I found myself having dinner with Frank Sinatra this week; at least it seemed that way. I was in Palm Springs where a dozen restaurants and clubs claim that Sinatra was once a “regular.” Photos of their idol adorn the walls, all showing Sinatra smiling, even though I never remembered a Sinatra smile during our real-life encounters.
The Sinatra mythology intrigues me because movie stars seem all but invisible these days. They’re absent from their once-favorite Hollywood haunts or even from magazine covers or late-night television. Or from movies, until perhaps next fall when big-budget movies are unveiled.
By contrast, Sinatra’s claim to a certain immortality was reinforced this week with publication of Sinatra and Me, a book augmenting the formidable library of Sinatra books (30 by my count). Its author, Tony Oppedisano, claims to have been a Sinatra intimate, thus joining a list of intimate writers that includes three wives,...
The Sinatra mythology intrigues me because movie stars seem all but invisible these days. They’re absent from their once-favorite Hollywood haunts or even from magazine covers or late-night television. Or from movies, until perhaps next fall when big-budget movies are unveiled.
By contrast, Sinatra’s claim to a certain immortality was reinforced this week with publication of Sinatra and Me, a book augmenting the formidable library of Sinatra books (30 by my count). Its author, Tony Oppedisano, claims to have been a Sinatra intimate, thus joining a list of intimate writers that includes three wives,...
- 6/24/2021
- by Peter Bart
- Deadline Film + TV
Great new for Frank Sinatra fans. None But The Brave is currently available on Blu-ray From Warner Archives. Ordering information can be found Here
A crippled C-47 transport crash-lands on a remote Pacific island. For the Marines aboard, World War II becomes smaller, but no less deadly. The atoll is held by a Japanese platoon, also cut off from its command.
Debuting director Frank Sinatra stars in this suspenseful war saga, joined by Clint Walker, Tony Bill and Olympic champion Rafer Johnson. After initial bullet-laced confrontations, the Japanese leader (Tatsuya Mihashi) offers to swap water for the aid of Pharmacist Mate Maloney (Sinatra), whom he has mistaken for a doctor. When Maloney amputates the leg of a Japanese soldier and saves his life, peace results. But can it last? There are two sides to every war. None but the Brave skillfully shows the heroism of both.
Frank Sinatra added “director...
A crippled C-47 transport crash-lands on a remote Pacific island. For the Marines aboard, World War II becomes smaller, but no less deadly. The atoll is held by a Japanese platoon, also cut off from its command.
Debuting director Frank Sinatra stars in this suspenseful war saga, joined by Clint Walker, Tony Bill and Olympic champion Rafer Johnson. After initial bullet-laced confrontations, the Japanese leader (Tatsuya Mihashi) offers to swap water for the aid of Pharmacist Mate Maloney (Sinatra), whom he has mistaken for a doctor. When Maloney amputates the leg of a Japanese soldier and saves his life, peace results. But can it last? There are two sides to every war. None but the Brave skillfully shows the heroism of both.
Frank Sinatra added “director...
- 6/25/2019
- by Tom Stockman
- WeAreMovieGeeks.com
Clint Walker as Cheyenne.
By Lee Pfeiffer
Clint Walker, the towering, rugged-looking leading man who specialized in playing gentle giants, has passed away at age 90. Walker had a diverse career including serving as a deputy sheriff providing security to the Sands casino in Las Vegas prior to entering show business. His first big break came during the craze for western TV series in the 1950s when he was cast in the title role of "Cheyenne", the first network series produced by Warner Brothers. The show proved to be a major hit, with Walker playing a solitary loner who came to the rescue of those being menaced by various villains. The show ran from 1955 to 1962. Walker had less success on the big screen, though he did land top billing in modest productions such as "Gold of the Seven Saints" which teamed him with Roger Moore, the India-based "Maya" and "Night of the Grizzly", a 1966 western adventure.
