Leo | .... | production accountant (uncredited) | |
| Hermes Pan | .... | choreographer (uncredited) | |
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| The Pink Panther 2 | The Return of the Pink Panther | A Shot in the Dark | Revenge of the Pink Panther | The Pink Panther |
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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IMDb Calificación de los usuarios:
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Comedia section | IMDb UK section | Add this title to MyMovies |
Nearly every review I have read condemning _The Pink Panther_ to second or third rate status in the "pantheon" of Clouseau movies comes from someone who either didn't know it existed or who was raised on the totally slapstick offerings that came later. If you are expecting the hackneyed humor and over-the-top performances that came with the last few Panther movies you are bound to be surprised by a movie that took time to make sense out of a story. If those movies are your standard for humor, you are bound to be disappointed.
This is one of my all-time favorite movies. I watched it when it came out. I was eleven and it was showing at a local drive-in. Since then the movie has never failed to entertain me.
Unlike most of the other reviewers, I don't share the same admiration for the later Clouseau movies. I did enjoy _A Shot in the Dark_ and even liked _Return of the Pink Panther_ and its sequel, but frankly, Herbert Lom's twitch, Kato's surprise attacks, increasingly more ludicrous plot devices, and the very fact that Clouseau was still in a position of responsibility was more disbelief than I was willing to suspend.
_The Pink Panther_ is a great Romantic Comedy. That, in itself separates it from all the other Panther clones, which are all farcical slapsticks. Different humor, different purposes, therefore a different appreciation.
_The Pink Panther_ was not a blueprint for other Clouseau movies. Only for the Clouseau character.
This movie was the inspiration for an American icon. The Pink Panther cartoons came out well before the next movie. It also featured inspired comedy performances by its four leads. Yes, FOUR leads. Just because Clouseau wasn't the only major character doesn't mean he was minor. Sellers has more scenes than anyone except David Niven.
_The Pink Panther_ deserves to be considered on its own merits and not compared to movies of another genre that strove to capitalize on the popularity of the original.