| Fotos (ver todos los 33 | slideshow) |
| Sophia Loren | ... | Lucilla | |
| Stephen Boyd | ... | Livius | |
| Alec Guinness | ... | Marcus Aurelius | |
| James Mason | ... | Timonides | |
| Christopher Plummer | ... | Commodus | |
| Anthony Quayle | ... | Verulus | |
| John Ireland | ... | Ballomar | |
| Omar Sharif | ... | Sohamus | |
| Mel Ferrer | ... | Cleander | |
| Eric Porter | ... | Julianus | |
| Finlay Currie | ... | Senator | |
| Andrew Keir | ... | Polybius | |
| Douglas Wilmer | ... | Niger | |
| George Murcell | ... | Victorinus | |
| Norman Wooland | ... | Virgilianus | |
| Michael Gwynn | ... | Cornelius | |
| Virgilio Teixeira | ... | Marcellus (as Virgilio Texera) | |
| Peter Damon | ... | Claudius | |
| Rafael Calvo | ... | Lentulus | |
| Lena von Martens | ... | Helva (as Lena Von Martens) | |
| listado alfabético del resto del reparto: | |||
| Roland Carey | ... | Barbarian (uncredited) | |
| Margaret Fuller | ... | Part of Court (uncredited) | |
| Gabriella Licudi | ... | Tauna (uncredited) | |
| Jeffrey O'Kelly | ... | Brother of Livius (uncredited) | |
| Robert Rietty | ... | Opening narration (uncredited) | |
| Guy Rolfe | ... | Marius (uncredited) | |
| Friedrich von Ledebur | ... | Barbarian (uncredited) | |
Dirigida por | |||
| Anthony Mann | |||
Créditos del guión | ||
| Ben Barzman | (written by) & | |
| Basilio Franchina | (written by) & | |
| Philip Yordan | (written by) | |
Producida por | |||
| Samuel Bronston | .... | producer | |
| Jaime Prades | .... | associate producer | |
| Michal Waszynski | .... | associate executive producer (as Michael Waszynski) | |
Música original por | |||
| Dimitri Tiomkin | |||
Fotografía por | |||
| Robert Krasker | |||
Montaje por | |||
| Robert Lawrence | |||
Casting | |||
| Maude Spector | |||
Diseño de producción por | |||
| Veniero Colasanti | |||
| John Moore | |||
Decorados | |||
| Veniero Colasanti | |||
| John Moore | |||
Diseño de vestuario por | |||
| Veniero Colasanti | |||
| John Moore | |||
Departamento de maquillaje | |||
| Grazia De Rossi | .... | hair stylist | |
| Mario Van Riel | .... | makeup artist | |
| José Luis Pérez | .... | assistant makeup artist (uncredited) | |
Dirección de producción | |||
| C.O. Erickson | .... | executive production manager | |
| Tadeo Villalba | .... | unit manager (uncredited) | |
Ayudante de dirección | |||
| Yakima Canutt | .... | second unit director | |
| José López Rodero | .... | assistant director: first unit | |
| José María Ochoa | .... | assistant director: second unit | |
| Andrew Marton | .... | second unit director (uncredited) | |
| Julio Sempere | .... | second second assistant director (uncredited in original version) | |
Departamento de Arte | |||
| Stanley Detlie | .... | master of properties | |
| José María Alarcón | .... | assistant set decorator (uncredited) | |
| Luciano Arroyo | .... | storyboard artist (uncredited) | |
| Julián Martín | .... | painter (uncredited) | |
| Vicente Sempere Sempere | .... | assistant art director (uncredited) | |
| Italo Tomassi | .... | head scenic painter (uncredited) | |
Departamento de sonido | |||
| Milton C. Burrow | .... | sound effects editor (as Milton Burrow) | |
| David Hildyard | .... | sound mixer | |
| Gordon K. McCallum | .... | sound re-recordist | |
| Otto Snel | .... | sound recordist (uncredited) | |
Efectos especiales | |||
| Alex Weldon | .... | special effects | |
Especialistas | |||
| Jerry Brown | .... | stunts (uncredited) | |
| Tap Canutt | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
Cámara y Departamento Eléctrico | |||
| John Harris | .... | camera operator | |
| Cecilio Paniagua | .... | camera operator: second unit | |
| Bruno Pasqualini | .... | supervising electrician | |
| Vincent Rossell | .... | still photographer (uncredited) | |
Departamento de vestuario | |||
| Gloria Musetta | .... | wardrober | |
Departamento de Edición | |||
| Magdalena Paradell | .... | assistant to editor | |
Departamento de Música | |||
| George Korngold | .... | music editor | |
| Dimitri Tiomkin | .... | conductor | |
| Cecil Bolton | .... | orchestrator (uncredited) | |
| Frank Comstock | .... | orchestrator (uncredited) | |
| Robert Docker | .... | orchestrator (uncredited) | |
| George Parrish | .... | orchestrator (uncredited) | |
| David Tamkin | .... | orchestrator (uncredited) | |
| Herbert Taylor | .... | orchestrator (uncredited) | |
Otros miembros del equipo | |||
| Samuel Bronston | .... | presenter | |
| Will Durant | .... | consultant | |
| Carl Gibson | .... | supervising technician | |
| Maciek Piotrowski | .... | title backgrounds and murals | |
| Elaine Schreyeck | .... | continuity | |
| George Tyne | .... | dialogue coach | |
| Enzo Musumeci Greco | .... | master of arms (uncredited) | |
| Friedrich von Ledebur | .... | horse master (uncredited) | |
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| Cleopatra | Caligola | Julius Caesar | Julius Caesar | Quo Vadis |
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| Reparto y Personal Completos | Créditos de la compañía | Críticas externas |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
the philosopher Emperor Marcus Aurelius (Alec Guiness) summons the leaders of the Empire to the northern Frontier. he plans to announce his desire to place his power in the hands of his loyal star general (Boyd), rather than to his wild, unpredictable son Commodus (Plummer). He is killed before doing so and the Empire crumbles under Commodus.
"The Fall of the Roman Empire" was the nail in its genre's coffin. Ponderous, expensive, it bombed and put the swords'n'sandals epic in a coma for a good 34 years, until the arrival of "Gladiator", with which it shares quite a few story similarities. But where Ridley Scott's film is lean and mean, Anthony Mann's is slow, stately and overly in love with its production design. It also has undeniable weaknesses. Stephen Boyd is bland and uninteresting, Sophia Lauren is painfully bad in many scenes, and the haughty tone is often overbearing, as if the film were too important to bother with simple, human emotions (though whenever it does, it fails, as the calamitous romantic scenes prove). It never helps that the music is ghastly beyond words.
This epic does have its supporters, however, and a few very precise elements are the cause of that: the sets are indeed sumptuous, John Mason keeps his dignity and his scenes with Alec Guiness are a pleasure to watch. The hero to worship here is Christopher Plummer. Plummer can do dark and ambitious, but he is unnervingly charming and dangerous as Commodus.
So in fewer words: not a complete waste of your time. A film that could have been better with different actors as its romantic leads.