By Lee Pfeiffer
Clint Walker, the towering, rugged-looking leading man who specialized in playing gentle giants, has passed away at age 90. Walker had a diverse career including serving as a deputy sheriff providing security to the Sands casino in Las Vegas prior to entering show business. His first big break came during the craze for western TV series in the 1950s when he was cast in the title role of "Cheyenne", the first network series produced by Warner Brothers. The show proved to be a major hit, with Walker playing a solitary loner who came to the rescue of those being menaced by various villains. The show ran from 1955 to 1962. Walker had less success on the big screen, though he did land top billing in modest productions such as "Gold of the Seven Saints" which teamed him with Roger Moore, the India-based "Maya" and "Night of the Grizzly", a 1966 western adventure.
- 5/23/2018
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Clint Walker, who starred in the television Western “Cheyenne” and had a key supporting role in the WWII film “The Dirty Dozen,” died on Monday in Northern California, according to the New York Times. He was 90.
For seven seasons from 1955-61, he played Cheyenne Bodie, a rambunctious wanderer in the post-Civil War West, on the ABC series “Cheyenne.” (He also guested as the character on “Maverick.”)
The actor’s seriocomic confrontation with star Lee Marvin was one of the highlights of the classic 1967 war picture “The Dirty Dozen.”
After “Cheyenne” ended, Walker made some guest appearances on TV — “77 Sunset Strip,” “Kraft Suspense Theatre” and “The Lucy Show,” in an episode called “Lucy and Clint Walker.”
But the actor became more interested in movies both theatrical and for TV. In 1964, he had a supporting role in the Doris Day-Rock Hudson comedy “Send Me No Flowers.” His acting was not distinguished,...
For seven seasons from 1955-61, he played Cheyenne Bodie, a rambunctious wanderer in the post-Civil War West, on the ABC series “Cheyenne.” (He also guested as the character on “Maverick.”)
The actor’s seriocomic confrontation with star Lee Marvin was one of the highlights of the classic 1967 war picture “The Dirty Dozen.”
After “Cheyenne” ended, Walker made some guest appearances on TV — “77 Sunset Strip,” “Kraft Suspense Theatre” and “The Lucy Show,” in an episode called “Lucy and Clint Walker.”
But the actor became more interested in movies both theatrical and for TV. In 1964, he had a supporting role in the Doris Day-Rock Hudson comedy “Send Me No Flowers.” His acting was not distinguished,...
- 5/22/2018
- by Carmel Dagan
- Variety Film + TV
Clint Walker, the hulking star of TV’s Cheyenne who also appeared in such classic films as The Ten Commandment and The Dirty Dozen, died Monday. He was 90. Walker’s daughter Valerie told TMZ that the family believes he died from a heart problem.
Walker was best known for playing Cheyenne Bodie, the strapping, brooding, mean title drifter in the 1955-63 ABC Western Cheyenne. Roaming from town to town and job to job in the post-Civil War West. The series did a slow build, breaking into the year-end Primetime Top 25 at No. 12 in its third season, where it peaked amid the crush of Western fare.
Around then, a contract beef with producer Warner Bros led Walker to quit the show. The studio replaced him with an unknown actor — Ty Hardin, who would go on to star in Bronco — but Walker returned in early 1959 and finished out the series’ seven-season run.
Walker was best known for playing Cheyenne Bodie, the strapping, brooding, mean title drifter in the 1955-63 ABC Western Cheyenne. Roaming from town to town and job to job in the post-Civil War West. The series did a slow build, breaking into the year-end Primetime Top 25 at No. 12 in its third season, where it peaked amid the crush of Western fare.
Around then, a contract beef with producer Warner Bros led Walker to quit the show. The studio replaced him with an unknown actor — Ty Hardin, who would go on to star in Bronco — but Walker returned in early 1959 and finished out the series’ seven-season run.
- 5/22/2018
- by Erik Pedersen
- Deadline Film + TV
Clint Walker, who flexed his considerable brawn — but only when he had to — as a gentle giant on Cheyenne, the landmark 1950s Western that aired for seven seasons on ABC, has died. He was 90.
Walker, who also starred in such films as Send Me No Flowers (1964), None But the Brave (1965) and the World War II classic The Dirty Dozen (1967), died Monday of congestive heart failure in Grass Valley, California, his daughter Valerie said.
