Blowup (1966)

Calificación de los usuarios:

7.6/10   

Director:

Michelangelo Antonioni

Escritores:

Michelangelo Antonioni (story)
Julio Cortázar (short story)
(más)

Fecha de Lanzamiento:

18 diciembre 1966 (USA)

Género:

Drama | Misterio

Frase comercial:

Michelangelo Antonioni's first British film

Plot:

A mod London photographer believes that he has photographed a murder.

Plot Keywords:

Murder | Photographer | Mod | Fashion | Park

Premios:

Nominated for 2 Oscars. Another 7 wins & 4 nominations

Comentarios de los usuarios:

Still fascinating after all these years!

Reparto

Vanessa Redgrave	...	Jane
Sarah Miles	...	Patricia
David Hemmings	...	Thomas
John Castle	...	Bill
Jane Birkin	...	The Blonde
Gillian Hills	...	The Brunette
Peter Bowles	...	Ron
Veruschka von Lehndorff	...	Herself (as Verushka)
Julian Chagrin	...	Mime
Claude Chagrin	...	Mime
listado alfabético del resto del reparto:
Jeff Beck	...	Himself with The Yardbirds (uncredited)
Susan Broderick	...	Antique shop owner (uncredited)
Tsai Chin	...	Thomas' receptionist (uncredited)
Chris Dreja	...	Himself in the Yardbirds (uncredited)
Melanie Hampshire	...	Model (uncredited)
Harry Hutchinson	...	Shopkeeper (uncredited)
Jill Kennington	...	Model (uncredited)
Mary Khal	...	Fashion editor (uncredited)
Chas Lawther	...	Waiter (uncredited)
Jim McCarty	...	Himself in the Yardbirds (uncredited)
Peggy Moffitt	...	Model (uncredited)
Rosaleen Murray	...	Model (uncredited)
Ann Norman	...	Model (uncredited)
Ronan O'Casey	...	Jane's lover in park (uncredited)
Jimmy Page	...	Himself with The Yardbirds (uncredited)
Keith Relf	...	Himself in The Yardbirds (uncredited)
Janet Street-Porter	...	Girl Dancing In Club (uncredited)
Reg Wilkins	...	Thomas' assistant Reg (uncredited)

Dirigida por
Michelangelo Antonioni

Créditos del guión
Michelangelo Antonioni		(story)
Julio Cortázar		(short story) (as Julio Cortazar)
Michelangelo Antonioni		(screenplay) and
Tonino Guerra		(screenplay)
Edward Bond		(English dialogue)

Producida por
Carlo Ponti	....	producer
Pierre Rouve	....	executive producer

Música original por
Herbie Hancock		(as Herbert Hancock)

Fotografía por
Carlo Di Palma		(director of photography) (as Carlo di Palma)

Montaje por
Frank Clarke		(uncredited)

Casting
Irene Howard		(uncredited)

Dirección artística
Assheton Gorton

Diseño de vestuario por
Jocelyn Rickards		(dresses)

Departamento de maquillaje
Stephanie Kaye	....	hair stylist
Paul Rabiger	....	makeup artist

Dirección de producción
Donald Toms	....	production manager
Roy Parkinson	....	production supervisor (uncredited)

Ayudante de dirección
Claude Watson	....	assistant director
Antal Kovacs	....	second assistant director (uncredited)

Departamento de Arte
Roger King	....	assistant art director (uncredited)

Departamento de sonido
Robin Gregory	....	sound recordist
Mike Le Mare	....	sound editor
J.B. Smith	....	dubbing mixer
Arkadi De Rakoff	....	assistant sound (uncredited)

Cámara y Departamento Eléctrico
Ray Parslow	....	camera operator
Arthur Evans	....	still photographer (uncredited)
Dennis C. Lewiston	....	camera operator: second unit (uncredited)
Alec Mills	....	focus puller (uncredited)

Departamento de vestuario
Jackie Breed	....	wardrobe supervisor

Departamento de Edición
Alan Corder	....	assembly cutter (uncredited)

