"Circus World" (1964), a grandiose Cinerama film directed by a Hollywood veteran Henry Hathaway, is a paradoxical case. The film was a big production, it had great stars, an acclaimed director, a highly appreciated screenwriter (Ben Hecht), and an even more celebrated writer behind the story (director Nicholas Ray), but yet the film has been, for the most part, forgotten. This is arguably justified since many do not feel that the film has the quality one might hope for. To my mind, the film's peculiarity is mainly due to its strange nature where the elegiac longing is combined with an extravagant approach. The story is very simple (an untold past tragedy casts its shadow on the present as a circus director, played by John Wayne, tries to create a successful show in Europe where he is reunited by his former lover, played by Rita Hayworth), but there's more than that to the film.
By this I do not mean that Hathaway had elaborated a subtle subtext to the film in question or anything like that. I am merely talking about the art of history. First of all, "Circus World" is a film directed, written, and starred by old Hollywood legends. It was also made half a decade after the old studio system started to crumble. Many contemporary critics have later felt that films such as "The Searchers" (1956), "Rio Bravo" (1959), and "North by Northwest" (1959) were the last ones of a kind. "Circus World", on the other hand, is as though a posthumous legacy, in a somewhat similar sense as "The Man Who Shot Liberty Valance" (1961). Moreover, the film takes place in the early 20th century and dives into the nostalgic world of the circus which often represents a carefree existence of play and work (closely studied in the film of Federico Fellini, for one). While the historical setting seems to echo the film's own production time in this sense (reminiscing about the good old days before the world wars, semi-analogous to the good old days of Hollywood), the film's melancholic tone is further enhanced by the fates of its leading stars. It is well-known that "Circus World" was not only the last film John Wayne made before his lung cancer operation but also the first film where Hayworth's alleged Alzheimer's disease started acting up, causing numerous problems with production. It is as if everyone involved had been through their best days, inevitably casting an impact on the quality of the film in question as well, but still came together to perform in the wild circus world.
This is why, in my opinion, the film's slow pace, effortlessly simple style, and naive story seem appropriate. It all seems to speak to the spectator on another level, so to speak. The film begins with emptiness and ends with fullness. "Circus World" is a film where an old world is softly breathing with modesty and ambition combined.
By this I do not mean that Hathaway had elaborated a subtle subtext to the film in question or anything like that. I am merely talking about the art of history. First of all, "Circus World" is a film directed, written, and starred by old Hollywood legends. It was also made half a decade after the old studio system started to crumble. Many contemporary critics have later felt that films such as "The Searchers" (1956), "Rio Bravo" (1959), and "North by Northwest" (1959) were the last ones of a kind. "Circus World", on the other hand, is as though a posthumous legacy, in a somewhat similar sense as "The Man Who Shot Liberty Valance" (1961). Moreover, the film takes place in the early 20th century and dives into the nostalgic world of the circus which often represents a carefree existence of play and work (closely studied in the film of Federico Fellini, for one). While the historical setting seems to echo the film's own production time in this sense (reminiscing about the good old days before the world wars, semi-analogous to the good old days of Hollywood), the film's melancholic tone is further enhanced by the fates of its leading stars. It is well-known that "Circus World" was not only the last film John Wayne made before his lung cancer operation but also the first film where Hayworth's alleged Alzheimer's disease started acting up, causing numerous problems with production. It is as if everyone involved had been through their best days, inevitably casting an impact on the quality of the film in question as well, but still came together to perform in the wild circus world.
This is why, in my opinion, the film's slow pace, effortlessly simple style, and naive story seem appropriate. It all seems to speak to the spectator on another level, so to speak. The film begins with emptiness and ends with fullness. "Circus World" is a film where an old world is softly breathing with modesty and ambition combined.