With a chiseled 6-foot-6, 250-pound physique that showed off a 48-inch chest and 32-inch waist, the rugged, blue-eyed Walker was often hired ...
Walker, who also starred in such films as Send Me No Flowers (1964), None But the Brave (1965) and the World War II classic The Dirty Dozen (1967), died Monday of congestive heart failure in Grass Valley, California, his daughter Valerie said.
With a chiseled 6-foot-6, 250-pound physique that showed off a 48-inch chest and 32-inch waist, the rugged, blue-eyed Walker was often hired ...
- 5/22/2018
- The Hollywood Reporter - Movie News
Clint Walker, who flexed his considerable brawn — but only when he had to — as a gentle giant on Cheyenne, the landmark 1950s Western that aired for seven seasons on ABC, has died. He was 90.
Walker, who also starred in such films as Send Me No Flowers (1964), None But the Brave (1965) and the World War II classic The Dirty Dozen (1967), died Monday of congestive heart failure in Grass Valley, California, his daughter Valerie said.
With a chiseled 6-foot-6, 250-pound physique that showed off a 48-inch chest and 32-inch waist, the rugged, blue-eyed Walker was often hired ...
Walker, who also starred in such films as Send Me No Flowers (1964), None But the Brave (1965) and the World War II classic The Dirty Dozen (1967), died Monday of congestive heart failure in Grass Valley, California, his daughter Valerie said.
With a chiseled 6-foot-6, 250-pound physique that showed off a 48-inch chest and 32-inch waist, the rugged, blue-eyed Walker was often hired ...
- 5/22/2018
- The Hollywood Reporter - Film + TV
11:15 Am Pt -- Clint's daughter, Valerie, tells us Walker died from congestive heart failure.Clint Walker -- best known for playing a TV cowboy on the hit western series "Cheyenne" -- has died ... TMZ has learned. Clint died suddenly Monday in the company of his wife and daughter ... according to a source close to the family. It's still unclear what caused his death, but a family member says they believed it was a heart issue.
- 5/22/2018
- by TMZ Staff
- TMZ
Above: Italian 4-foglio for The Joker is Wild (Charles Vidor, USA, 1957). Art by Enzo Nistri.Frank Sinatra, arguably the most important entertainer of the 20th century, was born 100 years ago today. I’ve become a little obsessed with him over the past week after watching Alex Gibney’s terrific 2-part, 4-hour HBO portrait Sinatra: All or Nothing at All. This of course got me thinking about Frank in movie posters, and I realized that I could barely come up with images of Sinatra posters in my head. While his best album covers are indelible and iconic, his movie posters tend to be less so. Scrolling through his filmography I realized that part of the problem is that his greatest films—On the Town, From Here to Eternity, Guys and Dolls, Some Came Running, Ocean’s 11—were almost always ensemble films in which Sinatra was never the standalone star, and so...
- 12/12/2015
- by Adrian Curry
- MUBI
Above: Italian 4-foglio for The Joker is Wild (Charles Vidor, USA, 1957). Art by Enzo Nistri.Frank Sinatra, arguably the most important entertainer of the 20th century, was born 100 years ago today. I’ve become a little obsessed with him over the past week after watching Alex Gibney’s terrific 2-part, 4-hour HBO portrait Sinatra: All or Nothing at All. This of course got me thinking about Frank in movie posters, and I realized that I could barely come up with images of Sinatra posters in my head. While his best album covers are indelible and iconic, his movie posters tend to be less so. Scrolling through his filmography I realized that part of the problem is that his greatest films—On the Town, From Here to Eternity, Guys and Dolls, Some Came Running, Ocean’s 11—were almost always ensemble films in which Sinatra was never the standalone star, and so...
