Le deuxième souffle (1966)

Calificación de los usuarios:

8.1/10   

Director:

Jean-Pierre Melville

Escritores:

José Giovanni (novel)
José Giovanni (dialogue) ...

Fecha de Lanzamiento:

1 noviembre 1966 (France)

Género:

Crimen | Drama

Plot:

Gustave Manda, better known as Gu, a dangerous gangster, escapes from jail. He goes to Paris to join Manouche and other friends...

Plot Keywords:

Paris | Gangster | Murder | Dance Troupe | Bus

Comentarios de los usuarios:

not bad at all, actually very good and meticulously structured heist movie, but not great

Reparto

Lino Ventura	...	Gustave 'Gu' Minda
Paul Meurisse	...	Commissaire Blot
Raymond Pellegrin	...	Paul Ricci
Christine Fabréga	...	Simone - dite 'Manouche' (as Christine Fabrega)
Marcel Bozzuffi	...	Jo Ricci (as Marcel Bozzufi)
Paul Frankeur	...	Inspector Fardiano
Denis Manuel	...	Antoine Ripa
Jean Négroni	...	L'homme (as Jean Negroni)
Michel Constantin	...	Alban
Pierre Zimmer	...	Orloff
Pierre Grasset	...	Pascal
Jacques Léonard		(as Jack Leonard)
Raymond Loyer	...	Jacques, le notaire
Régis Outin		(as Regis Outin)
Albert Michel	...	Marcel le Stéphanois

También conocida como:

Second Breath
El último suspiro (Argentina) (festival title) [es]
Hasta el último aliento (Spain) [es]

Duración:

144 min

País:

France

Idioma:

Francés

Color:

Negro y Blanco

Relación de Aspecto:

1.66 : 1

Sonido:

Mono

Clasificación:

Argentina:16 | Finland:K-16 | Sweden:15

Locaciones de Filmación:

Marseille, Bouches-du-Rhône, France

Compañía:

Les Productions Montaigne

Conexiones de Película:

Version of Le deuxième souffle (2007)

not bad at all, actually very good and meticulously structured heist movie, but not great

I had seen nearly everything that is readily available from Jean-Pierre Melville in the United States by the time I got to Le Deuxieme soufflé, which may be part of why I didn't respond overwhelmingly to it. After such challenging, methodical and precisely existential crime masterpieces as Le Samourai, Le Cercle Rouge, Bob le flambeur and the underrated Le Doulos, this one just seemed to not pack the same kind of punch that the others did. Again, this may be the fault on the viewer for seeing this last among his mostly thriller-oriented oeuvre, but perhaps it's also some of Melville's fault too; again and again, as the dedicated and ruthless auteur that he was (one of the great French directors I would argue), he kept coming back to men in trench-coats with grim expressions figuring out on both sides- criminal and detective- of how to plot the next move or, for the former, how to keep from the fatalism of the plot.

Which, for Melville, is something that comes second nature. The difference, perhaps, in this case is that the length (a whopping two and a half hours, longer than both The Red Circle and Army of Shadows) and the amount of details in the structure of the story (i.e. what happened on such and such a day made this happened could've been snipped, albeit I can't pinpoint to which) bog down some of the more successful aspects to the picture. Which is also to say that for all of its minor misgivings, Le Deuxieme soufflé (or, simply, The Second Breath) is near-classic Melville, with nail-bitingly tense suspense scenes like the opening escape from the prison and the latter heist sequence- somewhat more obvious and less coolly ambitious as Red Circle.

There's the amazing cinematography as well, a trademark of Melville and his crew to make things gritty but smooth in precision and style, and the performances from Paul Meurisse as the Detective (maybe my favorite performance of the picture just for the intelligence he imbues in the character), and Lino Ventura as one of the quintessential Melville anti-heroes, Gu, the convict who wants in on the big 200 million heist. And even as it could be Melville's most "talky" picture after Bob le flambeur (which is relative to how pleasantly light, or how seemingly sparse, his films are with dialog), when the characters speak it's to the point of with some quotable spunk to them.

There's an icy, unspoken angst in Melville's world of criminals, almost questioning but still true to the notion of the 'policier', where you'd want the criminals to get away with it if the detective wasn't so doggone determined all the time. It's another fine piece of film-making from the director, just not an all-time-top flick - more along the lines of Un flic. 8.5/10