Otros miembros del equipo
John Cowan	....	photographic murals
Piers Haggard	....	dialogue assistant
Betty Harley	....	continuity
Bruce Sharman	....	location manager

Compañías Productores

• Bridge Films

Distribuidores

• Metro-Goldwyn-Mayer (MGM) (1966) (UK) (theatrical)
• Premier Productions (1966) (USA) (theatrical)
• Columbia Broadcasting System (CBS) (1973) (USA) (TV) (original airing)
• Argentina Video Home (2004) (Argentina) (DVD)
• Argentina Video Home (2004) (Argentina) (VHS) (re-release)
• Asociace Ceských Filmových Klubu (ACFK) (Czech Republic) (re-release)
• Chapel Distribution (1997) (Australia) (theatrical)
• Criterion Collection, The (USA) (laserdisc)
• MFA Filmdistribution
• MGM/UA Home Video (1986) (UK) (VHS)
• Metro-Goldwyn-Mayer (MGM) (1967) (Sweden) (theatrical)
• Vídeo Arte (Brazil) (VHS)
• Warner Home Video (2004) (UK) (DVD)
• Warner Home Video (2004) (Italy) (DVD)
• Warner Home Video (2004) (USA) (DVD)
• Warner Home Vídeo (2004) (Brazil) (DVD) (censored version)

Otras Compañías

• Cine Audio Effects  sound effects and foley design (sound effects)

También conocida como:

Blow-Up (Italy) (USA)
Blow Up (UK) (alternative spelling)
Blow-Up (Deseo de una mañana de verano) (Spain) [es]
Blowup - Deseo en una mañana de verano (Argentina) [es]

Duración:

111 min

País:

UK | Italy | USA

Idioma:

Inglés

Color:

Color (Metrocolor)

Relación de Aspecto:

1.85 : 1

Sonido:

Mono

Clasificación:

Canada:PA (Manitoba) | Canada:R (Nova Scotia/Ontario) | Argentina:13 | Canada:14A (video rating) | USA:Not Rated (video rating) | Singapore:NC-16 | Hong Kong:IIB | UK:X (original rating) | Australia:M | Finland:K-16 | Italy:VM14 | Portugal:M/12 | Sweden:15 | UK:15 (video rating) (1986) | Germany:16 (re-rating) | West Germany:18 (original rating) (w) | UK:15 (re-rating) (2005) | Iceland:L

Locaciones de Filmación:

Chelsea, London, England, UK

Compañía:

Bridge Films

Trivialidades:

According to Don McCullin in his autobiography "Unreasonable Behaviour", director Michelangelo Antonioni was unhappy with the color of the grass in Maryon Park. He had it sprayed green so he could re-shoot the scene.

Errores:

Continuidad: The print removed by Thomas from the darkroom ferrotype dryer is stiff and perfectly dry, however the print shown moments later in the following scene is limp and obviously still wet.

Citas:

[first lines]
Mime: Give me your money. Do it.

Conexiones de Película:

Referenced in Unrequited Love (2006)

Banda de Sonido:

Did You Ever Have to Make Up Your Mind?

Still fascinating after all these years!

'Blowup' is frequently mentioned as one of the most influential movies of the twentieth century. And I believe it is. But it is no dry and dull document that the viewer must force himself to "appreciate" while he stifles his yawns. Like 'Citizen Kane', 'Breathless' and 'Psycho' it is not only an important movie milestone, it is still a living and breathing work of art that will fascinate and impress any movie lover who approaches it with an open mind. 'Blowup' lures you in with its snapshot of swinging 60s London, and it's tease of being a murder mystery, which it really isn't, but by then you're hooked. This movie is a puzzle with no solution, a text with any interpretation the viewer cares to bring to it. That may sound heavy going and off putting, but this is a surprisingly watchable movie. Even the "boring" sequences are interesting! Anyone who enjoys David Lynch, Dario Argento (whose 'Profundo Rosso' deliberately referenced this), Nic Roeg or Jim Jarmusch, movies where atmosphere and visual images are more important than characterization, plot or dialogue, will appreciate this 60s classic. I think it gets better with every viewing.