- 12/12/2015
- by Adrian Curry
- MUBI
By Lee Pfeiffer
Now this is what you call a bargain: three terrific WWII flicks for only $10 on Amazon, courtesy of Shout! Factory's Timeless Media label, which continues to distribute first rate editions of films that were often considered to be second-rate at the time of their initial release. This "War Film Triple Feature" package includes three gems that were not particularly notable at the time of their release. Two have grown in stature, while the third has benefited only from Cinema Retro writer Howard Hughes' enthusiastic coverage in issue #25. The films included in the set are:
"Attack" (1955)- During the period of WWII, both the Allied and Axis film industries concentrated on feature films that were pure propaganda designed to motivate their fighting men and the public at large. By the early-to-mid-1950s, however, more introspective viewpoints emerged among Hollywood directors and writers. With the conflict now over,...
Now this is what you call a bargain: three terrific WWII flicks for only $10 on Amazon, courtesy of Shout! Factory's Timeless Media label, which continues to distribute first rate editions of films that were often considered to be second-rate at the time of their initial release. This "War Film Triple Feature" package includes three gems that were not particularly notable at the time of their release. Two have grown in stature, while the third has benefited only from Cinema Retro writer Howard Hughes' enthusiastic coverage in issue #25. The films included in the set are:
"Attack" (1955)- During the period of WWII, both the Allied and Axis film industries concentrated on feature films that were pure propaganda designed to motivate their fighting men and the public at large. By the early-to-mid-1950s, however, more introspective viewpoints emerged among Hollywood directors and writers. With the conflict now over,...
- 8/19/2014
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Some of the international movie posters presented in Cinema Retro issue #28, which features in-depth coverage of the making of Zulu.
By Brian Hannan
The 50th anniversary showing of Zulu in Britain next month is unlikely to be repeated in the U.S. where the film flopped. But even the poorest box-office performer has an afterlife. So in 1965 Zulu was pushed out again anywhere that would have it. That meant it supported some odd, not to say ugly, bedfellows – exploitationer Taboos of the World in Kansas City, The Three Stooges in The Outlaws Is Coming in Phoenix, B western Stage To Thunder Rock in Long Beach, How to Stuff a Wild Bikini in Des Moines and Rhino in Abilene. They liked it in Long Beach where it supported both Circus World and That Man from Rio. It was the second feature to None But the Brave in Provo, Utah, and to two more successful Joe E.
By Brian Hannan
The 50th anniversary showing of Zulu in Britain next month is unlikely to be repeated in the U.S. where the film flopped. But even the poorest box-office performer has an afterlife. So in 1965 Zulu was pushed out again anywhere that would have it. That meant it supported some odd, not to say ugly, bedfellows – exploitationer Taboos of the World in Kansas City, The Three Stooges in The Outlaws Is Coming in Phoenix, B western Stage To Thunder Rock in Long Beach, How to Stuff a Wild Bikini in Des Moines and Rhino in Abilene. They liked it in Long Beach where it supported both Circus World and That Man from Rio. It was the second feature to None But the Brave in Provo, Utah, and to two more successful Joe E.
- 5/19/2014
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
Anybody who has ever been to a high school reunion (and I’ve been to my share) will tell you that the calendar and the clock can be incredibly cruel (particularly when combined with the long-term effects of gravity, but let’s not go there).
Time punishes creative works as well. Some work grows dated, stale, stiff. Time and the evolving form of the given art leaves a once vibrant and exciting work behind looking dead and obsolete.
More cruel, perhaps, is work that is simply…forgotten. Not for any good reason. Good as it was, maybe it was simply not successful enough to lodge very deeply in the popular consciousness; working well enough in its day, but soon lost among the ever-growing detritus of a lot of other pieces of yesterday.
Movie music is particularly vulnerable to the cruelties of time. Outside of the form’s devotees, it rarely...
Time punishes creative works as well. Some work grows dated, stale, stiff. Time and the evolving form of the given art leaves a once vibrant and exciting work behind looking dead and obsolete.
More cruel, perhaps, is work that is simply…forgotten. Not for any good reason. Good as it was, maybe it was simply not successful enough to lodge very deeply in the popular consciousness; working well enough in its day, but soon lost among the ever-growing detritus of a lot of other pieces of yesterday.
Movie music is particularly vulnerable to the cruelties of time. Outside of the form’s devotees, it rarely...
- 1/14/2013
- by Bill Mesce
- SoundOnSight
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